For some time now, I’ve been intrigued by this tree, which I see fairly regularly in gardens at our seaside place in Liguria. I see this particular example when we walk along the main road that runs through the village.
My photo
While another one, along the road to Recco, has long caught my eye.
My photo
I find the tree’s rigorous symmetry very pleasant to the eye, while the upward tilt of its fronds is most arresting – it looks like a pine tree growing upside down.
Up till now, my half-hearted attempts to identify it have been a failure. However, my wife recently discovered a plant identification service on our iPhone cameras. You take a photo of a plant and you will be told what the plant’s name is – not every time, I’ve discovered, but often enough to make such searches rewarding. I promptly trained my camera on the mystery tree and after a few goes it gave me a name: Norfolk Island pine. A couple of independent searches on “Norfolk Island Pine” confirmed the identification (one always has to beware false positives!).
Unsurprisingly, given its name, these independent searches also informed me that this tree hails from Norfolk Island, a dot of an island in the South Pacific Ocean. Although the tree has close-ish relatives in New Caledonia, the only place in the world where it is endemic is on this tiny island in the middle of nowhere. Norfolk Island is really very remote. It is pretty much equidistant between New Zealand to the south and New Caledonia to the north, with about 760 km of open water in either direction. And there’s double that distance between the island and the closest point in Australia, the country which oversees it.
The first Europeans to set eyes on the island were on James Cook’s ship during his second voyage to the South Pacific. I’ll quote what Cook had to say about the island in the published journal of this voyage.
“We continued to stretch to W. S. W. till the 10th [October 1774], when, at day-break, we discovered land bearing S. W., which on a nearer approach we found to be an island of good height, and five leagues in circuit. I named it Norfolk Isle, in honour of the noble family of Howard. … After dinner, a party of us embarked in two boats, and landed on the island, without any difficulty, … We found it uninhabited, and were undoubtedly the first that ever set foot on it.”
Cook was wrong about this. Archaeological surveys on the island have shown that Polynesians had already reached the island and lived there, but for some unknown reason they had all upped sticks and left several centuries before Cook hove to on the horizon.
Cook continues:
“We observed many trees and plants common at New Zealand; and, in particular, the flax plant, which is rather more luxuriant here than in any part of that country; but the chief produce is a sort of spruce pine, which grows in great abundance, and to a large size, many of the trees being as thick, breast high, as two men could fathom, and exceedingly straight and tall. … “
Cook wrote a bit more about the tree in a variation of his Journal (quite what variation this is I have not managed to ascertain – perhaps his handwritten journal?)
“[The tree] is of a different sort to those in New Caledonia and also to those in New Zealand, and for Masts, Yards &ca [it is] superior to both. We cut down one of the Smallest trees we could find and Cut a length of the uper end to make a Topgt Mast or Yard. My Carpenter tells me that the wood is exactly of the same nature as the Quebeck Pines”.
Luckily for the Norfolk Island pine, Cook was also wrong about the tree’s utility in the manufacture of masts, yards and spars. Quite quickly, it was found not to be resilient enough for the purpose, so initial plans to harvest the trees were abandoned. I say luckily, because if the wood had indeed been good for the task, I’m sure all the island’s pines would have been cut down by now.
As it is, the “great abundance” of Norfolk Island pines which Cook saw has been greatly reduced over the last 250 years. The UK government turned the island into a penal settlement for some 55 years, and the convicts cut down trees for their own use as well as to clear land for agriculture. Then, in 1856, the UK government relocated part of the population of Pitcairn Island to Norfolk Island because Pitcairn was getting too small for its growing population. After the grimness of the island’s use as a prison, this puts it in a rather romantic light: Pitcairn islanders were descendants of the mutineers on the Bounty and their Tahitian partners. I remember vividly the film “Mutiny on the Bounty”, where Marlon Brando plays the role of Lieutenant Fletcher Christian.
(the earlier version with Clark Gable in the role was not so good, in my humble opinion)
To these romantic new residents were added a few more people, people who jumped ship from visiting whalers or other ships which passed. All these new residents unromantically continued cutting down trees to clear land for agriculture. The trees also had to start competing with other, foreign species brought to the island. As late as the 1950s, some bright spark had the idea of turning Norfolk Island pines into plywood. A batch was exported to Sydney, and excellent results were reported of the trial plywood produced. Luckily, someone with some sense realised that this was not a sustainable business and the idea was dropped.
As a result of all this mismanagement of the island’s pines over the centuries, the stands have gradually shrunk, with the last remaining stands of any size now protected in a national park, on land which is too steep or rocky to farm.
The International Union for the Conservation of Nature has classified the species as “vulnerable”.
Someone – maybe several people – along the way also realised that this handsome tree had potential in the horticultural trade. Quite quickly, it entered that global trade in plants which I’ve written about earlier. From a purely selfish point of view, that was lucky for me, because otherwise I would never have seen this handsome tree on the Ligurian coast. I see no reason why I would ever visit Norfolk Island – I’m not the type to take part in a mutiny and I’ll never, thank God, work on a whaler (not a complete impossibility; some of my ancestors did).
Already by the late 19th Century, the tree had moved out of its native habitat. It seems to have been a popular tree to plant near shore lines because of its high tolerance to salt and humidity, as well as its ability to grow in sandy soil. It also always grows straight regardless of prevailing winds. Here’s a nice example from the city of Napier in New Zealand, where a row of Norfolk Island pines was planted along the sea front in 1890, to create the Marine Parade.
