Italy – Page 14 – the heart thrills

AMBER AND ITS ROAD

Bangkok, 15 August 2016

I’ve just finished a fascinating book about the peopling of Europe, entitled Ancestral Journeys: The Peopling of Europe from the First Venturers to the Vikings, by Jean Manco. The book describes the various waves of people who have settled Europe, peacefully or not, from 40,000 BC to 1,000 AD.

One thread in the rich tapestry of the peopling of Europe is the trade networks which sprang up as neighbouring tribes traded whatever useful or interesting resources they controlled inside their territories. The really high-value resources could in this way travel very long distances from their point of origin, as people passed them on – at ever-increasing value, no doubt – to people further away from the original source. In an earlier post, I’ve mentioned the Stone Age long-distance trade in obsidian, which made excellent, sharp arrowheads. Gold, the subject of my next-to previous post, was also traded over long distances. Amber was another such material.

In the early days of Europe’s history, by far the richest source of amber was the Baltic coast of Poland (it probably still is), where nuggets of amber would wash up on the beach, broken off from the amber deposits on the sea bottom.

The biggest market for amber, on the other hand, and from time immemorial, were the civilizations around the Mediterranean Sea and in the Middle East. Tutunkhamun’s breast ornament contains pieces of Baltic amber, for instance

while Heinrich Schliemann found necklace beads of Baltic amber in the Mycenaean tombs he excavated.

Thus sprang up several “amber roads”, trade routes which brought Baltic (and other Northern European) amber south.

The one that most interests me is the amber road which led from the general region of Gdansk down to the Roman provincial capital of Carnuntum on the Danube River (the Danube became the Roman Empire’s frontier in 9 BC), on down along the network of Roman roads to Aquileia in North-Eastern Italy, the terminus. This map shows, more or less, a detailed trace of this amber road.

I say “more or less” because while the route taken by the amber after the Danube River crossing is pretty clear – it followed the Roman roads down to the Italian peninsula – how it got to the Danube River from the Baltic coast is less so. There were just tracks through the forests and around the bogs in this part of Europe, and I’m sure every Germanic trader followed his fancy, depending on what else he was buying or selling along the way, as well as what the weather was like and who was fighting who. There seem to have been a few fixed points on the itinerary: Wroclaw (Breslau in German; the British historian Norman Davies, in collaboration with Roger Moorehouse, has written a fascinating biography of this city, Microcosm: Portrait of a Central European City), the Moravian Gate (a pass between the Carpathian and Sudeten mountains, used since remotest antiquity as a passageway), and the Morava River which flows into the Danube just across from Carnuntum.

Once the raw amber arrived in Aquileia, it was turned over to workshops which turned it into desirable luxury products. Aquileia’s amber products were famous not just in the Italic heartlands but throughout the Roman world. In his Natural History, Pliny the Elder – rather dismissively, it seems to me – says they were in demand among women only. He also says that amber was thought to have protective properties for illnesses of the throat, which might explain why so many of the amber products found in the Italian peninsula are pendants.

I have to say I’m not a big fan of amber, at least as used in modern jewelry. But I must admit that some of the amber pieces made in the Italian peninsula, both before its domination by Rome and after, are really very lovely. Here, in no particular order, are some pieces whose photos I found on the net. The first two are pre-Roman (Italic and Etruscan, respectively, to be precise)

while the remainder are from the Roman period; a number of them, if not all, were made in Aquileia’s workshops. This is Dionysius

while this must be Pan.

This is a perfume bottle

while this little set-piece is “Eros and a bitch”.

Lovely little pieces …

Let me go back a step now and explain my interest in this particular amber road. Or rather interests, for there are several. I first got to know about it, and the ancient amber trade in general, when my wife and I lived in Vienna. It so happens that Vienna is located close to Carnuntum. It always tickled me pink to think that Vienna, which gives itself such airs as the capital of the (defunct) Austro-Hungarian Empire, was once upon a time no more than a minor garrison town called Vindobona on the far edges of the much mightier Roman Empire. I’m sure officers and soldiers alike in little Vindobona looked with envy at their more powerful neighbour Carnunutum, which not only had the rich amber trade passing through it but also was the capital of the province. So many more important things went on there! The Emperor Marcus Aurelius chose Carnuntum as his base for three years during one of the periodic Roman campaigns against Germanic tribes across the Danube River (he also wrote part of his famous Meditations there, a copy of which graces my bookshelves). Another Emperor, Septimius Severus, was also based in Carnuntum when governor of Pannonia, and he was proclaimed Emperor there by his troops. Carnuntum hosted a historic meeting between the Emperor Diocletian and his co-emperors Maximian and Galerius, to solve rising tensions within the tetrarchy. Among other things, the meeting led to freedom of religion for the Roman Empire. And on, and on.

In contrast, like in all garrison towns, probably nothing much ever happened in Vindobona (although Marcus Aurelius’s death there in 180 AD must have caused a ripple of excitement). W.H. Auden caught well the tedium of garrison life on the Empire’s frontier for the ordinary soldier, in his poem Roman Wall Blues. The poem is about another of the Empire’s frontiers, Hadrian’s Wall, but I’m sure the tedium was the same, whichever frontier you were assigned to.

Over the heather the wet wind blows,
I’ve lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I’m a Wall soldier, I don’t know why.

The mist creeps over the hard grey stone,
My girl’s in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don’t like his manners, I don’t like his face.

Piso’s a Christian, he worships a fish;
There’d be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I’m a veteran with only one eye
I shall do nothing but look at the sky.

But I suppose Vienna had the last laugh. It still exists, whereas Carnuntum is now but a very modest pile of ruins, having been systematically sacked by Germanic tribes in the 4th Century (I suppose in a way the Germanic tribes had the last laugh too, after all the denigration they received from the Romans). Sic transit gloria mundi, as I am ever fond of repeating: “thus passes the glory of the world”.

This particular amber road also caught my attention because it gave me an alternative route to the ones we always took to go back to my wife’s home town of Milan: either head south out of Vienna over the mountains to Graz and then over more mountains to Klagenfurt and Villach, slip through the Alps at the Tarvisio pass, then speed past Udine down to Venice, whence turn right and make for Milan; or, head west out of Vienna towards Linz, then Salzburg, and then into Bavaria, turn left at the River Inn and enter Austria again, at Innsbruck turn left again and climb up to the Brenner pass, down the other side to zip by Bolzano and Trento, exit from the Alps at Verona, and turn right there to head for Milan. Now my wife and I could take a lower road (a considerable benefit when traveling in winter, when both the other routes can be unpleasant), as well as one steeped in history. Travelling along the ghosts of old Roman roads (all of which disappeared long ago) we would head south past the tip of Lake Neusidler, shared by Austria and Hungary, to Šopron and then Szombalethy, both in Hungary, on to Ptuj, Celje, and Lubljana in Slovenia, to finally slip through the Julian Alps at Gorizia and on to Aquileia, where we would need to finally get on the A4 motorway and speed on to Milan!

Great idea, except for one slight problem – time. There is no speedy highway linking all these towns, so it would take far longer to get to Milan. Since we were working, we couldn’t afford the time; we were always time-starved. But that will all change in a mere two weeks’ time, when I retire! Then, we will have all the time in the world, and I am determined to finally follow in the footsteps of the legions and pass through what were once the Roman towns of Scarbantia, Savariensum, Poetovium, Celeia, and Emona. There’s not much Roman left in them, though. Like Carnuntum, and like the terminal point Aquileia (of whose total destruction I wrote about in an earlier post), they were all thoroughly sacked and resacked by Germanic, Gothic, Hun, Lombard, Slav, or Hungarian war parties (or some combination of these) during the period of the “Barbarian Invasions” or the “Migration of the Peoples”, the Völkerwanderung (take your pick, depending on your ideological point of view).

I always feel a point of melancholy when faced with these moments of destruction in history. And it’s not just in the remote past. On the northern end of this amber road, tremendous destruction, of places but also of people, was wreaked a mere 70 or so years ago as first, German troops swept through on their way to enacting Hitler’s policy of lebensraum, expanding the living space of the Aryan, Germanic people at the expense of Slavic people, and then again, as the Soviet troops fought their way back to Berlin. Along with many other Polish cities, Gdansk, Wroclaw, Poznan, all sitting astride the amber route, were almost totally destroyed, their Jewish populations annihilated, their Polish populations much depleted, their industrial infrastructure stripped away. What a waste … so much human creativity swept away by the animal desire to destroy.

_________________
Raw amber on a Baltic beach: https://en.m.wikipedia.org/wiki/Baltic_amber#/media/File%3ABaltic_beach_sand_containing_amber.jpg
Tutunkhamun’s breast ornament: https://hu.pinterest.com/pin/249598004324238999/
Amber necklace, Mycenae: https://sites.google.com/site/ambranathistplinio/home/etimologia-e-proprieta
Amber routes map: http://www.ambergallery.lt/en/disp.php?itm=en_museums_3%2Fen_museums_3_9
Amber road through Carnuntum: https://en.m.wikipedia.org/wiki/Amber_Road
Ram’s head, Italic, 500-400 BC: http://museumcatalogues.getty.edu/amber/intro/16/
Boar’s head, Etruscan, 525-480 BC: http://articles.latimes.com/2013/jan/19/entertainment/la-et-getty-ambers-20130119
Mask of Dionysius, Roman, 1st C AD: http://amberregina.blogspot.com/2011_03_01_archive.html
Perfume bottle, Roman, Aquileia workshop, 2nd C AD: http://www.antiquitiesexperts.com/rome138.html
Eros and bitch, Roman: https://commons.m.wikimedia.org/wiki/File:1128_-_Archaeological_Museum,_Udine_-_Ancient_Roman_amber_Eros_and_bitch_-_Photo_by_Giovanni_Dall%27Orto,_May_29_2015.jpg

BAGAN, MYANMAR

Bangkok, 13 July 2016

My wife and I have just returned from a short visit to Bagan, in Myanmar. Back when Harold Godwinson received an arrow in his eye, losing his life and his English throne to William, Duke of Normandy

the kings of Pagan (as the kingdom was then known) had consolidated their hold on the valley of the Irrawaddy River, swallowing up their neighbouring city-states, and had created the first Burmese kingdom. The kingdom grew rich on trade but also on agriculture, harnessing irrigation for the first time in this dry region of Myanmar. As befits the capital of a prosperous kingdom, the population of Pagan swelled. The kings and the richer citizens, anxious to gain merit for their next reincarnation, used their wealth to heavily sprinkle the city and the surrounding plain with stupas, temples, monasteries, and other religious edifices. At the height of this building frenzy, more than 10,000 such edifices covered an area of some 100 square kilometres.

Alas, this well-meaning search for merit undermined the edifice of state. More and more land was donated to the Buddhist monkhood, land which then became exempt from tax, thereby gradually emptying the state coffers. The resulting internal strife weakened the kingdom, and invasions of its borderlands by the Mongol dynasty of China finished her off. By 1287, the kingdom of Pagan was no more, and its capital city had shrunk to the size of a very modest town. Sun, wind, and rain began their work. The plaster moldings with which all the religious edifices had been covered peeled off, and the exposed brick began crumbling away to mud and dust. Trees and bushes did their part, inserting roots between brick and brick and slowly leveraging them apart. Earthquakes played their part too, toppling walls and cracking open stupas. And so the religious edifices so lovingly erected by earlier generations slowly slumped back into the earth from whence they had sprung.

A score of temples and stupas, which continued to be sites of pilgrimage, were maintained, often with infelicitous results as frescoes were painted or whitewashed over and badly crafted statues took the place of the originals. In the last century, conservation work was carried out – haphazardly – under successive military regimes. This has halted, or at least slowed, the dissolution, but even so only some 2,000 edifices remain standing, more or less, today.

