Beijing, 19 December 2012

It was an official dinner like so many I attend, perhaps more significant than most since it was with our main partner in China. I sat to the right of the banquet’s host, in the position of honour. As usual, I checked nervously what alcohol would be served; it’s either red wine – good – or “Chinese wine”, aka Maotai or Baizhou, which is actually an extremely strong, sickly tasting liquor – very bad; the Chinese profess to love it,  I refer to it outside of Chinese earshot as biofuel. Luckily, it was wine; I could relax. We started with the usual speech by the host and then moved to the first of the toasts. My host and I clinked glasses and bottomed-up, before turning to those around us to toast, our glasses having miraculously refilled in the meantime. The Lazy Mary began to turn as we picked at the various delicacies before us and as more arrived. The host got up and began to toast those at other tables, others got up and toasted the host, and me, and everyone else. I was soon standing up and sitting down like a yo-yo as the various guests arrived thick and fast and made me little speeches to which I had to find a suitable response. As usual, I was beginning to run out of platitudes, and when I found myself saying sillier and sillier things I knew it was time for me to escape and do my rounds of the other tables.

One thing was different at this banquet. The host had invited younger members of his staff with a musical skill to show it off. So we had players of the traditional Chinese flute, of the traditional Chinese violin, and of the guitar strutting their stuff. We also had a singer who sang in the operatic mode O sole mio and some Austrian yodeling song set to Chinese words – the last was a surreal interlude. Initially, we listened appreciatively, but as the guests moved around, toasting with all and sundry and chatting ever more animatedly in small clusters, the players were reduced to background musack. Then, uncharacteristically, the host called us to order and invited us to sit down. Two children took to the floor, the son and daughter of staff members, and they began to sing. It was in that moment that I understood why angels must be children. There is a purity, a crystalline clarity, a simplicity, in a child’s voice as it soars into the upper registers and floats above your head that can bring a hushed, attentive silence to even the most unruly crowd, and will always fill my heart with an intimation of the divine.



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I like writing, but I’ve spent most of my life writing about things that don’t particularly interest me. Finally, as I neared the age of 60, I decided to change that. I wanted to write about things that interested me. What really interests me is beauty. So I’ve focused this blog on beautiful things. I could be writing about a formally beautiful object in a museum. But it could also be something sitting quietly on a shelf. Or it could be just a fleeting view that's caught my eye, or a momentary splash of colour-on-colour at the turn of the road. Or it could be a piece of music I've just heard. Or a piece of poetry. Or food. And I’m sure I’ve missed things. But I’ll also write about interesting things that I hear or read about. Isn't there a beauty about things pleasing to the mind? I started just writing, but my wife quickly persuaded me to include photos. I tried it and I liked it. So my posts are now a mix of words and pictures, most of which I find on the internet. What else about me? When I first started this blog, my wife and I lived in Beijing where I was head of the regional office of the UN Agency I worked for. So at the beginning I wrote a lot about things Chinese. Then we moved to Bangkok, where again I headed up my Agency's regional office. So for a period I wrote about Thailand and South-East Asia more generally. But we had lived in Austria for many years before moving to China, and anyway we both come from Europe my wife is Italian while I'm half English, half French - so I often write about things European. Now I'm retired and we've moved back to Europe, so I suppose I will be writing a lot more about the Old Continent, interspersed with posts we have gone to visit. What else? We have two grown children, who had already left the nest when we moved to China, but they still figure from time to time in my posts. I’ll let my readers figure out more about me from reading what I've written. As these readers will discover, I really like trees. So I chose a tree - an apple tree, painted by the Austrian painter Gustav Klimt - as my gravatar. And I chose Abellio as my name because he is the Celtic God of the apple tree. I hope you enjoy my posts. Klimt/big/Apple Tree I.jpg

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