This particular photo was taken in the 1930s and later coloured by hand. The trees are still there, although recent articles say the trees are getting to the end of their lives and need replacing.
And then, in ways that probably no-one has studied, and probably never will (who cares about the history of a plant?), it reached the piece of Ligurian coast where my wife and I spend time, a trip of 18,300 km as the crow, or perhaps better the albatross, flies (nearly half the Earth’s circumference).
I don’t know how long the trees have been here. They are quite tall but Norfolk Island pines grow slowly. From information I’ve managed to glean from the internet, I’m guessing that these particular specimens are fifty or so years old, which means they would have been planted around the time I first started coming to this Ligurian village. With a bit of luck, they’ll see me to my grave.
As in the case of my previous post, the little trip my wife and I recently undertook in central Italy was kicked off by an article in the Guardian which I read some four-five months ago now (although quite how I got to it I can no longer remember; the article is more than three years’ old). The article was about a fresco by the Renaissance artist Piero della Francesca depicting Mary pregnant with Jesus.
It was such a different depiction of Mary when pregnant. The only paintings I know of where we see her pregnant are depictions of the Visitation, the story in the New Testament where Mary goes to meet Elizabeth and both women are pregnant. Here is a nice example of the genre, by Rogier Van der Weyden, where it is clear that both women are pregnant; in many versions of the Visitation, you would be hard put to see that the two are “with child”, as they used to say.
But Piero della Francesca has Mary alone, not doing anything in particular, just resting her hand on her belly. Such a natural pose! I remember vividly my wife doing exactly the same when she was pregnant with our two children.
Charmed by this fresco, I immediately proposed to my wife that we go to see it. She said she was all for it as long as we got some hiking in too. The fresco is held in a village called Monterchi, on the borders of Tuscany. Once I discovered that we would need to get to Monterchi via Arezzo, I proposed that we also visit Arezzo – I had visited the town fifty years ago, my wife never. And then I saw that one of the earlier stages of the Via di Francesco, the Way of Francis, several stages of which we hiked back in October 2023, passed through Citerna, a village across from Monterchi. So then we decided to walk from Citerna to Sansepolcro. Then late in the planning, we discovered that there was going to be a “once in a lifetime” exhibition of Caravaggio, my favourite painter, in Rome. My wife eventually persuaded me that we should tack on a quick visit to Rome, which allowed for an extra day’s hike to Città di Castello, followed by a two-day stay in Perugia (again, visited by me fifty years ago and by my wife never), with a final quick visit to Rome just for the exhibition.
What follows are notes on our little expedition.
Arezzo (population: 99,000)
After taking a Flixbus down to Florence, we rolled in to Arezzo train station in the early afternoon.
I have to confess that I have no idea why I decided to go to Arezzo fifty years ago. I have but one memory of the place: going to a cafe for lunch and being served by a man with a fascinating face, the type of face I see in Caravaggio’s paintings; the lunch was good, too, as I recall. But I remember nothing of what I visited. A bit embarrassing, really.
What we found was a very pleasant old town, built up a slope towards the cathedral.
I very nearly missed the town’s artistic highlight, the frescoes in the cappella maggiore in the Church of Saint Francis, by Piero della Francesca (him again; not surprising, really, he was from this part of Tuscany). On the day we set aside to visit Arezzo, the chapel was closed. No problem, we said, we’ll see it tomorrow morning before our bus leaves for Monterchi. Next morning, we were at the church when it opened, but disaster! we were informed that you had to book your visit online, and there were no spaces left. My wife, excellent negotiator that she is, managed to persuade the ladies at the ticket desk to at least allow me in. So I went in and relayed photos to my wife outside via WhatsApp. These photos, scraped from the web, are frankly much better than the ones I took.
We climbed up and over to the other side of the hill, to the old village school, which had been turned into a little museum just for Piero della Francesca’s fresco of the pregnant Madonna. I won’t repeat the photo I inserted earlier. I throw in instead a photo of a reconstruction of what the fresco originally looked like, with Mary in a tent of some sort.
My photo
It is indeed a lovely representation of pregnancy. I can understand why pregnant women in past centuries would flock to the chapel which contained it, to pray for a safe and easy birth.
Citerna (pop: 3,400)
After the visit to the museum, my wife and I walked to Citerna, sitting on the top of a high hill on the other side of the valley from Monterchi.
My wife’s photo
It was a short hike, some 2 km, but steep: the route suggested by Google Maps took us pretty much straight up the hill. What we found at the top was a sleepy little village most of whose residents were old – the fate of so many of Italy’s villages. Internet had informed me that the local church contained a statue by Donatello, although I was warned it was difficult to visit. And so it proved. The church was locked, but there was a note on the door with a phone number to call to arrange a visit. My wife called, but the man who responded told her he was in Ravenna; tomorrow morning, he said, he would be there at 9.45 – or maybe later, he wasn’t sure. Since we were planning to be on the road by 9.00, that was that. The only other thing of note in the village was splendid views of the valley which we would be hiking across the next day.
There was also a stone tablet set in a wall which got me all excited.
