THOUGHTS ON VISITING ASSISI

Kyoto, 29 November 2023

At the end of October, my wife and I did a two-day hike from Gubbio to Assisi, along the Via di San Francesco. As the trail’s name suggests, it centres around the life and times of St. Francis of Assisi. As befits any saint from the Middle Ages, he was the protagonist of a great number of stories, many of which became the subject of the late 13th Century frescoes painted in Assisi and elsewhere after his death in 1226. I will choose some of these to illustrate stories which took place in the localities linked by the trail.

To the north of Assisi, the trail starts at La Verna, where Francis received the stigmata.

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It passes through Gubbio, where he tamed the Big Bad Wolf which was terrorising the good people of the town.

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It then goes on to Assisi.

As for the southern portion of the trail, it starts in Rome, where Francis went a number of times to keep his movement on the right side of the Church authorities – this fresco depicts his critical first meeting with Pope Innocent III, to receive the pope’s blessing for his nascent movement.

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It goes on to Rieti, where Francis came many times. His last visit was shortly before his death, to have an operation on his eyes – he had become nearly blind (the operation failed, alas).

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Nearby, while resting and preparing for his operation, he worked on his Canticle of the Sun:
“Be praised, my Lord, through all your creatures,
especially through my lord Brother Sun,
who brings the day; and you give light through him.”
He goes on to praise “Sister Moon”, “Brother Wind”, “Sister Water”, “Brother Fire”, “Sister Mother Earth”. He completed the last verse on “Sister Bodily Death” as he lay dying in Assisi soon after.

In nearby Greccio, he created the first living crèche, using locals as the actors in the drama. It was his way of telling the Christmas story to rural folk, who couldn’t understand the Latin in which the story was normally told.

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The trail goes on to Spoleto, where Francis had the dream which convinced him to give up his plan of becoming a knight to fight in the Crusades.

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And it, too, of course ends in Assisi, where Francis’s spiritual journey began and ended. Of the many stories about him that happen in the town, I choose two:
His renunciation of his father and family, stripping himself naked in the town’s piazza and giving his clothes back to his father;

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And the moment when Christ on the cross spoke to him in the little church of San Damiano on the edges of Assisi.

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And then there is the tiny church of Porziuncola down in the valley below the town, which Francis had rebuilt and where he loved to spend time. Here is an artist’s rendering of what it looked like in his day. Those two rows of little huts are where the friars stayed.

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It was in that church – chapel, really – that Francis heard the priest read out from the Gospel of Matthew the passage where Christ sends his disciples far and wide to proclaim the Good News, with the following instructions: “You received without charge, give without charge. Provide yourselves with no gold or silver, not even with coppers for your purses, with no haversack for the journey or spare tunic or footwear or a staff, for the labourer deserves his keep.” Then and there, he decided that he and his followers would do the same. Thus was born the order of mendicant friars which was to take his name, the Franciscan Order.

Funnily enough, this momentous decision doesn’t feature in any of the frescoes about him – at least, none that I have found. But other stories involving Porziuncola have been the subject of frescoes. I choose three:
His welcoming of Clare when she ran away from her family to join Francis’s movement and eventually established the Order of Poor Clares;

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His moment of doubt, when he rolled himself in a rose bush whose thorns, though, miraculously turned into flowers;

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His death at the little infirmary next to Porziuncola.

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After our two days of hiking, my wife and I spent a day in Assisi. Alas, I can’t say that I liked the town in its modern guise. It’s just a tourist trap, crowded, full of shops selling tourist tat and restaurants selling overpriced food.

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Francis would have been horrified at all these shops pushing tourists to consume – and in his name at that. I rather think – I hope – that like Jesus in the Temple in Jerusalem he would have gone after all these sellers of tat. Turning once again to Matthew: “Jesus then went into the Temple and drove out all those who were selling and buying there; he upset the tables of the money-changers and the seats of the dove-sellers. He said to them, ‘According to scripture, my house will be called a house of prayer; but you are turning it into a bandits’ den.'” I throw in a painting by El Greco of Jesus  wielding the whip in the Temple, one that always comes to my mind when I see these shops in places that are supposed to be havens of religion.

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But even the basilica of St. Francis, which one reaches after braving the tourist shops and overpriced restaurants, disappointed me. Yes, it is full of art whose creation supposedly kick-started the Italian Renaissance, and I’ve used many of its frescoes above as illustrations. But I was struck by something I read. In his testament, Francis had specified where he wanted to be buried in Assisi. It was at the far end of the town, its lower end. It was here that convicts were executed and the town’s lepers and other outcasts congregated. Its noisome reputation led to the area being called the “collis Inferni”, the hill of Hell. Francis had often spent time on that hill, ministering to the wretched who eked out a living there. It was of a piece with his beliefs to want to be put to rest in a humble grave among the lowest of the low. Yet, the Church authorities, actively supported by the Franciscan Order’s hierarchy, were having none of that. It was decreed that a splendid basilica would rise on the collis Inferni, turning it into the “collis Paradisi”, the hill of Paradise.