But 2,000 is still a big number. Climb, as we did, the Shwesandaw stupa, and you will find yourself gazing out over flat, wooded farmland thickly sprinkled with red-brick stupas and temples of every size and state of disrepair.

Get off the paved roads, as we did, and take the dirt roads and paths which crisscross this farmland, and you will come across lonely stupas brooding by the side of fields

where the lines of the Persian poet Ferdowsi come to mind:

The spider spins his web in the Palace of the Caesars
An owl hoots in the towers of Samarkand

(it is said that the Ottoman sultan Mehmet II murmured these lines as he visited the desolate ruins of the imperial palace after his conquest of Constantinople in 1453)

It comes spontaneous to compare Bagan to other places. Angkor Wat in neighbouring Cambodia is often cited, but the comparison doesn’t hold. Angkor has edifices which are splendid in their art and architecture.

The edifices of Bagan, on the other hand, now have little if any intrinsic merit. My wife and I saw nothing superlative in any of the stupas or temples we visited. Pleasant, yes, interesting sometimes, but nothing to take one’s breath away.

No, it is the overall landscape that makes Bagan noteworthy, and it is to landscapes that we must turn for comparisons. Since many of the edifices in Bagan are funerary in nature, my wife felt a certain affinity between the Italian cemeteries of her youth and Bagan, with the latter of course being on a much larger scale.

In such a comparison, I would perhaps lean towards the abandoned part of Vienna’s biggest cemetery, the Wiener Zentralfriedhof, which contains many of the tombs of Vienna’s Jewish community, wiped out in the Nazi concentration camps.

I myself favour a comparison with Ancient Rome, not the Ancient Rome of today, swallowed up in the concrete and bitumen of the modern city, but the Ancient Rome that was the subject of many a painting in the 17th to 19th centuries. This is Claude Lorrain

this, Piranesi

this, Palmer

and this, Lear

In these paintings I see an echo of the Bagan I looked out on from the heights of the Shwesandaw stupa.

As the lines I cite above show, the melancholy of ruins has always excited the imagination of poets. Rome’s ruins are no exception, with reams of poems written about them. I quote one here, by Alexander Pope.

See the wild waste of all-devouring years!
How Rome her own sad sepulchre appears,
With nodding arches, broken temples spread!
The very tombs now vanished like their dead!
Imperial wonders raised on nations spoiled,
Where mixed with slaves the groaning martyr toiled:
Huge theatres, that now unpeopled woods,
Now drained a distant country of her floods:
Fanes, which admiring gods with pride survey,
Statues of men, scarce less alive than they!
Some felt the silent stroke of mouldering age,
Some hostile fury, some religious rage.
Barbarian blindness, Christian zeal conspire,
And papal piety, and Gothic fire.
Perhaps, by its own ruins saved from flame,
Some buried marble half preserves a name;
That name the learned with fierce dispute pursue,
And give to Titus old Vespasian’s Due.

But this poem is far too frothy, as are all the poems about Rome’s ruins. I prefer the fragments of an Anglo-Saxon poem of the 8th Century, part of an anthology of Anglo-Saxon poems in the library of Exeter Cathedral, whose subject is not Rome but the Roman ruins of Bath.

Wrætlic is þes wealstan, wyrde gebræcon;
burgstede burston, brosnað enta geweorc.
Hrofas sind gehrorene, hreorge torras,
hrungeat berofen, hrim on lime,

For those of my no doubt many readers who, like me, are not conversant with Anglo-Saxon, let me continue with a translation by Siân Echard, of the University of British Columbia, with some modifications on my part.

Wondrous is this wall-stead, wasted by fate.
Battlements broken, giant’s work shattered.
Roofs are in ruin, towers destroyed,
Broken the barred gate, rime on the plaster,

Walls gape, torn up, destroyed, consumed by age.
A hundred generations have passed.
Earth-grip holds the proud builders, departed, long lost,
In the hard grasp of the grave. How often has this wall,

Hoary with lichen, red-stained, outlasted the passing reigns,
Withstanding the storms; the high arch now has fallen …

(At this point, there is a gap, for the parchment itself has suffered badly from the passage of time)

Indeed, the high arches, now fallen, of Bagan have witnessed the passing of many reigns, the last being but a few months ago, when the decades-long military government in Myanmar finally gave way to a democratically-elected civilian government. Knowing the history of neighbouring Thailand, where military meddling is a way of life, I offered a silent prayer in the Ananda temple

that this would be the last of the military governments in this beautiful country, which has suffered so much and deserves so much better.

________________
Photos of Bagan: ours
Harold hit by the arrow: http://www.dot-domesday.me.uk/arrow.htm
Angkor Wat-1: https://artmundus.wordpress.com/2010/05/28/the-wonder-that-is-angkor-wat/
Angkor Wat-2: https://artmundus.wordpress.com/2010/05/28/the-wonder-that-is-angkor-wat/
Angkor Wat-3: http://rwethereyetrwethereyet.typepad.com/arewethereyet/2008/04/take-your-kids.html
Cimitero monumentale, Milan: https://www.tripadvisor.it/LocationPhotoDirectLink-g187849-d243431-i28163413-Monumental_Cemetery-Milan_Lombardy.html
Jewish section, Vienna Zentralfriedhof: http://www.flickriver.com/photos/lastingimages/2924629401/
Roman ruins:http://www.bobforrestweb.co.uk/The_Rubaiyat/Galleries/Gallery_5/g5notes.htm
– Claude Lorrain
– Giovanni Battista Piranesi
– Samuel Palmer
– Edward Lear

SOÑAR NADA CUESTA

Bangkok, 23 April 2016

There is a small olive orchard abutting the path that runs behind our apartment in Liguria. It’s in a sorry state, seemingly sorrier every time my wife and I pass it on our way into the hills. I’ve never taken a picture of it, but it looks something like this, only worse.

It’s the sad fate of many of the terraced olive orchards in Liguria. It makes no economic sense any more to harvest olives in this part of Italy, and as the peasant-farmers who own them die off their children and grandchildren abandon the orchards to their fate. And so the brambles and nettles and vines and finally maybe some scrubby oaks recolonize the land. Harvesting Ligurian olives is now a labour of love.

My wife and I could lavish that love on that derelict olive orchard, once I’m retired. I have a dream of us identifying the owners and making a deal with them. Let us clear the orchard, I tell them, let us give those poor olive trees a bit of TLC, so that they can once again shake out their branches and drink in the Mediterranean sun.

In return, I say in this dream dialogue with the owners, let us have the olives which those trees, in their gratitude, will give birth to.

Neither my wife nor I have ever picked an olive in our lives, but in my dream this is not a problem. My wife and I would extend under the spreading olive branches those orange and green nets I’ve seen so often in Liguria to catch the olives as they fall (would we have to shake the branches, I wonder?)

And then, arm-in-arm, we would bring our harvest of olives to the local olive press.

Actually, an internet search has informed me that the nearest local olive press is 10 km away, so a car ride rather than a stroll would be in order. Also, it doesn’t use stone presses, that is passé; something along these lines is used – more modern, more sterile, but, the internet assures me, more efficient.

No matter, one way or another the oil from our olives would be squeezed out

and after some filtering, some racking, and some other things (I’m going to have to learn the olive oil lingo), we would become the proud owners of several bottles like these of cold-pressed, organic, extra-virgin olive oil.
We would drizzle this nectar of the gods on our salads for a year, until the next harvest was brought in.

Or might we want to pickle the olives? A quick whip around the internet persuades me that it’s not that difficult to pickle olives; you just need time and brine.

OK, it’s decided: we will follow what happens in the global olive market, we will pickle 10% of our olive harvest and use the rest to make our very own olive oil.

Lovely dream. Of course, there might be a few snags in the real world. We may never find the owners, the owners may tell us to bugger off, the trees may be too old or too sick to fruit any more, the fruit or even the trees themselves may be attacked and destroyed by what seems on cursory reading to be a vast army of animalcules just waiting to sink their fangs or similar organs into fruit, leaf, or bark. But like a colleague of mine in Colombia recently wrote to me, “soñar nada cuesta”, to dream costs nothing.
_______________________
Abandoned olive orchard: https://m.youtube.com/watch?v=6n7eBKRLQ80
Clean olive orchard: http://www.vinoemozioni.com/blog/tag/anfosso/
Olives on olive tree: http://www.tavoladautore.it/contenuti/id/22/Gli-ulivi-di-Liguria–cultivar-e-caratteristiche.html
Nets under olive trees: http://www.casalefiliberto.com/gallery/gallery_oliveto/index.html
Old olive press: http://www.casait.it/it/toscana-grande-villa-vendita-vigneto-uliveto-S96J/
Modern olive press: http://www.oliofrantoioamoretticarlo.it/frantoio-da-olive.html
First press oil: http://novellaevignolo.com
Bottled olive oil: http://www.mraxani.it/prodotto/olio-extravergine-di-oliva-agrintec/
Olive oil on salad: http://www.foodinitaly.com/news/fotogallery/OLIO_EXTRAVERGINE_D’OLIVA_LE_REGOLE_D’ORO_PER_SCEGLIERLO-2527.html?start=4
Pickled olives: http://www.yaffa.co.uk/product_p/ogt1.htm

CITRON

Bangkok, 19 March 2016
updated Vienna, 5 February 2025

In the recent trip which my wife and I made to Italy, we managed to squeeze in a visit to our apartment near Genoa, where I was particularly delighted to see so many lemon trees in fruit. It’s wonderful to see trees heavy with lemons peeping over a wall or hanging over a garden fence.

Once back in Bangkok, I decided to do some research on the lemon and its history: how did this lovely yellow fruit end up in Liguria? But delving into the lemon’s history inevitably dragged me into the history of the citrus family. It turns out that the lemon does not have a long or distinguished pedigree. It is the citrus equivalent to a mutt, a fairly recent hybrid. In fact, most citrus fruits with which we are familiar are fairly recent hybrids. It seems that the members of this family love to hybridize, and of course humans – being intrusive busybodies by nature – have been only too willing to assist them. The result is a family tree of bewildering complexity.

As I tried to make sense of all this, my attention was diverted by something I read about the citron. I think I need to insert here a few words about the citron, since I’m sure there are many readers who are not familiar with this citrus fruit. It is relatively difficult to find these days since it has little use – except for one very special one, which I will come to in a minute. It looks like a large, warty, lemon.

Coming to what I read, it seems that during a ceremony in the Temple of Jerusalem marking the Feast of the Tabernacles, or Sukkot, in one of the years around 100 BC, the Jews pelted the High Priest with citrons and got massacred for doing so. Now that was something worth finding more about! How I would have loved to use citrons, rotten tomatoes, eggs, dog-eared hymn books – anything, really – to pelt the priests with for subjecting me to excruciatingly boring sermons during the Sunday Masses of my childhood! It turns out, though, that the Jews were not horribly bored with what the High Priest was saying, but horrified by what he was doing. It is reported that he deliberately poured the water of libation over his feet rather than over the sacrificial animals. I can’t say that I can get quite as excited about this action as the Jews did, but the fact is that they did, and satisfyingly peppered the High Priest with citrons.

Of course, it does come spontaneously to ask oneself why on earth the Jews were carrying citrons around in the Temple in the first place. It’s certainly not the item that would immediately come to my mind as expecting to see in the hands of Jews within the sacred precincts of the Temple. It turns out that the citron plays an extremely important role in the ceremonies of Sukkot. Every morning of this seven-day Feast, Jews are required to ceremoniously wave the “four species”. Citron is one of these, the other three being the date palm, the myrtle, and the willow. We see here the Tosher Rabbi of Montreal waving the four species.

One can therefore assume that the Jews were carrying their four species when the High Priest poured the water of libation over his feet, and in the horror of the moment they blindly grabbed their citrons and threw them at the impious prelate. It seems that they must have also thrown something harder – stones, no doubt – since it is reported that the stone altar was damaged. I can’t really see citrons doing damage to a stone altar.