My photo
It commemorates the fact that Garibaldi and his beloved wife Anita stayed here in July 1849. Theirs was an impossibly romantic story. They met in 1839 in Brazil; Garibaldi was fighting in a number of wars of independence in Latin America. The way my history teacher told the story in my O-level history class (the only thing I really remember of the part of the curriculum on Italian unification), Anita was washing clothes in the river. Garibaldi spotted her through his telescope from the bridge of his ship. He immediately got his sailors to row him over to her. When he reached her he declared to her – in Italian – “you must be mine!” She was already married but somehow or other the husband was dispensed with and they got married. When Garibaldi came back to Italy in 1848 to fight in the various popular uprisings taking place there, she followed him. She was with him in Rome in 1849, when he was defending the short-lived Roman Republic. Together, they escaped as the Republic collapsed in June. Their aim was to get to Venice, but they were being pursued by at least three armies and navies: the French, Austrian, and papal forces. It was during this flight towards Venice that the pair spent a – presumably hurried – night in Citerna. Tragically, Anita died, probably of malaria, in Garibaldi’s arms, near Ravenna in early August. I throw in a photo of the pair.
Made of scrap metal, it commemorates the pilgrims who pass through Citerna, walking the Via di Francesco on their way to Assisi. It was the route we would be taking the next day, although we would be walking it in the opposite direction, to Sansepolcro.
Sansepolcro (pop: 15,000)
We made our way down the hill from Citerna and then started making our way across the valley which lay between us and Sansepolcro. We were taking small roads across the valley which wound their way across flat fields.
From time to time, we passed groups of pilgrims walking the other way, otherwise we had the road to ourselves. 15 km later we arrived at Sansepolcro.
Having dropped off our rucksacks, we went off to explore. In truth, there wasn’t much to explore, but we did go and see the town’s crown jewel, its municipal museum, which contains this lovely polyptich painted by Piero della Francesca.
I’ve always loved these depictions of Mary as the Madonna of Mercy, where she is gathering up a group of faithful into the folds of her cloak. If I had lived in the Renaissance – and if I had been very rich – I would have commissioned a Madonna of Mercy, with my wife and I, along with our two children, their partners, and their children, all gathered under her cloak.
The museum also contained this magnificent Resurrection by Piero della Francesca.
Source
There is a heart-warming story about this fresco. Aldous Huxley had visited Sansepolcro to see this fresco, and in an essay he wrote in the 1920s he described it as “the greatest picture in the world”. In the summer of 1944, as Allied troops were advancing up Italy, the Royal Horse Artillery took up positions to shell Sansepolcro according to orders received. Suddenly, a Lieutenant, by the name of Anthony Clarke, remembered reading that essay as a teenager. Fearing that the shelling could destroy the fresco, he ordered the men to cease fire. Luckily for him, the Germans had already evacuated the town, so the Allied troops could capture it without losses.
The rest of the museum was so-so, although I was much struck by a very strange fresco tucked away in a back room.
My photo
It is meant to represent the Holy Trinity, although this three-headed person looks more monstrous than holy.
Città di Castello (pop: 38,000)
The next day, we made a 10 km hike southwards to Città di Castello. We weren’t following a pilgrim trail, just a route suggested by one of the hiking apps we use. The first half was very pleasant, taking us along back roads and tracks through fields. The second half was less so, having us walk along a busy road and then through what seemed like the interminable suburbs of the town itself.
Once we had found our lodgings and dropped off our rucksacks, we sallied out to see what we could find. As in the case of Sansepolcro, there really wasn’t much to find. But we did discover – to our surprise, I have to admit – that Città di Castello was the birthplace of a fairly well known modern Italian artist by the name of Alberto Burri, and that, with the blessings of the municipality, he had set up a museum containing an extensive collection of his works. The Green Michelin Guide, my go-to source for all things cultural to visit, gave the museum two stars. Well, what the hell, we said, why not.
Well, I can’t say I was super excited by his work. He used materials like tar, iron, plastic, wood, earth, and glue to create his pieces, which I suppose would be defined as abstract art. A site I read had this to say about him: “Alberto Burri was an Italian painter, among the most important of the 20th Century. His techniques anticipated movements like arte povera and nuovo realismo.” The only work in the museum which I could have lived with is this one.
My photo
After our visit to the museum, we wended our way to the town’s main drag to have an Aperol Spritz, but not before coming across this wonderful stone tablet set in the wall of the old municipal building.
Source
It was an excellent example of a style of lapidary declamation that I often come across in Italy: wordy, pompous, and often – to me, anyway – incomprehensible, mostly because no punctuation is ever used. Below is my best guess at a translation of what the Socialists of Città di Castello were trying to say back in 1911:
“From the red dawn of the International to the victorious outbreak of proletarian forces, neither persecution nor honours bent the proud soul of Andrea Costa away from the socialist ideals of workers’ rights. Supporter, apostle, in the square, in prison, in parliament.
In the name of he who was the symbol of the noblest faith, the Internationalist group of Città di Castello, dispersed in the lands of exile by violent blasts, remember, honor.
The Socialists”
Perugia (pop: 162,000)
We took a creaky old train, much painted over by graffiti, to Ponte San Giovanni at the foot of Perugia and then a bus up to Perugia itself, high up on the hilltops. The weather had turned and we reached our hotel in the midst of a downpour.
My only memory of Perugia from my previous visit of 50 years ago is a very vague one. It has to do with a museum, the national gallery of Umbria, but has nothing to do with any of the pieces in that museum. My memory synapses just stored away my pleasure at the halls’ minimalist style: undecorated white walls, relatively few well spaced paintings on these walls, uncluttered floors with only the occasional bench to sit on. It is a style that my wife and I have adopted all our lives – although I have sometimes weakened, seeing lovely, and relatively cheap, things to hang on the wall; but my wife has kept me on the straight and narrow. I must admit, it is a strange memory of Perugia to have carried with me all these decades. For instance, I have no memory of the town’s topography. Over the millennia, Perugia has spread over a series of hilltops and their connecting crests, so there are a lot of fairly steep ascents and descents involved in visiting the town. My wife, on her first visit to Perugia, was charmed by this form of urban development and took several photos to record it.