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Poor Francis must have been spinning in his coffin when he was finally interred in that basilica, four years after he died. It was a betrayal of everything he stood for.

As for Porziuncola, that humble chapel so beloved by Francis, Pope Pius V in the 16th Century ordered a huge church to be built, Santa Maria degli Angeli.

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It literally englobes the little chapel

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as well the infirmary where Francis died

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and the rose bush he rolled himself in.

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The ostensible reason for building the church was to better control the flow of pilgrims. The guide books are at pains to point out the bareness of the interior of this mastodontic church, as proof of its respect for Francis’s vows to Lady Poverty. But, standing on the square in front of the church, it is difficult not to see this as one more example of the Church authorities glorifying themselves. I’m certain that Francis would have been horrified.

As I’ve said in an earlier post, I am a great admirer of Francis – not the religious side of him; as I’ve said in another post, I am an atheist and have been since I fell off the straight-and-narrow as a student at University. But his turning away from the material side of life – a core part of the Rule he wrote for his friars being that they should own nothing – makes him truly a man for our times.

I hardly ever allow my professional work to leak into my posts, but today will be different; I suppose it’s because I’m writing this post in Kyoto where I am giving my annual course to university students on precisely this: how we can build a society that has a much smaller footprint. What I tell my students is that after working for 45 years in the environmental field, I have become convinced that our excessive consumption is literally destroying our planet. Look at these photos taken by Peter Menzel. He travelled to different countries and invited households whom he met to put everything they owned out on the street in front of where they lived. This photo is of a family somewhere in North America, a place with one of the highest levels of per capita consumption in the world.

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This one is from Japan.

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This one is from Kuwait.

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This is all worrying enough. But what’s even more worrying is that people who live in less developed countries, whose levels of ownership and consumption of stuff are still modest, like South Africa

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or Bhutan

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they want to have the same levels of consumption as the richer countries.

That impulse is perfectly understandable. But it cannot be. We cannot all consume at the levels of that North American family, or even of that  Japanese family. We must heed Francis’s call to adopt a life shorn of stuff. We must – we must – reduce our levels of consumption, or else we will face an ecological catastrophe. Here, too, Francis is a man for our times because of his views on Nature. Unlike most of his contemporaries, and indeed unlike most of humanity even today, he saw the rest of Nature as equal to us humans. His Canticle to the Sun is an ode to Nature, as relevant today as it was when he wrote it 800 years ago. Of course, his reverence of Nature sprang from his reverence of God – if God created Nature, his argument went, we should revere Nature as God’s work. My position is rather different. Whether we like it or not, we are an intimate part of the world’s biosphere, and if it dies we die. Yet, because of our huge levels of consumption, growing ever huger with every passing year, we are ripping our biosphere apart, one result being that the Earth is losing species at rates which have not been seen in the last 10 million years. Francis, I’m sure, would have been appalled. If we go on like this, we are going towards a general collapse of the world’s ecosystems, which will sweep away our civilisations – for all our cleverness, we will not survive breakdowns in our biological life-support systems.

And finally Francis is a man for our times because he felt closest to the poor, the outcasts, the lowest of the low. Today, we live in a world riven by inequalities. In the photos above, I showed one type of inequality, the inequality between countries. Seemingly, this type of inequality is narrowing, but only to be replaced by a much more insidious inequality, the inequality between the citizens of these countries. Already rich individuals are getting ever richer at the expense of everyone else and don’t care anymore about their fellow citizens. We have to change that. We must – we must – pay more attention to the greater societal good rather than to our own individual desires. Frankly, this is not – as was the case for Francis – a disinterested decision, an “act of love for our fellow men”; it is very self-interested. If we don’t look after those who have been left behind, they will eventually come for us with their pitchforks.

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This family from Cuba shows us more or less what our levels of consumption needs to be for them to be sustainable.

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And this should not be an average. Every one of us should have this level of consumption, from the Bezoses and Musks of this world to the homeless that haunt our streets.

SERENDIPITY

Milan, 20 January 2023

I love serendipity, those moments in life when, quite by chance, something wonderful happens to you. Such a moment occurred a month or so ago now, when my wife and I, free for the day from our babysitting duties, headed off to LA’s Chinatown, to have our hair cut and to nose around a little. Pleasant as this all was, it was not where the serendipitous moment occurred. It was later, when we decided to walk from Chinatown to Bunker Hill, hoping to catch an exhibition at the Broad Museum or the Museum of Contemporary Art, which both sit on that hill. There was indeed a wonderful exhibition at MOCA, but fascinating as it was, it was also not there that the serendipitous moment occurred. It happened on the way; by sheer chance, I chose a route which took us past LA’s Catholic Cathedral of Our Lady of the Angels.