It’s a bit of a mystery to me why the citron ever became one of the four species, because it is not native to the Near East, whereas the other three species are. The citron, like all the original citrus fruits, originated somewhere in the region of South-East Asia-Yunnan in southern China-the Himalayan slopes of India. So how did it end up in the Near East? There is general agreement that the fruit was first cultivated in northern India. From there, it migrated, presumably along trade routes, to Persia. What happened next is a hotly debated issue – at least, in certain circles. One hypothesis has the citron migrating to Egypt, where its essential oils were used in embalming, and from whence the Jews brought it with them to the Promised Land when they escaped from bondage in Egypt. A second hypothesis has the citron being carried from Persia to the Mediterranean basin in the baggage of Alexander the Great’s returning soldiers, who somewhere along the way dropped it off in the Levant. Yet another hypothesis has the citron migrating from Persia to Babylonia, where the Jews came across it during their Babylonian captivity and brought it with them when they came back to Israel.

These are all suppositions, with no real evidence to back them up. A very clever piece of archaeological sleuthing suggests a more concrete hypothesis. We need to first recall that after the Persians defeated the Babylonians and allowed the exiled Jews to return home, Israel was a Persian province for several hundred years. Israeli archaeologists have been excavating a site quite close to Jerusalem which turns out to have been a Persian palace with an extensive garden around it. Here is a reconstruction of the site.

The archaeologists wanted to see if they could find evidence of what was planted in this garden. They therefore looked for traces of ancient pollen. None could be found in the earth of the garden – whatever had been there had decomposed long ago. So they decided to try their luck in the plaster with which the walls of an ancient pool in the garden had been coated. The thinking was that pollen grains could have got stuck in the plaster while it was drying and been preserved. They were right – and one of the types of pollen they found was that of the citron. From the other types of pollen found – a number from species not present in Israel – the archaeologists deduced that this was a garden planted with rare plants, designed to show off the wealth and power of the palace’s resident, either a Persian satrap or a Babylonian Jew close to the Persians and sent there to keep an eye on the locals. Perhaps it was here that the Jerusalem Temple elites, coming to pay their respects to the Palace’s resident, first saw the citron and admired this strange and exotic fruit. Maybe it became the rage to have a citron tree in one’s garden in emulation of the Persian masters.

Assuming this is somewhere near correct, how did the chicness of the citron eventually segue into its strong religious symbolism? Here, I shall hazard an explanation which I found written nowhere but which satisfies my fertile imagination. One has to know that the adoption by the Jews of the four species in the rituals of Sukkot derives from a text in the Book of Leviticus, where it is said (in the English translation):

“And you shall take on the first day the fruit of beautiful trees, branches of palm trees and boughs of leafy trees and willows of the brook, and you shall rejoice before the Lord your God for seven days.”

The text specifically names two of the plants: the palm tree and the willow. For the other two, though, it is quite vague. Talmudic tradition eventually settled on the citron as the “fruit of beautiful trees” and on myrtle as “boughs of leafy trees”.

The choice of myrtle makes sense to me – it is satisfyingly leafy.

But the choice of citron as the fruit of a beautiful tree? That is really quite odd. In no way can the citron tree be considered a beautiful tree. It is low and scrubby, more bush-like.

It seems, though, that the Hebrew text is grammatically ambiguous. Although the phrase in Leviticus is typically translated as “fruit of a beautiful tree”, it can also be rendered as “a beautiful fruit of a tree.” At first sight, this doesn’t seem to fit the citron either. As the picture above shows only too well, it is warty and knobbly, really quite ungraceful. But beauty, as they say, is in the eye of the beholder. The citron’s name in Persian, turunj, derives from the Sanskrit suranga, “beautifully coloured”. In today’s world, our lives are so saturated in bright colours that it is difficult for us to appreciate the impact on our ancestors of the few naturally brightly coloured things. As the photo above also reveals, the citron does indeed have a lovely yellow colour, and there really aren’t that many fruits that are so beautifully yellow (lemons come to mind, but that doesn’t count because they are a hybrid of the citron). Maybe the Persians, and the Indians before them, and the Jews after them, found the citron’s colour captivating.

If that explanation doesn’t satisfy my readers, let me suggest another reason. Under proper conditions, the citron is the only tree that can flower and bear fruit throughout the year. Even more distinctively, it can retain its fruit from one year to the next. So the citron tree can have buds, blossoms, and mature fruit all at the same time. This is a unique property, and one which may have aroused awe and reverence in our ancestors.

If that explanation doesn’t satisfy my readers, how about this one? Both the Greek philosopher, Theophrastos, and the Roman natural philosopher, Pliny the Elder, mention the citron in their botanical writings. And both stress the fact that the citron, fruit and leaves, has a very strong scent, that typical scent which you also get from the zest of the lemon. It is so strong, they say, that if the fruit is put among clothes it acts as a moth-repellent. This seems a little weak as a reason for nominating the citron as a “beautiful fruit”, although as every woman knows scent can be an important ingredient in beauty. And maybe the elites of India, Persia, and Israel were particularly receptive to the idea that their magnificent – and expensive – clothes could be protected from those pesky moths by the citron.

Either one of these explanations, or all three, must explain not only why the Jews adopted the citron as a religious symbol but also why anyone bothered to cultivate the citron in the first place and then bothered to carry it along to different parts of the world. From a utilitarian point of view, and our ancestors were nothing if not supremely utilitarian when it came to their natural environment, the citron really does seem a singularly useless plant. As I’ve said, the tree is low, scrubby, and bush-like, so it cannot be used as a shade tree. It is sickly and prone to disease, so is difficult to cultivate. The wood is no good for timber. Even the fruit is not much good to eat. It is mostly pith with hardly any flesh, and what flesh there is, is dry with relatively little juice.

Whatever the reason, by the time the High Priest poured the water of libation over his feet (no doubt with a sneer on his lips) the practice of using the citron as one of the four species in the ceremonies of Sukkot was fixed.

It was this deliberately offensive act at the altar of the Temple which set me off on this quest to know more about the citron. But I can’t stop here, because the continuing history of the citron is equally fascinating. So I hope my readers will bear with me if I take them on a journey into the fruit’s more recent history.

From the fall of Jerusalem in AD 70, the European history of the citron has been indissolubly bound up with that of the Jewish communities in Europe, so let me switch to using its Hebrew name, etrog (which, by the way, derives from the citron’s Persian name, turunj, via Aramaic, strengthening the idea that somehow it was the Persians who brought it into the lives of the Jews). The Romans’ destruction of Jerusalem, which ended Temple-centred worship for the Jews, meant that the feast of Sukkot began to be celebrated wherever the Jews happened to live. Since the citron was now indispensable in the celebrations of Sukkot, it followed the Jewish diaspora as the latter spread out through the Roman Empire into Greece, Italy, and Spain. With time, more and more attention was given to ensuring that the etrogim used in Sukkot were the most beautiful: after all, they were offerings to the Lord our God and nothing but the most beautiful should be offered. Detailed guidelines were issued about what constituted a “perfect” etrog, and considerable sums of money were paid for the most perfect ones.

All was under control until the Diaspora began to move northwards into parts of Europe where the climate was too cool for the citron to grow. These more northerly Jewish communities therefore urgently needed etrogim to be brought to them from lands further to the south – no other fruit would do since the four species had been prescribed in the Talmud. This brings us back to where this post started, Genoa. Because of its climate, but also presumably because of its flourishing, and ancient, Jewish community, there were citron orchards around Genoa. It also happened to be a dynamic trading port, so it wasn’t long before Genoa dominated the trade in etrogim to northern Europe. With time, Genoa seems to have gotten out of the business of actually growing etrogim. Instead, it picked up etrogim as far south as Calabria, still a source of etrogim for some Jewish communities, and all points in between, as well as in Corsica, a Genoese colony, and shipped them north. Here we have a painting by Chagall from 1914, of a rabbi, presumably from Vitebsk in Bielorussia, where Chagall grew up, carrying his etrog to the synagogue (and clutching what looks like the local version of myrtle).

Genoa’s monopoly on the etrog trade began to be undermined when the Sephardic Jews, expelled from Spain, filtered eastward across the Mediterranean to Italy, Greece, and Turkey, and discovered the etrogim being grown in Corfu and other Ionian islands, presumably for the very ancient Jewish communities of Greece. These were very beautiful as defined by the guidelines on etrog beauty, and they began to seriously compete with the Genoese etrogim. At first, there was resistance in some of the Ashkenazic communities in northern Europe. To explain why, I have to go back to what started me on this post initially, the lemon. The first substantial cultivation of the lemon in Europe only occurred in the mid-15^th Century, in Genoa – Genoa again (the sour or bitter orange arrived earlier, in the 11^th Century, while the sweet orange arrived somewhat later, in the early 16^th Century). European growers of citrons discovered – or maybe they picked it up from the Arabs – that grafting citrons onto lemon stock gave plants which were much hardier than pure citron trees. But grafting created an enormous problem for the Jews because the mixing of species was non-kosher, and etrogim used in a religious Feast had to be kosher. We now know that grafting doesn’t actually lead to a mixing of genes, or hybridization, although 400 years ago it was quite easy to think that it did; after all, everyone knew that if you crossed a horse and a donkey, you got a hybrid, the mule. Many in the Ashkenazic communities suspected that the Greek etrogim were actually so beautiful because they were grafted onto lemon trees. Various rabbis were prepared to certify that they were not, and anyway the Napoleonic wars cut off the traditional supply of etrogim from Genoa. And the Greek etrogim really were so very beautiful …

So the Greek etrog triumphed and trade from Corfu flourished. Eventually, this got the Greek farmers greedy. They calculated that they had the Jewish communities over a barrel – they needed beautiful etrogim, the etrogim from Corfu were the most beautiful, hence they would pay whatever it took to get them. In 1875, they therefore created a cartel and jacked up the price. They turned out to be wrong. The Jewish communities reacted vigorously and successfully boycotted the Greek etrogim. They bought from Calabria, from Corsica, and more importantly from Israel, to where we now turn.

As more and more European Jews immigrated to Palestine in the 1800s, they discovered a local variety of etrogim. They surmised that these must be descended from the etrogim used in Temple worship before the Temple’s destruction. A number of rabbis therefore decided to promote these etrogim from Palestine, which were surely more authentic than etrogim grown elsewhere. They also thought it would help the poverty-stricken economy of Palestine to be able to export high-priced etrogim to Jewish communities in Europe. The problem was that although these etrogim might be more authentic they weren’t nearly as beautiful as the Greek etrogim. On top of it, Sephardic communities which had immigrated to Palestine brought in seeds of Greek citron trees and started planting orchards of the beautiful Greek etrog there. The stand-off with Corfu helped boost sales in Palestine, both of the original as well as of the Greek etrogim transferred there. However, authentic Palestinian etrogim were suffering from the competition.

Coming back to Corfu, the Greek farmers eventually backed down and brought their prices down again. But they didn’t forget or forgive. Some 15 years later, when the body of an unknown woman was found just outside the Jewish quarter in Corfu, the local etrog growers claimed that the woman had been murdered by Jews. This sparked off a pogrom against the local Jewish community, which left 139 people dead. And then it was discovered that the dead woman was actually Jewish. That finished off the etrogim trade from Corfu.

Meanwhile, back in Palestine, the transplanted Greek etrog was pushing the local variety off the market. Eventually, the Greek etrog, which did not adapt very well to the climate in Israel, began to be grafted onto stock of the original etrog, a graft which is kosher. This was a marriage made in heaven: the beautiful Greek etrog with the original, Temple-era etrog. It is this variety which now dominates the modern etrog market, and is no doubt the one being intensely studied by these Orthodox Jews prior to an eventual purchase.