My wife’s photoMy wife’s photoMy wife’s photo
To help the locals (and maybe tourists) to tackle the town’s steep slopes, the municipality has installed escalators at various points. This one passes through the bowels of a fortress built by a pope to keep the Perugians in line.
My wife’s photo
They rather reminded us of the Central-Mid Levels escalator in Hong Kong – although that one was considerably longer.
The municipality has also rather cleverly readapted an old viaduct and made it into a walkway.
My wife’s photo
Talking of the national gallery of Umbria, it was a pleasure to (re)visit it. It houses a wonderful, huge crucifix by “the Master of Saint Francis”.
The panels were carved by Nicola and Giovanni Pisano (we weren’t actually looking at the originals, which are now housed in the Galleria Nazionale dell’Umbria). The panels depict the months of the year, various allegorical figures, and some other subjects. I show the two panels which cover the months of our two birthdays.
We took the Flixbus down to Rome, which left us off at Tiburtina station. From there, without even bothering to put down our bags at the hotel, we took the subway to Palazzo Barberini where the Caravaggio exhibition was being held.
It was a wonderful exhibition. Some of the pieces I had already seen “in the flesh”, like this painting, Judith Beheading Holofernes, held in Palazzo Barberini’s own collection.
Others I had only seen in my book of Caravaggio’s paintings. For instance, this one, The Taking of Christ, which currently resides in the National Gallery of Ireland (it was rediscovered a mere thirty years ago!).
In both, one can see self-portraits of Caravaggio, at the back of the crowds, peering over people’s shoulders.
With that, all our visits on this little trip were now over. But not, alas, our adventures, or rather misadventures in this case. On the subway trip back to the hotel, my wallet was picked from my pocket. The money was the least of things. Gone were the credit and debit cards, my residence permit for Austria, my driver’s license, and few other odds and ends.
We took the bus back to our seaside place. All the way, I was seething inside over my wallet. I decided I should put a curse on the thief. I should do like the ancients, who wrote their curses on thin sheets of lead, rolled them up, and consigned them to a sacred place. The example I give here is one of 130 curse tablets that were discovered at the bottom of what was during Roman times a sacred spring in Bath, in the UK.
I don’t know what particular curse this tablet has scratched on it, but one of the 130 has this to say about the theft of a ring:
“So long as someone, whether slave or free, keeps silent or knows anything about it, may he be accursed in his blood and eyes and every limb, and even have all his intestines quite eaten away if he has stolen the ring or been privy to the theft.”
Hmm, that sounds like a good curse. But actually, I know an even better one, a really hideous one. I won’t say what it is because then it wouldn’t work anymore. I don’t need a sheet of lead, a sheet of paper will do, and I will consign it to one of those offerings boxes they have in churches. Let the thief suffer the torments of hell, for ever and ever and ever!
It was an article in the Guardian that started me off on this post. The writer was describing an expedition of his into the countryside in Kent to go foraging. He mentioned having seen dandelion, common sorrel, lady’s smock, stinging nettle, goosegrass, reedmace … plants I have never eaten; in fact, apart from dandelion and stinging nettle, I’ve never even heard of them. The writer goes on:
“Further along the hedge, the large glossy leaves of alexanders stand in ragged clumps above the dull, wintered sward; yet another superb edible and the main reason for my visit. This plant, most likely introduced by the Romans, comes from the Mediterranean where it was once known as Petroselinum Alexandrium – the parsley of Alexandria. Like many members of the carrot tribe, they present a huge amount of culinary potential – all parts of the plant can be eaten, offering complex floral flavours and harmonising notes of bittersweet. The root is particularly delicious, something akin to a fragrant parsnip once roasted. … I get to work harvesting a few alexander crowns, the burgeoning flower stems still sheathed in soft green leaves. Later I’ll roast them with feta and sun-dried tomatoes, returning the unmistakable smell of spring fare to the kitchen.”
I have to admit to also never having heard of alexanders, let alone eaten it. In the face of such ignorance, I might have moved on to another article in the Guardian were it not for the fact that something in the article’s description – the mention of a Mediterranean origin perhaps? – intrigued me, and I decided to investigate.
The first thing I did was to pull up some photos of this plant, because I had no idea what it looked like. Here’s a nice example of what I found.
As I studied this and other photos, I said to myself “hang on a minute, I think I’ve seen this plant recently. Wasn’t it at some point half choking the path on that last hike we did?” This was in Liguria, when my wife and I were taking the high path which snakes along the contours of the hills between Sori (where we have our apartment) and Recco (where we were going to eat focaccia al formaggio). As always, I turned to my go-to source, Wikipedia, for further information. I was not disappointed.
Let me start with a map of the plant’s current distribution.
It seems that it can be found throughout Italy and Greece, as well as much of the UK and Ireland. Otherwise, it is more of a coastal plant. So there is a good chance that what I saw on that walk was alexanders. There is some discussion as to whether, as suggested by the writer of the Guardian article, this is a Mediterranean plant which was brought to the UK and elsewhere in Northern Europe (the Romans being a popular possible vector as far as the UK is concerned) or whether it is actually native to all the places in Europe where it is currently found.