I cannot stress strongly enough, one should never go past a church without visiting it. For two thousand years, churches have been the repositories of some of the best art our cultures have produced (as indeed have temples and other sites of worship the world over), so there are very good chances that there will be something interesting to see in every church. The Cathedral of our Lady of the Angels was a brilliant example of the truth of my injunction, “Enter that church! Do not walk past it!”

The cathedral itself, opened in 2002, is certainly an interesting example of postmodern design by the Spanish architect Rafael Moneo (who also designed the fantastic museum of Roman Art in Merida, Spain, which my wife and I visited some 15 years ago; but that is another story). These two photos give an idea of what the cathedral looks like inside and out.

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As I said, interesting. But the real jewel – that serendipitous moment – were the tapestries that lined the two walls of the nave. They were magnificent. They were designed by the Californian artist John Nava and woven in Belgium, a country with a centuries-old tradition in the making of tapestries.

This photo shows their general layout.

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Readers with good eyes will be able to see that the tapestries depict a procession of people – women, men, children – moving towards the cross above the high altar. Closer inspection shows that most of these people are saints (or in certain cases blesseds). These photos show some of the panels (there are 26 of them in all).
Some of the tapestries on the southern wall:

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Sone of the tapestries on the northern wall:

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With the more modern saints, Nava used photos or contemporary paintings to create their likeness, otherwise he used family members, acquaintances, and models. He wanted his saints to look like real people, where we the viewers could say “hey, that looks awfully like so-and-so”.

The tapestries show quite a mix of saints and blesseds, from all over the world (although Europe does predominate) and across all ages. A good number I’m familiar with. My mother, may she rest in peace, used to ply me with comic books (graphic novels might be a more respectable term, given the subject matter) of the lives of various saints, to give me good examples to live up to. So, for instance, I’m familiar with Jean Vianney, the Curé d’Ars (the saint on the far right in this photo).

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Then there’s Saint Francis, a saint I am particularly fond of as I’ve written about in an earlier post (again, the saint on the far right of this photo).

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Then there’s San Carlo Borromeo; you cannot live in Milan for any length of time without coming across him multiple times (he’s the second from the left in the photo below).

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I’ve mentioned San Carlo a few times in my posts, and I think Nava has made his nose too small – all the paintings of the saint I’ve ever seen show that he had a monstrous conk.

Some are saints who were alive during my lifetime and with whom I have a certain familiarity – Mother Theresa and Pope John XXIII, for instance.

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I like the fact that Nava has mixed in a number of anonymous people with his saints and blesseds – mostly children, as we see in the first of these close-up photos – to remind us that we can all be saints (although, as history has sadly taught us, we can all be devils too; but we’ll draw a veil over that today).

Readers will see that while the faces which Nava created are intact, the clothes of many show gaps and scars, reminiscent of old frescoes which have been partly destroyed; a nice touch, I found.

Stumbling across these tapestries was wonderful enough. But what was even more delightful was that this modern procession of saints immediately brought to my mind another such procession, in a church nearly 10,000 km away and erected some 1,500 years before the cathedral of our Lady of the Angels: Sant’Apollinare Nuovo in Ravenna, a church which has been the subject of several of my earlier posts.

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Ravenna is one of my most favorite places in the world, filled as it is with early Christian churches whose interiors house mosaics. Any long-term readers of my blog will know that early Christian mosaics hold a special place in my heart. I still remember that morning in early July of 1975 when I walked into Sant’Apollinare Nuovo for the first time: another serendipitous moment. Callow youth that I was, I had put Ravenna on my itinerary because the Michelin Green Guide, which I was religiously following, assigned the town its maximum of three stars. I had no idea what to expect, and I was overcome by what I found before me. The walls of Sant’Apollinare glitter with wonderful mosaics showing a line of virgins and martyrs processing solemnly towards the high altar. In a sign of how things have changed in the intervening 1,500 years, whereas in the tapestries all the saints are mixed companionably together, in Ravenna they are rigorously segregated by gender, with the virgins processing down one wall and the martyrs (all male) processing down the other (they are also all white, showing the much more local reach of the Christian church then than now).

Here we have the procession of the virgins.

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And here, a little less clearly, we have the procession of the martyrs.

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I throw in a couple of close-ups to give readers a better sense of what the mosaics are like. Here, are some of the virgins, with names that we would recognize today – Christina, Caterina, Paulina.

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And here are some of the martyrs, with names like Clement and Laurence but also others which are far less familiar to us today – Sistus, Hypolitus, Cornelius.

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The other mosaics I discovered that day – in the churches of Sant’Apollinare in Classe and of San Vitale, in the Mausoleum of Galla Placidia, in the Baptistery of Neon and the Arian Baptistery – were just as magnificent and are forever etched in my mind.

Ah, the thrill of serendipity! Remember, readers: never pass a church (or a mosque, or a synagogue, or a temple, or a gurdwara) without going in! (if they allow you, that is) Chances are you’ll see something interesting, and sometimes you’ll find something wonderful.