I cannot finish my story of the citron without mentioning the one way of usefully consuming it that was eventually discovered. For this, I have to back up a little and say a few words about the history of cane sugar. Cane sugar, brought west from India by, once again, Alexander the Great’s troops (they seem to have been great collectors of plants …), was first exploited in the Near East. It was the Crusaders, who came across caravans of this “sweet salt”, and who brought sugar to the attention of Europe. Until then, Europeans had only had honey as a sweetener. Genoa’s fiercest rival, Venice, was the first to make sugar available in Europe. It also brought another Arab invention, candying of fruit, to Europe. Not to be outdone by its hated rivals, the Genoese also finally got into the candying business. Somewhere along the line, someone had the idea of candying the citron, or rather its pith, of which there is so much, as the photo above shows. Leghorn (Livorno) became the centre of production: citrons from the south all the way to Sicily, from Corfu and the other Ionian islands in the east, and from Corsica in the west, were sent, de-pulped and brined, to Leghorn. There, the citron pith was de-brined and steeped in progressively more concentrated solutions of cane sugar. Once dried and chopped into small pieces, it was shipped, no doubt in Genoese ships, all over Europe to be added to cakes, sweet bread loaves, and other patisseries. I have a particular reason to mention all this because the panettone, that glory of my wife’s home town, Milan, was originally made with candied citron pith (as well as candied orange and sultana raisins).

More humbly, the original recipes of the English plum pudding of my youth also called for candied citron from Leghorn.

Alas! I believe this market has declined drastically – or perhaps citrons from elsewhere have cornered the candying market. The fact is, Leghorn is no longer a centre for candied citron production, the Calabrian citron hangs on by managing to keep a foot in the etrog market, while the Corsican and Corfu citron production is down almost to nothing; the few which are grown there are only used to make a local liqueur. Here’s the Corsican variety. Somehow, it seems apt that the bottle stands next to one made with myrtle, another of the four species.

Let’s lift a glass to the citron a.k.a. the etrog! Cin-Cin!

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Lemons in Liguria: https://i0.wp.com/www.bbfauno.com/wp-content/gallery/amalfi/limoni-amalfi-coast.jpg (in https://misshome.wordpress.com/tag/italian-language/)

Citron: http://whileshenaps.com/wp-content/uploads/2010/09/6a00d834515cdc69e20133f4767038970b-pi.jpg (in http://whileshenaps.com/2010/09/make-a-paper-mache-etrog.html)

Tosher Rabbi of Montreal: https://en.wikipedia.org/wiki/Four_species#/media/File:Fourspecies.jpg (in https://en.wikipedia.org/wiki/Four_species)

Persian palace: http://www.haaretz.com/polopoly_fs/1.410535.1328143655!/image/3938862120.jpg_gen/derivatives/headline_857x482/3938862120.jpg (in http://www.haaretz.com/jerusalem-dig-uncovers-earliest-evidence-of-local-cultivation-of-etrogs-1.410505#acid)

Myrtle: http://www.polyvore.com/cgi/img-thing?.out=jpg&size=l&tid=65106807 (in http://www.polyvore.com/outdoor_plants/collection?id=3359765)

Citron tree: in gardening.stackexchange.com

Cut citron: http://www.tropcrop.nl/citr02fr.jpg (in http://www.tropcrop.nl/citron.htm)

Orthodox Jews purchasing etrogim: http://pix.avaxnews.com/avaxnews/64/a4/0001a464_medium.jpeg (in http://avax.news/fact/Symbolic_Citrus_Israeli_Jews_Inspect_Fruit_for_Sukkot.html)

Panettone: http://www.italianfoodexcellence.com/wp-content/uploads/sites/27/2014/09/Panettone-Vergani-Enrico-Su—-Ummarino.jpg (in http://www.italianfoodexcellence.com/tag/panettone/)

Plum pudding: http://cookdiary.net/wp-content/uploads/images/Plum-Pudding_12165.jpg (in http://cookdiary.net/plum-pudding/)

Cédratine and myrthe, Corsica: http://c8.alamy.com/comp/A8WYT4/myrthe-and-cedratine-liqueurs-for-sale-in-a-shop-corte-haute-corse-A8WYT4.jpg (in http://www.alamy.com/stock-photo-myrthe-and-cedratine-liqueurs-for-sale-in-a-shop-corte-haute-corse-6963651.html)

MIRROR, MIRROR, ON THE WALL

Bangkok, 28 February 2016

Every morning, I stare at myself in the mirror as I shave, a ritual which has enslaved me these past forty odd years. And I stare at myself in the mirror as I brush my hair, or brush my teeth, or – more lately – inspect that suspicious mark on my face (is it melanoma?). And I watch as the face which stares back at me grows rounder and more creased, as the hairline recedes and the temples grow greyer, as the lips thin with the loss of back teeth, as the skin begins to sag under my chin.

I grow old, the mirror remorselessly reminds me every day.

I can’t escape my reflection. It follows me everywhere I go, staring back at me from all the mirrors which we have scattered with wild abandon over our urban landscapes: the bars, the restaurants, the public toilets, the elevators, the shops, the lobbies, … My reflection even beckons to me from the smooth, shiny sheathing and coated windows of our fancy modern buildings.

It was not always so. There was a time, not so long ago in the great arc of human history, when we hardly ever saw our own faces. We saw the faces of others: our mothers, our fathers, our siblings, our tribe, our village, and the few strangers who came from the other side of the mountain and passed through. From time to time, when drinking in a still pool, we would have seen a tremulous reflection staring back at us. But it’s not easy to see one’s reflection in water. Water bodies have this infuriating habit of giving a beautiful reflection of things far away but of being blankly clear at one’s feet.

This young girl has managed to capture her watery reflection quite well

but I think this picture is more typical of what most of us see when we peer into water.

That’s why I’ve never really understood the legend of Narcissus, the beautiful boy who caught sight of his reflection in a pool, fell in love with it, and died at the pool’s edge unable to drag himself away.

What reflection could he possibly have been so enamoured with? In my experiments in the kitchen with various pots and pans of different colours, the best reflection I got was from a black frying pan

and even that reflection was, as readers can see, murky in the extreme. How could anyone, however beautiful he or she may have been, have fallen in love with this evanescent reflection? Perhaps the original teller of the tale had seen a reflection of a person in a dark pool or vase from a distance, like this photographer has

and invented the story around that.

Be that as it may, eventually our ancestors found other ways to see themselves. Obsidian, that beautiful, black, glassy material, product of volcanic activity

was used in the first attempts at non-aqueous mirrors, in Turkey. The country was famous in the pre-metallurgical era for its obsidian, which could be used to make razor-sharp arrow heads – such arrow heads have been found hundreds if not thousands of kilometres away from the mother lode in Anatolia. But large obsidian pieces could also be split open and the faces given a high polish to act as a mirror.

Obsidian may be beautiful, but it gives a dark reflection, almost as dark as the water in my frying pan. I am reminded of St. Paul’s famous phrase in his first letter to the Corinthians, “For now we see through a glass, darkly”.

The metallurgical age brought us one step closer to seeing ourselves, in polished copper or bronze mirrors, like this Egyptian copper mirror.

Copper mirrors would have given reddish reflections like those we see in highly polished copper pans, such as this

or this.

(If nothing else, both photos show the need for a uniformly flat surface for a good result …)

The Chinese especially made mirrors out of polished bronze. These would have given yellowish reflections, like this one

or this one, from a Japanese bronze mirror.

Mirrors such as these were very expensive – indeed, the Chinese turned the backs of their mirrors into admirable works of art, such as this 9th Century one from the Tang Dynasty with its admirably carved dragon.

So only the rich, the ancient world’s one-percenters, could afford to peer – curiously, vainly, or dolefully – at their reflection. The man and woman on the street still could only see their reflection in water.

It seems that it was the Egyptians who first thought of coating glass with metal to make glass mirrors, but their reflectivity was poor. As for the Romans, Pliny the Elder mentioned mirrors where gold leaf was applied to glass. I don’t know if any such mirror has survived the ravages of time, I certainly didn’t find a trace of one on the Internet. But very fancy gold-plated mirrors such as the one in this photo are now made, for high-tech applications.

I suppose a bleary-eyed Roman plutocrat staring at himself in his gold-plated glass mirror after a night of orgies would have caught such a yellowing reflection as this of his face.

It is the Venetians we have to thank – or curse – for bringing us the modern silvered mirror, which finally allowed humanity to see its own reflection in glorious, embarrassing, or painful technicolour. The glass-makers of Murano figured out a way of making flat – and clear – glass as well as depositing a thin coating of silver on the back of it (my professional self cannot but help notice that they used a silver-mercury amalgam to do this; the mercury inevitably sickened and killed off a good number of Murano mirror-makers – an interesting twist to the French saying “il faut souffrir pour être belle”, “one must suffer to be beautiful”, which here becomes “you suffer, and I admire my beauty”). Once again, it was initially the one-percenters of the European courts who enjoyed – or suffered from – a much clearer reflection of themselves. Venetian glass mirrors such as this one were worth a king’s ransom.

The French one-percenters couldn’t stand the idea that they were sending so much of their wealth southwards to the misbegotten Venetians for glass mirrors. They tried mightily to worm the secrets of mirror-making out of Murano. But La Serenissima, fully appreciating the gold mine they were sitting on, passed draconian laws forbidding these secrets from leaving the lagoon. Eventually, though, the French suborned a group of Venetian mirror-makers, persuading them to bolt from the lagoon and set up shop in the St. Gobain works. Among many other things, this gave us the Hall of Mirrors at the palace at Versailles.

This hall has impassively reflected the fun and games of the French monarchy, but also two crucial moments in recent European history: the declaration of the German Empire in 1871 after the Prussians trounced the French in the Franco-Prussian War

and the signing of the Treaty of Versailles in 1919 between the Allies and the new-born German democracy

that humiliating “diktat of Versailles” which Hitler used to such good effect in his rise to power.

Alas! The silvering process which the Venetians invented, and the French copied, did not last forever. With time, it would crack, it would peel, it would dull, so that reflections would become evanescent once more. How many old houses contain mirrors like this one!

Even our apartment in Milan holds a mirror where Time has inserted its bony fingers into the silvering and has started to strip pieces off.

Like my face, mirrors age. But as men have found ways of making faces last longer, so have they found ways to make silvered mirrors that last longer and reflect better. And through the genius of industrialization they have found ways to make these much better mirrors much cheaper, so that 99-percenters like me can also stare, once vainly and now despairingly, at the reflection of our crumbling selves.

I need to escape from my reflection. My wife and I could have ourselves shipwrecked on some remote islet in the Pacific Ocean. Yet even there, I fear that I would find a shard of mirror on the beach, washed up together with all the plastic bottles and other flotsam and jetsam of our consumeristic life that now fill up our oceans.