I’ll leave that question to the experts to hash out. What caught my eye in the Wikipedia entry instead was a sentence: “Inland [in the UK], it is often found close to the sites of medieval monastery gardens and other historical places such as castles.” And suddenly, a vision of Brother Cadfael working his herb garden floated up in my mind’s eye. For any readers who might not be familiar with Brother Cadfael, he is the main character in twenty books set in a Benedictine monastery in Shrewsbury, England. The stories take place between the years 1135 and 1145, and have Cadfael solving all sorts of murders and other Medieval mayhem. He is also the monastery’s herbalist, making up medicines for sick monks, using herbs he grows in the monastery’s herb garden where he grows the plants he needs to make up his potions. I throw in a photo of the cover of the 20th book in the series, where he seems to be in his herb garden.
My photo
I have to say, I’m extremely fond of the Cadfael stories. As the photo intimates, I have all twenty of the series. I’m not so fond of the TV show starring Derek Jacobi as Cadfael. Normally, I’m a great fan of his, but this show didn’t really grip me.
In any event, I throw in here a painting by Fra Angelico showing monks at work on their garden.
I don’t know if Cadfael would have grown alexanders in his herb garden. The plant was mostly grown to eat, but Wikipedia does say that it also had therapeutic uses. So I’m happy to think that his herb garden would have contained alexanders.
Another sentence in the Wikipedia entry caught my eye: “It was once highly valued in northern Europe as an early vegetable: one of the few fresh plants that can be eaten in February or March”. If it was so highly valued, what happened? Well, it seems that in the 18th Century (or maybe even in the century before that) it lost out to celery. John Evelyn (whom I’ve had cause to mention in an earlier post) had this to say in his book Acetaria. A Discourse of Sallets [Salads] published in 1699: “Sellery … was formerly a stranger with us (nor very long since in Italy) [It] is a hot and more generous sort of Macedonian Persley [Macedonian parsley being another name for alexanders] … and for its high and grateful Taste is ever plac’d in the middle of the Grand Sallet, at our Great Men’s tables, and Praetors feasts, as the Grace of the whole Board”. The Wikipedia entry confirms (in slightly more sober language) this similarity in taste between alexanders and celery, at least as far as the leaves are concerned: “the young foliage is intermediate in flavour between celery and parsley”.
And so, abandoned by monk and lord of the castle, domesticated alexanders went feral, spreading out from the old monastic and aristocratic herb and vegetable gardens into the surrounding countryside. I suppose in the UK in particular the tidy plantings of alexanders in monastic gardens were victim of Henry VIII’s dissolution of the monasteries in the late 1530s, which left behind only a few ruins like this one, of Byland Abbey in Yorkshire.
(I chose this particular ruin because it happens to be down the road from my old school; I did some very basic archaeological mapping there but don’t remember ever seeing any alexanders).
Is there any chance of seeing alexanders back on our plates? Well, Wikipedia holds out some hope: “It … has found some renewed use in exotic “foraged” food recipes and restaurants.” A first, timid step to its journey back onto supermarket shelves next to celery, perhaps. Maybe I should forage it and try it. But the Guardian article does contain a warning: “care must be taken with identification … [nearby] hemlock water dropwort is growing in great profusion. This deadly relative and a half-hearted imposter of alexanders is easy to distinguish with experience … but surviving long enough to gain such confidence requires a little care”. That makes me gulp. Right now, I think I’ll just take photos of the plant, like this one I took recently on a hike on the Monte di Portofino starting from San Rocco.
I’ve been meaning to write this post for a while, but I could never figure out what my angle should be. The thing is, I want to write about mosses, but once you’ve said that mosses can be really beautiful, there’s nothing much more to say about them. I could blather on about their biology and ecology, but only muscophiles would find that interesting. Looking at them from a historical point of view doesn’t help much, either: as far as I can tell, they haven’t played a significant role in anyone’s history. They do have some practical uses, like bedding and wound dressings, but nothing that really stands out. And forget the dietary angle: no-one eats moss unless they are starving, so there are no interesting dishes to report on. So the post has remained unwritten.
But now, finally, I’ve decided. Since there’s not much to write about on mosses, I’ll focus on photos instead. This post will be a photo essay celebrating their beauty! (That being said, I’ll still write some stuff – I can’t stop myself – but it will be more like extended titles to the photos).
I have to start in Japan, because it is moss country par excellence: something like 1,800 species of moss, or around 15% of the world’s total, grow on its islands. It was there, back in 1985 when my wife and I toured the country for a month, that we first appreciated the beauty of mosses. Our first experience was on the island of Hokkaido, where we were taken to visit the Moss Canyon in Shikotsu-Tōya National Park. It’s more of a gorge, really, about 200 metres long with walls some 5 metres high. These walls are covered in velvety green moss.
Other temples we have visited in Kyoto over the years have integrated moss into the overall design of their gardens. This example, from Tofukuji temple, is one of the more intriguing.
Many have even integrated moss into what you might think of as a most unmossy place, their dry rock gardens, where moss is often used to create islands in the sea of pebbles, like this example, also from Tofukuji temple.
But moss found out in Japan’s nature can be just as beautiful. Here are various photos I’ve taken over the last few years during our annual stay in Japan.
A moss-covered log on the flanks of mount Kurama, north of Kyoto.
My photo
Fallen Japanese maple leaves smothering a field of moss, out in Ararshiyama in the north-west of Kyoto.
My photo
A tree stump crowned with moss, on the Kumano kodo trail.
My photo
A stone basin with a moss-covered rim, seen on the same trail.
