VIBRAM FIVEFINGER SHOES AND FLAYING

New York, 28 December 2012

My daughter has recently bought herself a pair of Vibram FiveFinger running shoes. For those of you who might not be familiar with this latest cool product, I add here a picture of my daughter’s pair.

giusti shoes

I was not aware of the existence of these shoes until my daughter announced their purchase to me and my wife. In our university days, back in the 1970s, we had come across the-then cool new product, socks with toes, when the sister of one our roommates came to visit and turned up at breakfast time sporting them. For those of my readers who are in the Stone Age of coolness and have never even seen this product, I append a picture.

socks with toes

Intrigued by these strange-looking – but utterly cool – shoes, I visited the web site of the company which designed them, which as an Italophile I am proud to say is Italian. Only Italians could possibly have designed such a shoe. The company in question is Vibram, and I quote here part of the blurb on the shoe from the web site:

“Industrial Designer, Robert Fliri, first proposed the idea of FiveFingers footwear to Marco Bramani, grandson of Vibram founder Vitale Bramani, who immediately embraced the concept. Bramani and Fliri developed the first barefoot shoes, then showed the concept to Vibram USA president & CEO, Tony Post. As a former collegiate runner, Post quickly became a firm believer in the benefits of natural running* and fitness training. He discovered that Vibram FiveFingers were the unique solution to the knee pain and soreness he was experiencing when running.

Soon, they collaborated with the full Vibram team to position Vibram FiveFingers® as a performance product for running, fitness and outdoor sports. FiveFingers not only encouraged a more natural forefoot strike during running, but also allowed the foot to move and work in a completely natural way, while providing grip and protection over a variety of surfaces.

*Running in Vibram FiveFingers requires a significant increase in lower leg and foot strength. A gradual transition is critical to avoid overuse injuries. For more information on making a safe transition please refer to our Barefoot Running page.” (1)

The site has this picture, which shows the ample delights awaiting the purchaser of these shoes when running in them:

woman running in vibram shoes

Yet, in all this wash of coolness and delight, I have to tell you that I find these shoes rather creepy, because they remind me of Saint Bartholomew. For those of my readers who are not well versed in Catholic martyrology, Saint Bartholomew, mentioned as one of the Twelve Apostles in the three Synoptic gospels and in the Acts of the Apostles, is reputed to have been martyred in Armenia by being flayed alive and crucified upside down. Since flaying is not a common practice any more, I should further elucidate that flaying is the act of stripping the skin off a person, preferably when still alive so as to make the experience of dying all that much more excruciatingly painful.

As anyone who has ever walked through the European medieval section of a good art museum will know, Medieval painters – no doubt responding to popular demand – took a morbid delight in showing in clinical detail the varied torments to which the Christian martyrs were subjected; given Saint Bartholomew’s particularly grisly end, he was a popular subject of such paintings. I show here such an example.

saint-bartholomew-painting-3

Please note the stoicism with which Saint Bartholomew is taking it all. Personally, I would have been screaming and begging and pleading and blubbering and generally carrying on. But then I am not a Christian martyr.

Usually, representations of Saint Bartholomew will show the poor man, stoic to the last, carrying his flayed skin as well as one of the knives used to flay him.

saint-bartholomew-painting-2

This particular representation I find quite realistic since the – hopefully – corpse at the end of a flaying presumably must be a bloody mess, although in this particular painting the bloodiness looks more like a body stocking. Indeed, as time passed the gory details tended to be dropped in favour of a more romantic representation, such as this one in St. John Lateran in Rome.

saint-bartholomew statue-5-Rome

I am particularly mystified by the fact that the Saint has recovered his skin in this representation, but presumably when one goes to heaven one becomes whole again.

This trend towards the sucrose was spectacularly bucked by one Marco d’Agrate, who in 1562 created a gruesomely realistic statue of Saint Bartholomew which now resides in the Duomo of Milan. I happen to know the Duomo well since my wife is Milanese and as a patriotic duty we always visit the Duomo every time we go back. As this photo shows, Signor d’Agrate has benefited from the vivisections of human bodies that Renaissance scientists had managed to carry out in the face of the Church’s disapproval and he has created a good representation of the muscles and sinews of a human body after the skin has been stripped off. He has of course maintained the tradition of having the Saint hold his flayed skin but has made more of a fashion statement of it, draping it artistically around the Saint’s shoulders.

saint-bartholomew statue-1

And it is now that we come to the connection with the Vibram FiveFingers shoe. This photo, taken from another angle, shows very clearly the feet of the flayed skin. I see an uncanny resemblance in these with the Vibram shoe. Hence my feeling of creepiness.

saint-bartholomew statue-3b

Happy holidays!