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Reflections in a lake: http://cdn.c.photoshelter.com/img-get2/I0000WnV35_OekPk/fit=1000×750/Numa-and-Rainbow-Peaks-Reflecting-in-Bowman-Lake.jpg (in http://bretedge.photoshelter.com/image/I0000WnV35_OekPk)
Reflection in water: http://www.aheadworld.org/wp-content/gallery/reflection-in-the-water/bellareflectionwater-1.jpg (in http://www.aheadworld.org/2014/07/15/reflection-in-the-water/)
Reflection in a puddle: http://www.nambya.com/wp-content/uploads/image6.jpg (in http://www.nambya.com/gallery/photography/image-7/)
Narcissus by Caravaggio: https://en.wikipedia.org/wiki/Narcissus_%28mythology%29#/media/File:Narcissus-Caravaggio_%281594-96%29_edited.jpg (in https://en.wikipedia.org/wiki/Narcissus_%28mythology%29)
Reflection in a black pan: my photo
Reflection in a bowl of water: http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/reflections/bp12.jpg (in http://www.boston.com/bigpicture/2012/02/photo_reflections.html)
Chunk of obsidian: https://www.thinglink.com/scene/504686617127026690
Obsidian mirror: https://s-media-cache-ak0.pinimg.com/736x/a0/77/4e/a0774e9d5c812c328852a4850ea59899.jpg
Egyptian copper mirror: https://assets.paddle8.com/510/266/21339/21339-1380672291-Coburn-Item%2033-xl.jpg (in https://paddle8.com/work/egyptian/21339-hand-mirror)
Reflection in a copper pot: http://www.jeffclaassen.com/photos/2013/11/copper_pot_05.jpg ( in http://jeffclaassen.com/blog/2013/11/copper-pot-selfies-in-the-kitchen-after-dinner/)
Reflection in a copper pot-2: http://www.jeffclaassen.com/photos/2013/11/copper_pot_02.jpg (in http://jeffclaassen.com/blog/2013/11/copper-pot-selfies-in-the-kitchen-after-dinner/)
Reflection in a copper pan: https://40.media.tumblr.com/e295593980f36d1411e869333c84b63f/tumblr_mgbmbnhFJl1rjg7f0o1_500.jpg (in https://www.tumblr.com/search/loppapeysa)
Reflection in a Chinese bronze mirror: https://c1.staticflickr.com/3/2601/3810835438_947331566d_b.jpg (in https://www.flickr.com/photos/chrisckemp/3810835438)
Reflection in a Japanese bronze mirror: http://1.bp.blogspot.com/_WxoUP_Y9N1A/RysHFDtbP1I/AAAAAAAAADo/smZF2ussZLo/s320/te-kagami2.JPG (in https://kgtou.wordpress.com/2007/11/02/te-kagami-hand-mirror/)
Chinese mirror – back: https://www.flickr.com/photos/asianart/405662049
Mirror coated with gold: http://www.epner.com/processes-and-products/laser-gold/
Old Venetian mirror in good shape: http://www.antiquario-dellapiana.it/esposizione-antiquariato-alba/dipinti-antichi/
Galerie des Glaces: http://www.historylines.net/history/17th_cent/versailles.html
Proclamation of the German Empire: https://fr.m.wikipedia.org/wiki/Galerie_des_Glaces
Signing of the Versailles Treaty with Germany: https://fr.m.wikipedia.org/wiki/Galerie_des_Glaces
Old Venetian mirror in bad shape: http://www.juliamarkert.com/galleria-riproduzioni-cornici-antiche-firenze/cornici-antiche-firenze/specchio-veneziano/
Reflection in Milan mirror: my photo

MIMOSA

Sori, 25 February 2016

We’re in Italy at the moment, spending a week here to get things in order for my impending retirement. We decided to make a quick visit to our apartment on the sea, by Genova, to check if all was well but also to see the mimosa in flower. The flowering of mimosa on the Ligurian coast is a wondrous sight to behold

especially when you’re toiling up a hill like these hikers are and find yourself in front of a flash of canary yellow, a harbinger of the Spring to come.

All was well with the apartment but alas! we were too late for the mimosa. It had reached its peak some two weeks before and the flowers were already very much past their best.

Disconsolate, I decided to do the next best thing, a little internet surfing to learn more about mimosa.

I had half expected to discover that mimosa originally came from China. After all, that had already been my experience with several plants, from wisteria to the willow. But no! I was delighted to learn that mimosa comes from south-eastern Australia. Here is a photo of it in the State of Victoria, in what is probably its natural state, cohabiting in this case with mountain gums.

Mimosa is actually a bit of a misnomer, for which it seems we have to thank Carl Linnaeus, the inventor of the modern system for giving scientific names to living things.

What I call mimosa is actually an acacia (or perhaps was an acacia; more on that in a moment). For some reason, Linnaeus decided to also give the genus acacia the name mimosa. The confusion was cleared up later, but not before this particular type of acacia got stuck with the name mimosa. Confusion on nomenclature doesn’t stop there, for it seems that acacia is also a misnomer in this case. I don’t follow taxonomic decisions with bated breath, but Australian acacias should apparently now be called racosperma. The august scientific body which makes these kinds of decisions decided so back in the late 1990s or thereabouts, but the Australian botanists, indignant at the thought of having to change the name of their cherished acacias, managed to get the vote reversed in 2005. However, I now understand that the vote was re-reversed. In all of this confusion, I think we should just go with the common name, the wattle. Since there are nearly 1,000 species of wattle in Australia, I have to be a little more specific and say that the “mimosa” planted here in Liguria is the silver wattle.

How mimosa got to this part of the world is not that clear – at least, I didn’t find any clear description of that journey. Another distinguished botanist, Joseph Banks

who accompanied James Cook on his first voyage to the Pacific and whom I have had cause to mention in an earlier post on kangaroos, brought the wattles to the attention of the Western world. But who actually brought the living plant back, or its seeds, and propagated it I don’t know. Whoever it was, the peoples from Portugal to the west all around the rim of the Mediterranean and up into the Aegean Sea and on into the Black Sea to the east have a huge debt to him (or, who knows? her). Every spring, they can enjoy magnificent bursts of yellow, like this one in Odessa in the Ukraine.

Actually, given that the golden wattle, another member of the large wattle tribe, is now the floral emblem of Australia, I was expecting to find a photo on the net of a mimosa in flower in the ANZAC cemeteries of Gallipoli. But no. Photos there are of the cemeteries

but none with a flowering mimosa. Perhaps no-one visits the cemeteries in the early Spring. But if instead it’s because mimosas are not planted in Gallipoli, I think a move in this direction is in order. Should not an earlier immigrant to Europe from Australia welcome the Spring every year in that corner of the Mediterranean where Australians lie in their eternal sleep?

___________________

Mimosa in Liguria: http://helpilivewithmyitalianmotherinlaw.com/2013/03/07/the-magic-of-liguria/
Mimosa on the hills: http://lemiegite.escursioniliguria.it/gita_per_gita/gita_per_gita_2014_2016/2015-02-01_sori_cordona_nervi.html
Mimosa in Australia: http://www.gettyimages.it/detail/foto/mountain-gums-and-silver-wattle-victoria-australia-fotografie-stock/128394637
Linnaeus: http://linnaeus.sourceforge.net
Joseph Banks: http://lggardendesign.com/it/linvasione-della-rosa-banksiae/
Mimosa in Odessa: https://www.pinterest.com/pin/365143482264046608/
ANZAC cemetery, Gallipoli: http://www.cwgc.org/find-war-dead/casualty/621860/FIGGIS,%20SAMUEL%20DOUGLAS%20JOHNSTONE

SPADES, CLUBS, HEARTS, DIAMONDS

Bangkok, 8 January 2016

In a previous post, I sketched out a rough agenda for my retirement. I think my wife was pleased with it. But she does have certain anxieties about this upcoming event. She has recently been reading about some Japanese syndrome called Retired Husbands Syndrome which attacks Japanese housewives. Suddenly, this guy whom you’ve hardly seen in the last 40 years – being a good Salaryman, he’s been leaving the house at 6 am and not getting home till midnight – is now constantly hanging around, getting in your way, messing up your routines, and expecting you to do things for him. Not unnaturally, the stress levels rocket up. While we’ve maintained a more balanced lifestyle, she does have fears of me moping around the house, lounging around on the sofa, eating natchos and watching TV all day. This dystopian view of hers is not helped by a number of films we’ve seen recently, describing exactly this situation. Nor is it helped by my fondness (my wife thinks more obsession) for playing Spider Solitaire on my iPad. She’s afraid that come retirement all I’ll do all day is compulsively play Spider Solitaire, with a little Freecell on the side.

It is true that I tend to play the game whenever I have a spare moment. I do admit that it can get a little out of hand. But I’m sure it’s good for my aging brain to carefully plot my strategy for getting the cards out. And those little electronic cards, with their glossy black spades and clubs and glowing red diamonds and hearts, and kingly Kings and queenly Queens and knavish Jacks, are really very pretty.

I was thinking about their prettiness the other day during a Spider Solitaire game, and when it became clear that I was dribbling towards defeat I decided to quit and do a little research on the history of playing cards, principally to understand where the suit design of hearts, diamonds, spades, and clubs originally came from. I was very pleased that I did so, because I discovered that what we have here is yet another example of the Great East-West Exchange which took place along the Silk Road and other trade routes that once criss-crossed the Eurasian continent. Of course, most of what was exchanged was traditional goods, but ideas also flowed along these routes. So did less obvious things, like the the willow tree and the pomegranate, both of which I’ve had occasion to write about in the past. Now I can with pleasure write about a third such item, playing cards.

Our story starts in China. Some time in the Tang Dynasty, around the 7th-8th Century, it seems that someone in the Imperial Court came up with the idea of a pack of playing cards, divided into four suits. The suits were Coins, Strings of (1,000) coins, Myriads of strings (10,000), and Tens of myriads. Like our modern cards, each suit contained cards with different numbers of pips. Here we have a Three of Coins and a Three of Strings-of-coins.

These packs also included face cards, like this one from the Ming dynasty.

These ‘chi-pai’, which is Chinese for playing cards, are still in use. This next photo shows the cards from a three-suited variant. Note how the design of the suits became highly stylized – this is important for our story.

I’ve no idea what games exactly were played with these cards back in Tang Dynasty times, I’m not sure anyone knows, and actually it’s not important for our story. What is important is that the use of cards spread westward. This could have happened through trade; I can imagine Chinese merchants whipping out a pack of cards to while away their down time in the caravanserai that dotted the Silk Road.

Alternatively, it could have happened through conquest, with conquering soldiers picking up new habits from the conquered. In this case, the Mongols, who conquered China in the 13th Century, seem a very good candidate. At its height, the Mongol Empire stretched from Korea to Ukraine.

Any new fads picked up by Mongol troops in China could have spread, through many an evening around soldiers’ camp fires, all the way to Kiev.

I don’t think the two diffusion mechanisms are necessarily exclusive. I could imagine that the Mongol conquest also amplified diffusion of card playing through trade. The two maps above superimpose quite well, and in fact the period of the Mongol Empire brought political stability to Asia which in turn encouraged a surge of trade along the Silk Road.

Whichever way, Chinese playing cards diffused westward. Some time in the 13th-14th Century, maybe earlier, so-called Ganjifa playing cards started being used in Persia. The etymology of the word Ganjifa is uncertain. Some see its root in the Persian word gunj, which connotes treasure, treasury, or money, and suggest that this connects them to the money-suited Chinese playing cards. Others see a more elaborate etymology, proposing that Ganjifa is actually a corruption of ‘han-chi-pai’, or ‘Chinese playing cards’. In this case, there would be a very clear line of descent from China. In any event, variants of Ganjifa playing cards began to be used throughout the Muslim world, as well as in India (brought there in the saddle bags of the Mughal conquerors). What interests us most is the variant used by the Mamluk in Egypt.

The Egyptian Mamluk were an interesting bunch of people. Initially, they were slave soldiers recruited by the Ayyubid dynasty. For the most part, they were drawn from the Cumans-Kipchaks, a nomadic group who controlled the steppes north of the Black Sea. They were conquered by the Mongols and then absorbed into the Mongol Empire as the Golden Horde. Some time in the 13th Century, the Mamluk slave-soldiers kicked the Ayyubids out and reigned in their place. This happy state of affairs continued until they were in turn defeated by the Ottomans and their territories subsumed into the Ottoman Empire. Luckily for them, the Ottomans kept them on as governors of Egypt.