My photo
A stone lantern, being slowly colonized by moss.
my photo
An abandoned motorbike, also being slowly colonized by moss.
my photo
Japan is the land of moss, but it is also the land of fire, as we saw up close on that visit to Hokkaido’s Shikotsu-Tōya National Park
The contrast could not be starker. One island country has lush vegetation of which moss is but a part. The other has little vegetation, its climate being too harsh. And yet mosses manage to thrive. Which was just as well for us because wherever there was water they covered with ethereal green the otherwise denuded landscape which we hiked past.
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Well, that’s our photo album with mosses. If we ever come across beautiful mosses elsewhere, I will add photos to the album.
It is a sad fact of life that as one gets older, the machine that is our body begins to falter. Machine parts begin to show signs of wear and tear, leading to unfavourable results in blood, urine or other samples of our vital fluids. One such unfavourable result which has been dogging me for a number of years is the levels of ferritin in my blood. My old doctor had been monitoring it, and shortly before he retired he decided that the time had probably come for me to do some regular blood-letting to bring the ferritin levels down. Luckily, the liver specialist which he sent me to – high ferritin levels being normally due to some malfunction in the liver – didn’t agree, recommending continuing monitoring. At which point, I decided to see what I could do to bring down my ferritin levels naturally, through my diet. I had already pretty much completely eliminated red meat, which is high in heme iron. That was pretty sad, but I comforted myself with the thought that it was good for the planet. My daughter found a scientific article online, which recommended a diet high on berries, especially blueberries, and the liberal use of cocoa powder – it seems that the polyphenols which these contain can help bring ferritin levels down. I did that for several months and then did the blood tests again. There was a modest decrease in my ferritin levels. I asked my new doctor what else I could do. She suggested imbibing lots of tea and eating lots of pulses – they, too, contain high levels of polyphenols. Well, my wife and I are already regular tea-drinkers, carrying on a fine British tradition.
So I didn’t see much scope for improvement there. Pulses were a different story. Quite frankly, we don’t eat many of those; we’re not terribly, terribly fond of them. We’ll eat pasta e fagioli once or twice a year, normally when winter sets in; this particular version has used penne rigate and cannellini beans.
And come Christmas time, we’ll often have ourselves a popular Christmas dish in northern Italy, cotechino e lenticchie, a type of sausage with lentils. I’ve already covered this dish exhaustively in a previous post, so I won’t say any more here. I just invite readers to drool over this photo.
That is pretty much the sum total of our annual pulse intake. After some discussion, my wife and I agreed that I could go with lentils. I quite like lentils in salad, so I’ve been regularly eating a lentil salad for lunch and dinner. But I fear I’ll get rather bored with having this all the time, and might need to branch out. What other lentil dishes could I try?
Well, for starters, I could eat nice mixed salads like this one, of fennels and lentils.
But that is really just a modest change to the original dish. What else?
Well, given that the original wild lentil plant comes from the Middle East and was domesticated there (like so many of our foodstuffs), I’m thinking I should start by looking there for a lentil dish I could try. And in fact, it so happens that there is a very popular lentil dish in the Middle East which goes by the name of mujaddara. It’s a very simple dish: it’s a mix of lentils and rice, with a topping of caramelised onions. You can season it with cumin, mint, or coriander (although I would skip the coriander, which I don’t like).
It’s considered a poor person’s dish, but if you’ve got money to burn you can add meat to the mix. The dish is generally served with a side of yoghurt or a salad.
Going off on a tangent, I’m blown away by the etymology of the dish’s name. Mujaddara means “pockmarked”, a reference to the look of the dish, brown lentils pockmarking the white rice. It would be nice to think that whoever came up with this name was thinking of a face pockmarked by bad acne, but I rather fear that they were referring instead to pockmarks caused by the dreaded smallpox, like in this recreation from earlier centuries.
But back to mujaddara. I have to say, I’m intrigued by the Egyptian variant, koshari. To the rice, lentils and caramelised onions, the Egyptians add pasta (macaroni or vermicelli), and tomato sauce. You can make it even more complicated, by adding other odds and ends as this photo shows.
In all of this, it’s the tomato sauce that attracts me, I’m a great fan of the tomato in all its forms. But this is not the type of tomato sauce I’m used to. To the basic sauce base is added garlic vinegar or even a lemon sauce. Garlic vinegar I will forget, but the addition of a lemon sauce … that’s worth considering.
Hang on, though. I think I’m getting rather far away from the lentils, which is the whole point here but which seems to be getting drowned out by all the other stuff that’s being added in. In Obelix’s day, it did indeed seem much simpler in Egypt; it was just lentils – although Obelix is finding that a tough diet to keep to.
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In any event, I need to keep my eye fixed on the simpler mujaddara.
Talking of which, it seems that the simple, no-frills mujaddara has a long, long history. It looks like the Palestinian version of mujaddara is closer to the original version of this dish. Instead of the rice, they use bulgur, which is parboiled and cut durum wheat – rice probably wasn’t in common use in the Middle East until Roman times. It would seem, then, that mujaddara is a member of the broad family of pottages, where various grains are boiled up together to form a sort of porridge (various vegetables can be added, too). So it must be a descendant of the “mess of pottage” for which Esau gave away his birthright to his twin brother Jacob. Here is how the story is recounted in the King James version of the Old Testament (I always find the KJV text so much more satisfying to read; it’s rather like Shakespeare):
And Jacob sod [prepared] pottage. And Esau came from the field, and he was faint. And Esau said to Jacob, “Feed me, I pray thee, with that same red pottage; for I am faint” … And Jacob said, “Sell me this day thy birthright”. And Esau said, “Behold, I am at the point to die: and what profit shall this birthright do to me?” And Jacob said, “Swear to me this day”; and he sware unto him. And he sold his birthright unto Jacob. Then Jacob gave Esau bread and pottage of lentiles; and he did eat and drink, and rose up, and went his way. Thus Esau despised his birthright.