____________________
1. http://www.vibramfivefingers.com/about_vibram_fivefingers/

socks with toes: http://screaminglywonderful.files.wordpress.com/2011/03/26-270d242b-4a17-46e5-af00-642d212561ac1.jpg
St. Bartholomew being flayed-painting: http://tomperna.files.wordpress.com/2012/08/martyrdom-of-st-bartholomew.jpg
St. Bartholomew standing-painting: http://medievalmilanetc.files.wordpress.com/2012/07/1330-0824the-apostle-st-bartholomew-matteo-di-giovanni-about-1480-tempera-on-wood-budapest4.jpg
St. Bartholomew statue Duomo: http://1.bp.blogspot.com/-e4KglOQz_YY/TpSZV147dJI/AAAAAAAAFww/NlApP8L0T-I/s1600/Flayed%2Bsaint.jpg
St. Bartholomew statue-the feet: http://2.bp.blogspot.com/-DgRk_bNF1uQ/TgTtgrB10RI/AAAAAAAADMI/QxIB4yOl-Dc/s1600/00%2B1520978-The-statue-of-a-flayed-St-Bartholomew-wearing-his-skin-0.jpg

ITALIAN FOOD

Beijing, 5 August 2012

My wife and I once compiled a list of the foods and recipes we each brought to our marriage as culinary dowry from our mothers’ kitchens: she is Italian and I am Franco-British. Without a possible shadow of doubt, her contribution has dwarfed mine. Through her, I entered a magical land of taste which I have never left nor ever wish to.

I had my first glimpse of it when I visited Italy as an impecunious student in the 1970s. In those days, simply by flashing a student card one could access University cafeterias, where for a ridiculously cheap price one got a three-course meal, a small bottle of wine, and a coffee. Mmm, even now, after all these years, I still remember with crystal clarity those few weeks of initial revelation. The pasta, just a little hard – al dente – with velvety tomato-based sauces and a sprinkling of parmesan cheese! The meat – veal, beef, pork, chicken, whatever was on the day’s menu – grilled to juicy, tender perfection! Accompanied by a simple tossed green salad, with perhaps a few slices of tomato, drizzled with a little wine vinegar, a generous portion of virgin olive oil, and a pinch of salt. Then just a piece of fresh, ripe fruit of the season to round it off. Washed down with a simple, robust wine, no fuss, no pretensions. And to cap it all, a strong expresso. After such a meal, I had been revitalized and was more than ready to endure another round of museums and churches.

This was just the start. My wife took me by the hand and led me through a fairytale land of food: pastas of all dimensions and geometric complexities accompanied by an astonishingly wide spectrum of sauces; dried and cured meats from every animal and every part of the animal; pizzas and foccaccias; cheeses, whose variety leaves my French cheeses in the dust (let’s not even mention British cheeses); fruits whose names even now I know only in Italian – nespole, cachi, fichi d’India; wines of a breathtaking range which all those fussy French wines can never hope to emulate. And the food always cooked with a minimum of artifice, allowing its essential goodness to come to the fore. Lord, may the cooks in Paradise be Italian!

I was reminded of this cornucopia – indeed, became quite homesick – when my wife served up bresaola for supper last night. From time to time, we feel the need for food from home, and last night was one of those times. For those of you who do not know bresaola it’s a dried beef meat from one of the Italian Alpine valleys, the Valtellina. It’s difficult to find in Beijing, and – even more important – to find of good quality. It has to have the right ratio of fat to lean, it has to be sliced very thin, it must not be too salty. Last night’s bresaola was of excellent quality. And we ate it with a drizzle of olive oil and lemon juice. That’s all. Nice and simple. And delicious.

plate of bresaola

__________________

bresaola and lemon: http://1.bp.blogspot.com/_KYIV6yDsmVc/TT8vBvfQjkI/AAAAAAAAAQw/CON9w_ZJAQs/s320/SDC12179.JPG