Perhaps because of their Mongol connection, or in some other way, the Mamluk picked up this new fad of card playing and brought it to Egypt some time in the 14th Century. What is of interest to us here is the fact that Mamluk packs of cards had four suits: Coins, Polo-sticks (the Mamluks were great polo players), Cups, and Swords. In addition, each suit had three face cards, the king, the first vizir, and the second vizir. Some clever people, who know more about the history of playing cards than I do, see a link between these four suits and those used in Chinese playing cards. Their thinking goes as follows. There is no problem in seeing the Mamluk Coin suit being derived from the Chinese Coin suit, that’s an easy equivalence to envisage. After that, it gets trickier. The clever people propose that the Chinese String-of-coins suit was transformed into the Mamluk Polo-stick suit, on the grounds that a String-of-coins pip could easily be misinterpreted as a stick to those unfamiliar with this very Chinese way of dealing with coins. It is true that the String-of-coins suit in the photo of Chinese playing cards above has been so stylized as to look stick-like. Then the clever people suggest that the Chinese Myriad-of-strings suit became the Mamluk cup suit, on the grounds that the Chinese character for myriad, 万, which was often used as a sort of pip, was simply inverted by the Mamluks, at which point it does indeed look cup-like. Finally, the clever people suggest that the Chinese Tens-of-myriads suit, where the Chinese numeral for ten, 十, was often used as the pip, was simply interpreted as a sword by the Mamluk and so gave rise to their suit of Swords. The ice over which we have been scrabbling these last few sentences is indeed thin, but the romantic in me is willing to believe this wonderful story of Central Asians scratching their heads over these strange-looking cards which had come all the way from China and giving their own interpretations to the drawings on them. To enliven all this text, I throw in here a photo of one of the rare Mamluk playing cards to have survived, a Six of Coins, found in Istanbul’s Topkapi palace.

The next leg of our journey is somewhat easier to envisage, the transit of the Mamluk playing cards to Italy. I’m guessing that Venice was the entry point, although there could have been more than one. Until the Portuguese rounded the Cape of Good Hope and made for the Spice Islands, most of the spices which Europeans lusted for entered Europe through Venice, which in turn picked them up in Egypt. In addition to picking up spices, I can imagine Venetian sailors and merchants picking up packs of Mamluk playing cards to while away the long journeys back to Venice. Once in Italy, the use of playing cards spread rapidly, with each region having its own particularities. Here, for instance, is a pack of cards from Bergamo.

Italian playing cards basically adopted the Mamluk suits, except that they changed Polo-sticks to Clubs – the game of polo was unknown in Europe at that time and I suppose the polo-sticks looked club-like to the Italians. They also adopted the idea of three face cards per suit but Europeanized them into king, upper marshal, and lower marshal.

There followed a fairly rapid diffusion of playing cards throughout Europe as the craze for card playing caught on. The Southern Europeans – Spain and Portugal – kept to the Italian design for their suits, with some minor modifications. The Northern Europeans instead experimented with a lot of different suit designs. Given the aristocratic background of many players, the suits were often hunting-themed like this pack from Flanders.

Through the newfangled technology of printing, in which they were leaders, and through which they were the first to produce cheap packs of cards, the German lands popularized the use of the following suits:

Personally, I don’t see much connection between these suits and the Italian versions. I think the Germans just used their fantasy. In any event, here are some old German playing cards with suits of Bells and of Acorns.

Not to be outdone, the French came up with a somewhat different set of suits.

The Hearts suit was taken as-is from the German suits. The Spades suit seems to be a slight modification of the German Leaf suit. The Clubs suit could be considered a geometric transformation of the Acorns suit – the sides of the acorn shell pulled out, the acorn itself shortened. The circular Bells suit of the Germans was replaced by a different shape, the diamond. As the cards above show, the French also introduced Queens, who displaced the upper marshal.

The French suits have since become those most used worldwide. Why that should be is not completely clear to me. I think it probably has something to do with the fact that the French suits are easier to read; I would have got really confused using those German cards I show above – “wait, is that an Eight of Acorns I have in my hand, or a Nine?” Or perhaps it was because the French were the arbiters of good taste in Europe until World War I. Or perhaps it was because the British adopted the French suits and happened to become the most powerful country in the world with the biggest colonial Empire, which allowed them to impose their choice of card suits and card games on their colonial subjects. Or perhaps it was because the Americans, who took over the title of the most powerful nation, followed the British in choosing French suits for their playing cards. For any or all of these reasons, or maybe others again, French suits now stare up at me from my games of Spider Solitaire and Freecell.

Well, now that I’ve figured all that out, I can go back to what I was doing and actually win my Spider Solitaire game.

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Old Chinese cards, coins and strings of coins: http://www.gamesmuseum.uwaterloo.ca/Archives/Wilkinson/Wilkinson.html
Old Chinese cards, face card: https://en.m.wikipedia.org/wiki/Playing_card
Chi-pai three-suited cards: https://en.m.wikipedia.org/wiki/Chinese_playing_cards#Money-suited_cards
Silk Road: http://archive.silkroadproject.org/tabid/177/defaul.aspx
Mongol Empire: https://mapcollection.wordpress.com/2012/06/27/the-mongol-empire/
Mamluk card: https://en.m.wikipedia.org/wiki/Playing_card#Egypt
Bergsmasche deck: https://en.m.wikipedia.org/wiki/Italian_playing_cards#/media/File%3ACarte_bergamasche.jpg
Flemish hunting deck: https://en.m.wikipedia.org/wiki/Flemish_Hunting_Deck
German suites: https://en.m.wikipedia.org/wiki/German_playing_cards
Old German playing cards, acorn: http://www.spielkarten24.de/flohm.htm
Old German playing cars, bells: http://deerbe.com/unt/59680-___alte_spielkarten_playing_cards_dondorf_301_deutsche_spielkarte_1868___.html
Old French playing cards: http://www.culture.gouv.fr/public/mistral/joconde_fr?ACTION=CHERCHER&FIELD_98=AUTR&VALUE_98=BERGERET%20Pierre%20Nolasque&DOM=All&REL_SPECIFIC=1

WORLD TOUR WITH MINT

Bangkok, 11th October 2015

A little while back, my wife, bored with the usual round of cooking in the tiny, stuffy, hot kitchen of our apartment and longing to spice things up a bit with some change, espied a fresh herb in the vegetable section of our local supermarket which turned out to be mint. She brought it back and for several weeks now, we have been trying chicken à la mint, pork à la mint, fresh mint in green salad, and – the subject of this post – mint in tomato-based sauce for pasta.

Let me interject here that a basic difference between me and my wife is that she is adventurous, ready to try new things, and I am timorous, fearful of the new and comfortable with the true and the tried. This is as true for food as it is for any other sphere of life. I therefore approached these experiments in our usual cuisine with some diffidence if not suspicion. Actually, apart from the fresh mint in green salad, which I forcefully suggested we not try again, it worked rather well. In the case of mint in tomato-based sauce for pasta, it worked really well. The mint added a sweet overtone to the acidity of the tomato which did wonders to the palate. I have graciously allowed this variation on a theme to be added to our culinary repertoire. It’s very easy to prepare, by the way: replace basil leaves with mint, et voilà! (or you can just add the mint to the basil leaves)

A quick whip around the internet shows me that my wife is not the only one to have stumbled onto this use of mint. Martha Stewart, no less, offers a recipe where the tomato sauce contains mint. I throw in a picture from another recipe – readers are going to have to take it on faith that the little green bits in the sauce are finely chopped mint leaves.

One thread in these posts of mine has been to salute the humbler ingredients in our food, those which never get much publicity but are actually the ones that make each of our dishes so special. I’ve written on lemongrass recently, and capers and anise a while back (and, at the other end of the spectrum, I’ve written very disapprovingly about the use of hot spices). So I will use this occasion to also sing the praises of mint, reviewing some of its better uses in food.

As I usually do, I began surfing around the internet to see what I could find. I was surprised to not come across a huge use of mint, at least in my part of Europe (Western Europe, to use the Cold War parlance). Of course, there is that most English of dishes, mint sauce, a wonderful, wonderful sauce to put on lamb chops. But this dish has already been the subject (or one of the subjects) of a previous post, in which I sing the praises of the sweet-and-salt combination, so I don’t feel I can go on about it again. I will leave readers to refer to that post and move on – but not before throwing in a picture of mint sauce with lamb chops.

In my electronic wanderings, I stumbled across the following dish, which also seems incredibly English – at least, it involves peas, and since peas are in my mind as English as Big Ben or HM the Queen (one of the veggies in every meat and two veggies which I had in my youth seemed to be peas), I include it. We are talking of pea soup with mint (I give thumbnail recipes for this and other dishes that I mention at the end of the post).

I have a feeling that this soup would be good chilled, like gazpacho.

I also want to add here another dish that I came across as I went around raising electronic rocks to see what was hidden below them. It’s actually an eggplant dish from 16^th Century Italy. I add it because I think it’s kind of cool to look at what our ancestors were eating. But it’s also an intriguing dish because it looks to be an ancestor of the modern dish we know as eggplant parmigiana. The big difference between the two is the absence of a tomato-based sauce in the old recipe. I suppose this difference reflects the fact that tomatoes were not yet current in Italian cuisine in the 16^th Century. Instead, a mix of herbs (mint, sweet marjoram, salad Burnet, parsley, fresh fennel tips), crushed garlic, a couple of spices (cinnamon and cloves), pepper, and salt, are spread over the eggplant, and the whole is splashed with verjuice (I will let readers look that one up, as I had to) and sprinkled with sugar. Then, like eggplant parmigiana, cheese is spread over the whole. Here’s what it looks like, and the thumbnail recipe is at the end.

It was at this point that luck came to the rescue. As I was surfing disconsolately around the internet, I came across an interesting article entitled “Mints in Ethnic Cuisines”, written by two ladies from Texas, Madalene Hill and Gwen Barclay. I am indebted to them for much of what follows. It was they, for instance, who taught me that Greek cuisine bucks the (modern?) European trend of using little mint. It seems that Greeks use mint with wild abandon in their cuisine. The two authors mention several dishes in particular: keftedes meatballs, the yoghurt-based tzatziki sauce, the bean stew gigantes plaki, dolmas (stuffed grape vine leaves), hortopita, which is a vegetable and rice pie; even that best known of Greek dishes, moussaka, has mint in it! I give thumbnail recipes of all these dishes at the end, but here I will only post pictures of keftedes meatballs

which can be served with the yoghurt-based tzatziki sauce as a dip

I chose to put pictures of these two dishes with the hope that my wife (and I) can try to make them …

I now leave Europe behind, skimming over the waves of the Aegean Sea to the land of Lebanon, because I want to raise a cheer for that most Lebanese of dishes, tabouleh.

I have very fond memories of eating tabouleh in Beijing – yes, Beijing. There was a little Lebanese restaurant down the road from where we lived, run by a small, tubby Lebanese man with a twinkle in his eye. When Spring came rolling round, it was incredibly pleasant for my wife and I to sit outside the restaurant, under the barely budding trees, in the tepid heat of the midday sun, slowly working our way through a plate of tabouleh. I must say, though, I’m a little surprised that not only chopped parsley but also chopped mint is added. I’m not sure that our tubby Lebanese restaurateur was putting mint in his tabouleh. I will need to hunt down a restaurant which serves tabouleh with both mint and parsley. While I’m at it, I will also see if it serves Arab or Middle-East salad.

Lemon segments, diced cucumber and tomatoes, the whole mixed with chopped onions, mint, and parsley. Sounds sooooo good …

I now want to arc over to the Indian subcontinent, but not before pausing for a minute in modern-day Iraq. I’m actually stopping here for Iraq’s Babylonian past. Like any self-respecting university, Yale University has a collection of cuneiform tablets, some of which, like this one, list recipes.

These have been translated by a Frenchman, Jean Botéro (this immediately makes me think of the Egyptologist, Professor Philémon Siclone, in the Tintin album “Les Cigares du Pharaön”

but I digress).