Just for the hell of it, I throw in a painting by the Dutch painter Jan Victors that depicts this scene; Jacob is to the right, Esau to the left.
As much as domesticated rice travelled westward from India to the Middle East (and beyond), so the domesticated lentil travelled eastward from the Middle East to India. The peoples along the way continued mixing lentils with rice, with some changes to the basic recipe. Which means that there are possible mujaddara variants for me to try. For instance, Iranians have a dish they call adas polo, where dates, raisins, cinnamon and saffron are added to the basic lentil-rice mix.
The sites I’ve read up on adas polo say that it has a very different flavour profile from mujaddara, which, looking at the ingredients, I can well believe. Adas polo certainly looks enticing, but I feel that, like koshari, it’s too complicated. Maybe I’ll just leave it to the next time I go to a Persian restaurant (there are some really good Persian restaurants in Vienna).
Going further east, the Indians also have their lentil-rice dish, khichdi. I mentioned khichdi in a post I wrote a number of years ago about a pale British imitation of this dish, kedgeree. Basically, you bring together rice, lentils in the form of a dal, some vegetables like cauliflower or peas or potato, and spices.
Bringing in khichdi has allowed me to surreptitiously slip in that glory of Indian cuisine, dal. Quite honestly, there are probably as many variations of dal as there are Indian families. The base is always the same: lentils or other pulses like peas or beans which are cooked with turmeric until mushy. The endless variations come with the fried garnish which is added at the end of the cooking process. I throw in a photo of a moong dal, where the garnish has been made by frying asafoetida, cumin seeds, chopped green chilies, and chopped garlic in ghee.
If I go for dal, I would have to find a garnish with no – and I mean no – hot spices in it; as I’ve recalled several times in this blog, I actively dislike hot spices.
Which would also create me a problem with another dish, misir wot or kik wot, which hails from Ethiopia.
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Just as domesticated lentils travelled east and west out of the Middle East, they must have travelled south, too. I suspect they got to Ethiopia via Yemen. In any event, here, too, you cook the lentils (or other pulses) with a garnish made of onions, garlic, ginger, tomatoes and berbere fried in niter kibbeh (the Ethiopian equivalent to ghee). The red flag here is berbere, which is a spice mixture liberally used throughout the Ethiopian highlands and usually containing “chili peppers, coriander, garlic, ginger, Ethiopian holy basil seeds, korarima, rue, ajwain or nadhuni, nigella and fenugreek”, according to berbere‘s Wikipedia entry. I’m not sure what some of the more local spices taste like, but chili peppers … that’s bad news for me.
Stepping back here and reviewing all the alternatives I’ve mentioned makes me realise that most if not all of them are based on making a soupy or slurry-like lentil dish. Remembering the adage “East, West, Home’s best“, maybe I should just opt for a simple lentil soup like my mother used to make (she actually didn’t, but readers get the idea). The internet is stuffed with recipes for lentil soups without horrible, nasty, hot spices in them; without onions and garlic, which don’t agree with my digestive system; without a bunch of spices which, if we buy, would mean a row of bottles that would sit on our kitchen shelves for ever more. Maybe this is the way I should go when I get bored with my lentil salads. And maybe, when the world just gets too much for me, I could retreat into my infancy and eat my lentils in milk, a comfort food which my mother actually did make for me and my siblings years and years ago.
It’s that time of the year again. The time of plums here in Central Europe (or strictly speaking, European plums; there are so many different types of plums). On our hikes now we often see small plum trees covered in the dark purple fruit.
I can never understand if these trees have seeded wild after the passage of some plum-munching, stone-spitting person, or if they were part of now abandoned communal orchards which were once a common feature in this part of the world (the so-called Streuobstwiesen, the scattered-fruit-meadows, meadows through which villages have sprinkled plum and other fruit trees for their communal use – a nice idea, I think).
However the plum trees got there, they are welcome indeed. When we come across them, we will fill our rucksacks with a few days’ worth of dessert and walk on.
Normally, when the plums arrive the weather is turning towards Autumn here. The days are drawing in, the temperatures are beginning to bite, it’s time to wear trousers when I hike and take a sweatshirt with me in case a cold wind picks up; time, too, to carry a waterproof jacket to counter the occasional shower.
As I eat my plums, I will often feel a pang of regret that the Summer is drawing to a close. But this Summer has been ferociously hot in Central Europe. So it is with a certain sense of relief that I bite into my plums these days, even as I grieve the massive damage caused by the recent floods to man, beast, and vegetation (including plum trees, no doubt).
They seemed to be wild, or at least feral, being used as fencing around gardens or just mixed up with other trees and bushes on the side of the paths. There were never any plums within reach, evidence that other gatherers had hiked these paths before us. All we were left with were plums that had been knocked off by wind or the heavy rains that we have been having this summer (a result of the intense heat). Many of these little plums were damaged and, judging by the taste, not necessarily all that ripe. We picked them up anyway; it breaks our heart to see this free bounty from Nature just being trampled underfoot. Our gatherer ancestors would never have countenanced such waste.