One of these, Recipe XXIII, contains mint, to whit: “Leg (of mutton) (?) meat is used. Prepare water; [add] fat […] samidu, coriander (?), cumin (?), and kanašû. Assemble (all the ingredients in the cooking vessel) and sprinkle with crushed garlic. (After cooking,) blend into the pot šuhutinnû and mint […]” As you can see, words are missing, the translation of some of the ingredients is unknown, and to make matters worse the recipe is exceedingly brief compared to our modern ones, leaving much to the skill – and imagination – of the cook. Nevertheless, Laura Kelley and a band of hardy cooks have been piecing together these telegraphic recipes from 4,000 years ago and trying them out. Many of the results are described on the web site “The Silk Road Gourmet” I post here the picture of a modern take on Recipe XXIII, after someone concluded that šuhutinnû is probably carrot or possibly parsnip, and samidu is barley:

I have added the modern version of the recipe to the thumbnail recipes below, for those who might want to try connecting gastronomically with our remote Babylonian ancestors.

After that pit stop in the fertile crescent, we go on to the Indian subcontinent, the land of chutneys – not so much the fruit-based chutneys which the colonial Brits brought back to the UK, but more vegetable-based chutneys. Here is a chutney, mint-coriander chutney, where mint takes pride of place.

One of the recipes I perused helpfully informs the reader that this chutney can be served with pakoras, samosas, chaat, chole, or even potato chips.

This chutney allows me to segue smoothly into another popular dish from that part of the world, raita, a cold yogurt condiment served to cut the heat of spicy dishes. And here I will throw in a picture of a cucumber-mint raita (with thumbnail recipe at the end).

Being based on yoghurt (or strictly speaking curds) and looking at how raitas are made, I have to think that they are (perhaps not so) distant cousins of the Greek tzatziki (which itself is part of a broader family of yoghurt-based dishes to be found from the Balkans to the Caucasus). Maybe one day I should write a post on yoghurt …

After this, I soar over the Bay of Bengal back to Thailand. Madalene Hill and Gwen Barclay say that mint is a very popular ingredient in Thai cuisine and in South-East Asian cuisine more generally. Certainly, I recently had a taste of a common use of mint here, where it joins a number of fresh vegetables being served as a side dish to be added to noodle dishes or just eaten along with other main dishes.

We were saying bye-bye to a colleague and had lunch together in the office. The food was ordered from outside. My Thai colleagues informed me that most of the dishes I was trying were from the north of the country. I found it interesting to eat fresh mint leaves with some of the spicier dishes. This side dish of fresh vegetables is also common in Vietnam, and I suspect throughout South-East Asia.

I’ll finish with a dish from Thailand, yam nang mu (pork skin salad). This is actually one of many Thai “salads” in which various cuts of meat or offal are sliced small, seasoned with spicy/sour/sweet sauces, and then mixed with herbs of one variety or another. In this particular case, you season boiled, defatted pork skin (there is a cousin to this dish using pig’s ears) with fish and shrimp sauce, lime juice, sugar, and mix it all with a large amount of mint leaves, some lemongrass, some roasted rice, and a number of other ingredients (thumbnail recipe at the end).

Well, that brings me to the end of my world tour following the trace of mint. There are a lot of dishes which use mint that I’ve not mentioned. I’ve also not touched on the use mint in drinks, for instance Moroccan mint tea with its spectacular pouring technique

or the somewhat more alcoholic mint julep, a favourite of the Kentucky Derby.

But I’ll leave these for another day. Right now, my wife is looking at her watch and at the door. Time to go.

THUMBNAIL RECIPES

Pea and mint soup: Soften some onions in a heavy pot over medium heat. Add broth and bring to a boil. Add peas, reduce heat, and simmer gently until tender. Add chopped mint leaves (and parsley if you want). Add more broth. Purée in a blender until smooth. Season with salt and pepper.

Pomi sdegnosi, or braised eggplant: Slice the eggplant lengthwise and let them steep in in lukewarm water for 30 minutes. Rinse. Submerge the eggplant slices in boiling water for about 8 minutes. Remove and drain. Dredge the eggplant slices in flour and layer the bottom of an oiled dish. Chop all of the herbs – fresh mint, marjoram, parsley, salad Burnet, fennel tips – and mix them with minced garlic, spices – cinnamon, cloves, pepper – salt, sugar, and verjuice (for which lemon juice can be substituted). Cover the eggplant with breadcrumbs, drizzle with olive oil, cover with herb/spice mixture and then with provatura cheese (mozzarella, another pulled cheese, can be substituted). Repeat for each layer of eggplant. Bake in the oven for 30 minutes. (Adapted from http://atasteofhistorywithjoycewhite.blogspot.com/2014/08/to-braise-eggplant-historic-food.html)

Keftedes: Combine ground beef, bread dunked in milk, minced onion, minced garlic, finely chopped mint and oregano, some vinegar, some beaten eggs, a small amount of grated nutmeg, salt, and pepper, and mix well. Roll the mixture into balls. Dust the balls with flour. Put them in hot oil in a pan. Brown on all sides.

Tzatziki: Peel cucumbers and dice. To draw out their water, sprinkle them with salt and let them sit for 30 minutes. Drain well. Put them in a blender, along with minced garlic, some lemon juice, some chopped mint (and some chopped dill if you wish), and a little ground black pepper. Process until well blended. Stir the result into Greek yogurt. Salt to taste. Let it stand for at least two hours before serving so flavours can blend.

Gigantes Plaki: Soak gigantes beans (giant butter beans) overnight. Cover with fresh water and bring to the boil. Simmer for a couple of hours until the beans are just tender. In parallel, gently soften chopped onions and garlic for a few minutes. Then stir in some sweet paprika, tinned tomatoes, 100ml water. Salt and pepper. Bring to the boil, then simmer for half an hour. Stir in sea kale or dandelion leaves (or chard as an alternative). Mix the cooked beans with the sauce, adding some more olive oil and chopped mint and parsley. Transfer to a casserole pan, and bake for half an hour or so until the beans are tender and the sauce thickened and bubbling. Can be served hot, warm or at room temperature.

Dolmas: In a little broth, mix ground beef and lamb with uncooked rice, minced onion and garlic, some pine nuts, chopped mint and parsley. Place rinsed grape leaves on a work surface. Place a dollop of the mixture at the center of each leaf. Tuck in the ends and roll tightly toward the leaf point. Layer the wrapped leaves in a large saucepan Cover them with broth mixed with lemon juice. Cook over low heat for three-quarters of an hour.

Moussaka: Place minced lamb, minced onions, crushed garlic, chopped mint and oregano, a couple of bay leaves and a cinnamon stick in a large frying pan and cook over a medium heat for a quarter of an hour. Stir in some flour. Add a glass of wine, canned tomatoes, some tomato purée, and bring to a simmer. Cook for half an hour, until the lamb is tender and the sauce has thickened. Season with salt and freshly ground black pepper to taste. Set aside this meat sauce. Fry eggplant slices for a couple of minutes. Set them aside. Cook potatoes in boiling water for five minutes, then cool under running water. Prepare a white sauce as follows. Melt butter in a saucepan, stir in some flour. Cook for a few seconds, then gradually stir in milk. Add some grated parmesan and grated nutmeg. Simmer the sauce gently for 5 minutes. Season to taste with salt and pepper. Remove from the heat and stir in a beaten egg. Spoon some of the meat sauce into a shallow dish. Cover with a layer of potatoes and a layer of eggplant. Repeat the layers twice more, finishing with the eggplant. Pour over the white sauce to cover the whole in a thick, even layer. Sprinkle with a bit more parmesan. Bake in the oven until deep golden-brown and bubbling.

Hortopita: Peel, seed, and shred some pumpkin. Weight it to drain its liquid. Cook it in a skillet until it wilts and most or all of its liquid has evaporated. Transfer to a bowl. Cook in the same skillet a chopped leek and onion until also wilted. Transfer to the bowl with the pumpkin. Cook chopped chard and spinach until wilted; add to the bowl. Add the herbs – mint, sorrel, hartwort, chervil, dill, fennel leaves, parsley, and oregano – to the bowl. Season to taste with salt and pepper. Roll out a first phyllo dough ball and place it inside an oiled roasting pan. Brush with olive oil. Repeat with the second piece of dough. Spread the filling evenly over the dough. Repeat with a third sheet of dough, placing it over the filling. Brush with olive oil. Roll out the last piece of dough to a slightly smaller piece, and place it over the surface of the pie. Join the bottom and top layers of dough. Brush the top of the pie generously with olive oil. Bake until the pastry is golden and crisp. Remove and serve warm or at room temperature.

Tabouleh: Stir together some bulgur and olive oil. Pour boiling water over, and let stand for a quarter of an hour. Drain well. Toss with finely chopped mint and parsley, a couple of chopped tomatoes, half a cucumber, several tablespoons of lemon and of olive oil. Season with salt and pepper.

Arab salad: Cut segments from half of lemon free from membranes and transfer segments to a cutting board, then squeeze juice from the remaining half a lemon into bowl. Put a couple of tablespoons of lemon juice in a bowl. Add finely chopped segments of lemon. Add salt, pepper, and several tablespoons of olive oil. Whisk to combine. Stir in the remaining ingredients: diced cucumber and tomatoes, finely chopped onion, finely chopped mint and parsley.

Babylonian lamb with barley and mint: Marinate lamb steaks in soy sauce for half an hour. Sauté in oil, along with the trimmings. Remove, leaving the trimmings in the pan. Stir barley into the oil and toast for a few moments. Add cumin, coriander, and chopped garlic. Simmer until the barley is cooked. Place the lamb steaks in the pan and cook the desired degree. Add finely sliced carrots and chopped mint for a few minutes. Remove the lamb and slice. Place the carrots in a serving dish, spoon the barley over carrots, add the sliced lamb, and spoon over with the sauce. (adapted from http://lostpastremembered.blogspot.com/2011/07/onions-onions-everywhere.html)

Mint-coriander chutney: In a blender, grind together chopped mint leaves, chopped coriander, a chopped green chili (personally, I would cut out the chili, but can it be Indian without it?), a piece of ginger, a small amount of cumin, and some lemon juice, until smooth, using a little water if necessary. Salt to taste.

Cucumber-mint raita: Coarsely grate a cucumber. Squeeze dry. Whisk curds (yogurt can substitute), chopped mint, a little cumin, even less cayenne pepper in medium bowl to blend. Add cucumbers and mix well. Season to taste with salt and pepper.

Yam nang mu (Pork skin salad): Boil pork skin until soft. Cool. Remove any fat from the skin. Slice the skin into thin, short slices. Mix well with a large handful of chopped mint leaves, finely minced lemongrass, lime juice, fish sauce, palm sugar, and ground roasted rice.

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Tomato-mint sauce: http://www.seriouseats.com/images/2013/03/20130302-242913-tomato-mint-sauce.jpg (in http://www.seriouseats.com/2013/03/sauced-tomato-mint-sauce.html)
Mint sauce and lamb: http://www.maureenabood.com/wp-content/uploads/2012/03/Grilled-chops-platter-POST.jpg (in http://www.maureenabood.com/2012/03/29/grilled-lamb-lollipops-with-fresh-mint-sauce-chine-on/)
Pea and mint soup: http://www.epicurious.com/images/recipesmenus/2013/2013_april/51154900.jpg (in http://www.epicurious.com/recipes/food/views/minty-pea-soup-51154900)
Pomi sdegnosi: http://i.ytimg.com/vi/MgcFEo-S8WI/hqdefault.jpg (in https://www.youtube.com/watch?v=MgcFEo-S8WI)
Keftedes: https://rencooks.files.wordpress.com/2009/11/100_4063.jpg (in http://ediblearia.com/2009/11/05/lamb-keftedes/)
Tzatziki: http://www.cbc.ca/inthekitchen/assets_c/2012/02/Tzatziki4563-thumb-596×350-174210.jpg (in http://www.cbc.ca/inthekitchen/2012/02/tzatziki-sauce.html)
Tabouleh: http://almarahgrill.com/wp-content/uploads/2015/06/tabouleh.jpg (in http://almarahgrill.com/product/tabouleh/)
Arabic salad: http://suzyeats.com/wp-content/uploads/2011/05/arabic-salad.jpg (in http://www.snipview.com/q/Arab_salad)
Cuneiform tablet YBC 4644: http://babylonian-collection.yale.edu/sites/default/files/images/New%20Images/YBC4644_OBV_0004.jpg (in http://babylonian-collection.yale.edu/highlights)
Egyptologist in Tintin: http://s1.e-monsite.com/2009/04/06/06/46230270a-siclone-jpg.jpg (in http://univers-tintin.e-monsite.com/pages/les-personnages/philemon-siclone.html)
Babylonian lamb and mint: http://1.bp.blogspot.com/-h-K2nSXnfys/TiNFcYNVuzI/AAAAAAAACSI/5JHqnYlNzv4/s400/DSC_2266.JPG (in http://lostpastremembered.blogspot.com/2011/07/onions-onions-everywhere.html)
Mint-coriander chutney http://crumbsandtales.com/wp-content/uploads/2013/07/Hari-Green-Chutney-made-with-cilantro-and-mint-21.jpg (in http://crumbsandtales.com/mint-and-coriander-chutney/)
Cucumber-mint raita: https://familynaturally.files.wordpress.com/2012/02/2012-02-26_19-55-59_782.jpg (in https://familynaturally.wordpress.com/2012/02/26/raita-yogurt-with-cucumber-and-mint/)
Side dish fresh vegetables: http://thumbs.dreamstime.com/z/side-dish-vegetable-thai-restaurants-you-see-serves-hot-spicy-food-e-g-som-tam-green-papaya-salad-34668038.jpg (in http://www.dreamstime.com/royalty-free-stock-photos-side-dish-vegetable-thai-restaurants-you-see-serves-hot-spicy-food-e-g-som-tam-green-papaya-salad-image34668038)
Pork skin salad: https://c2.staticflickr.com/4/3038/3047383176_dbdea9103c.jpg (in https://www.flickr.com/photos/jakeslagle/3047383176)
Moroccan mint tea: http://lcmt.topdesert.com/content/photos/travel-guide/authentic-culinary-experiences/pouring-your-mint-tea-without-spilling-a-drop//lowcost-morocco-travel-pouring-your-mint-tea-without-spilling-a-drop1.jpg (in http://lcmt.topdesert.com/index.php?ref=ait-ben-haddou-and-ouarzazate-one-day)
Mint julep: http://ccattache.com/wp-content/uploads/2014/04/k17_18865809.jpg (in http://chuckcowdery.blogspot.com/2015/04/brown-forman-has-kentucky-derby-locked.html)

TROMPE L’OEIL AND STINGINESS

Bangkok, 27 July 2015

Trompe l’oeil is a very respectable art form, with a long and distinguished presence in the world of art, at least in Western art. I am told that the Greeks and Romans practiced it, although I do not recall ever having seen an example. In any event, artists took it up again with a vengeance during the Renaissance, and art thereafter is littered with pieces which “fool the eye”, tricking the viewer to see three-dimensional depth where there is none. We have a beautiful example just up the road from our apartment in Milan, in the church of Santa Maria presso San Satiro. My not-yet wife took me there on my first trip to Milan in 1975 and my eyes were indeed fooled.

What I had taken to be a deep apse behind the altar is actually an almost flat wall. The clever artist in question was Bramante, who painted it in the 1480s. In this case, he didn’t do it just to show how good he was, it was to give a feeling of greater depth to a church which was squeezed in between the adjoining buildings.

I could go on giving other examples from High Art, but actually I want to focus on a lower form of the art found in the province of Liguria. We’ve just come back from spending a week by the sea, near Genova, the province’s capital (and from where I managed to launch several of the previous posts).

One of my recurring pleasures as I walk the streets of any conurbation in Liguria, from Genova down to the smallest village, is to come across houses like these.

This form of trompe l’oeil is only found in Liguria, to the extent that the practice is almost a D.O.C.. In these cases, the painter (I hesitate to call him artist) embellishes what is otherwise the drab and flat facade of a house (you see an example to the right in the photo) with architectural elements which are painted so cleverly as to fool the eye into thinking that they are three-dimensional and “real”. The result is to make an ordinary house look more imposing, which in the old days no doubt (and perhaps even today) raised the residing family’s social standing a notch or two. It is even a way of making up for unfortunate blemishes in a facade, like the absence of a window which mars the symmetry of a house.

What is nice is to see is examples which run from the fresh and new to various states of weathering and finally decrepitude brought about by sun, rain, and more recently pollution.

Of course, one has to ask oneself why this art form is so popular in Liguria and nowhere else. My theory, for what it’s worth, is that it is a reflection of the well-known stinginess of the Genoese (and more generally Ligurians). In Italy, the Genoese have the same reputation as the Scots in England for being tight fisted, and there are loads of jokes about it, as indeed there are in the case of the Scots (“There was an Englishman, an Irishman, and a Scotsman in a pub. The Englishman stood a round, the Irishman stood a round, but the Scotsman just stood around”; sorry, I thought I would just quickly throw that one in). According to this theory, then, the Genoese (and by reflection the Ligurians) preferred to paint architectural elements onto their facades à la trompe l’oeil rather than go with the real things, because it cost them less.

I’m sure the Genoese must feel that this typing of them as scrooges by the rest of Italy is grossly unfair and they probably find it very irritating to be the butt of incessant jokes about it. But as they say, “there is no smoke without fire”. There must surely be some reason why they got this reputation. Curious to see what I could find out, I did an internet search on the topic (in truth, my wife did it since she’s very good at internet searches). Several suggestions popped up. One is that Liguria is in general a very poor land, made up of steep hills and little good agricultural land. People who live in such lands tend to be more careful with their hard-earned wealth scratched out of an unforgiving earth than those of us from richer lands (I’m sure this is the basis for the Scots’ reputation for stinginess). Another suggestion is that the Genoese in particular made much of their wealth in banking (they were the bankers of the Spaniards in the 16th century), and like all bankers got into the habit of not throwing their money around like we foolish non-bankers do. A third, which I like so much that I have adopted it, is a variant on the second (I have to thank Grimaldina, a citizen of Genova, for bringing it to my attention).

In 1586 or thereabouts Philip II, King of Spain, decided that he was going to invade England, to uphold the Catholic cause of course, but also to teach the damned English a lesson for attacking Spanish treasure fleets and shipping more generally. The worst offender was this gentleman, Sir Francis Drake

A great Englishman for the English, but nothing more than a damned pirate for the Spaniards.

To invade England, Phillip was going to need a navy, and a big one. As I said, the Genoese were the bankers of the Spaniards, so he came to them for the funds to build the necessary ships. I suspect the King made the Genoese an offer they couldn’t refuse. In any event, after much hesitation because it was a huge amount of money, and no doubt after extracting juicy concessions about trading monopolies for Genova in England once conquered, the Genoese accepted to fund the venture. Thus was built the Spanish Armada, or the Grande y Felicísima Armada, the “Great and Most Fortunate Armada”, as the Spaniards called it. And here, just for the hell of it, I throw in pictures of Philip II and Elizabeth I (it’s clear already from the pictures who’s going to win; I mean, look at Phillip II, have you ever seen such a nasty scowl?)

Alas, the Spanish Armada was perhaps great but it was not fortunate. After several engagements in the English Channel, where overall the Spaniards got the worst of it

the Armada was driven by the winds up into the North Sea, all the way up to Scotland. At that point, the Spanish commander decided to give up and go home. His idea was to round the top of Scotland, head out into the Atlantic, and then turn south. He turned too soon. His remaining ships found themselves too close to the west coast of Ireland, where, hit by terrible Atlantic gales, many were driven ashore. Of the 130 ships which left Spain only 67 limped home. The English cheered, but the Genoese cried; their fortunes had sunk to the bottom of the sea along with the ships. Genova went into a steep economic decline thereafter, from which it never really recovered. Thus was born the Genoese’s parsimony (and not stinginess, as stressed by Grimaldina). Like all great families which fall on hard times, it had to keep up appearances with less money in its pocket: ideal conditions for heavy adoption of trompe l’oeil.

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BEACH BLUES

Sori, 16 July 2015

I’m not a beach person. I don’t much like spending time in places like these.

My fair skin, which I inherited from my Anglo-Saxon progenitors, burns immediately. So I spend all my time wearing clothes, which readers will agree is not optimal behaviour on a beach, or sloshing on 30+ sun cream and darting fearful looks at the blazing sun. In any case, I don’t see the pleasure of spending time in a micro-environment whose closest cousin is the middle of the Sahara desert, where sun beats down pitilessly on sand and pebbles, with no sight of tree or bush to give a pool of shade (beach umbrellas don’t count), or of stream of merrily burbling fresh water to give the parched mouth relief (vendors of bottled water don’t count either).

I should clarify that I’m talking here about the ecology of a Mediterranean beach in high summer; the UK or French Atlantic beaches of my youth are quite different micro-environments, closer to Arctic tundra – at least, my memories of these beaches are dominated by glacial seawater, howling winds, and driving rain.

Back to the Mediterranean beaches. There is also the issue of the pebbles. We frequent a pebble beach.

Nice to look at but agony for me to walk on as the pebbles drive into the arches of my feet – I have quite delicate feet, which is why, when in China, I had a foot massage only once, because after the masseuse’s vigorous manipulations I spent the rest of the week hobbling around in pain. The pebbles are also almost glowing they are so hot. Walking to the sea is like being one of those religious devotees who walk on burning coals to prove their devotion to whatever it is that they believe in.

It doesn’t finish when I get to the sea. As I stand there, hesitating before the thermal shock that I know awaits me when I will plunge into the sea, the ebb and flow of the waves makes me stagger back and forth, stepping heavily on those damned pebbles.

As if all this were not enough, I get so BORED on beaches. I’m past the age of building sandcastles (although I did have fun helping the children make theirs when they were young)

or looking for particularly smooth or beautifully coloured pebbles

or throwing buckets of water on people

or showing off beautifully sculpted pecs (and nowadays tattoos) to admiring girls and jealous boys (even assuming I had either).

The best I can do is to read a book, but even this is difficult to do in the oppressive heat

or find every excuse to escape the beach – cappuccino time, shopping for lunch and dinner, urgent need to pay parking fines in the municipal office … anything to get away from the beach.

I should clarify that I’m basing myself here mainly on my memories of spending summer holidays with the family at the seaside in Italy. Those holidays stopped some ten years ago, when the children, now grown up, were spending their summer holidays with their friends and later with their girl or boyfriend. My wife and I still came to the seaside, but not for the beach. We went for walks in the hills behind the sea

we wandered around the village

we went into Genova to admire the sites

we dined out in the local restaurants

Or we just looked at the view from our balcony.

But we did not visit the beach. At maximum, one evening we would go down and dip a toe in the water.

Yet, as I write this, we are actually on that beach. This year, my wife and I have had the immense luck of having both kids with us at the same time for a week and a half during our and their summer breaks. In an advanced state of gratitude, I was therefore quite happy to tag along when it was suggested that we all go down to the beach and spend the afternoon there. After a dip in the sea, which was surprisingly warm (I am very picky about the temperature of the water), we are now lying in the shade of beach umbrellas, sipping water from a bottle we have just bought at the bar. And I’m feeling surprisingly mellow about it all; the beach seems quite a nice place really, don’t know what I had against it.

All of which proves … what? I suppose that human beings can put up with anything as long as they are happy.

POST SCRIPTUM, 18 July 2015

The mellowness only lasted for another half day. After that, we let the children go to the beach without us.

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