Talking of our ancestors, it seems that we human beings have been chomping on plums and spitting out the stones for a long, long time. Archaeologists digging in Neolithic sites in Bulgaria, for instance, have found plum stones from 8,000 years ago. Some of the stones seem to belong to a wild plum called cherry plum.
They do indeed look cherry-like, small and red. I don’t think I’ve ever seen this plum tree on our hikes. But that’s not too surprising since its natural range is South-West Europe (which includes Bulgaria, of course) and West Asia. So the Neolithic farmers who were drifting into Europe from Anatolia must have been very familiar with this tree. From articles I’ve read, I sense that most cherry plums tend to be on the sour side. But I also get the sense that our ancestors, until not too, too long ago, before the massive production of sugar, preferred sourer food, or at least were more tolerant of sourer food. That sourness still resonates with the descendants of our Neolithic ancestors in Romania and Georgia. They use cherry plums in their recipes as a souring note. The Georgians, for instance, use cherry plums to make Tkemalu sauce, a sour sauce, which is then a main ingredient in kharcho soup (mmm, looks good, I wonder if there’s a Georgian restaurant here in Vienna where I could try it?).
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Some other stones in those Bulgarian Neolithic sites, no doubt in the more recent archaeological layers, seem to show that domestication of the plum had begun to occur. It’s not very clear what species exactly got domesticated to give us the various types of plums we have in Europe: European plums, damsons, bullaces, egg plums, greengages, spillings, mirabelle plums, just to give the names we use in English. It could have been the cherry plum alone whose DNA was manipulated. Or it could have been that cherry plums were crossed with sloe plums.
I came across a couple of bushes of sloe plums this summer as we crossed a meadow or two – not scattered-fruit-meadows, I should add, just ordinary meadows. The bushes were on the edges of these meadows, in that indeterminate zone between meadow and woods. I looked at them, thinking “they look like miniature plums” and wondering if they were edible. I went back and forth on trying them, but in the end I felt that discretion was the better part of valour. I didn’t want to keel over in a meadow, poisoned by some unknown plant. But now that I’ve done a bit of reading on plums, next time I come across them – next year at this point, God willing – I’ll give them a little nibble. I don’t expect the experience to be all that pleasant, I have read that sloe plums are quite tart. Maybe I’ll just drink sloe gin, a gin in which sloe plums have been marinated. That sounds a much more pleasant experience.
It had to happen. On our latest wandering across the Austrian landscape, this time in Styria, my wife and I came across yet another obscure saint, Saint Ilgen. This good saint had given his – or was it her? – name to a village located in the similarly named Ilgental, the valley of Ilgen, along which we were walking to get to the jump-off point for our three-day hike around the Hochshwab. I throw in a photo of the jump-off point, the Bodenbauer inn. As readers can see, it’s a popular place.
And here are a couple of photos of the mountains we climbed over.
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But now, settled in the train back to Vienna, I have had the time to investigate this mysterious Saint Ilgen. My first inkling of who we might be talking about came about this morning, as we walked back through the village of Saint Ilgen. I noticed a small shrine on the side of the road that I had missed the first time we came passed through the village.
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For readers whose sight, like mine, is not quite what it used to be, the writing above the statue says, in German, “Saint Aegidius pray for us”. Ah! So Ilgen was probably the same as Aegidius! A little bit of train-based internetting has confirmed this.
Aegidius was a name that rang a bell. And indeed, a little bit of e-riffling through my past posts has confirmed this. Last year, I had come across Saint Aegidius when researching another obscure saint, Saint Veit, whose name my wife and I would quite often come across on our wanderings across the Austrian landscape. Saint Aegidius, like Saint Veit, was one of the fourteen Holy Helpers who Medieval Europeans turned to, to deal with life’s many miseries. Here is a photo of those Holy Helpers from a chapel in Baden-Württemberg. Saint Aegidius is in the third row from the top, the second from the right, wearing a monk’s brown tunic but holding a bishop’s crozier. I only know this because I blew up the photo enough to be able to read the names helpfully added to the base of each statue. Readers will notice that the statue is decked out in very much the same way as the statue in the photo above. This was no doubt the standard way of depicting the saint.
I don’t know why the saint was called Aegidius, because most Medieval Europeans didn’t call him that. The British knew him as Giles, and many other Europeans knew him by variants of that name. For instance, the French knew him as Gilles – as we shall see in a minute, he was a French saint. And since our story starts in Austria, I feel I ought to mention some of the German variants: Jillies, but also Gilg or Gilgen which in some places – like that valley which my wife and I had been walking up and down – morphed into Ilg or Ilgen. So I shall drop Aegidius and continue with Giles.
Who exactly was this saint Giles? Quite honestly, I’m not sure he ever existed. But the story put out by the monastery of Saint-Gilles, which lay between Nîmes and Arles in the south of France and whose tomb the monks claimed to have in their church crypt, was that he was a hermit who in the 7th Century AD was living a saintly life in the thick forests around Nîmes. His only companion was a female deer, to whom he was very attached. One day, hunters of the local king – or maybe the king himself – were pursuing the deer, which ran to Giles for protection. Giles put himself between the hunters and the deer and got wounded in the hand by an arrow. Full of remorse for having wounded such a holy man, the king gave him land and money to build a monastery, which Giles proceeded to do. He then became its first abbot, leading the monastery until his death, carrying out miracles etc. along the way. There are other, more fanciful details in his hagiography, but I’ll leave it at that. Here, we have a painting by an unknown, possibly French, possibly Dutch, painter from about 1500 depicting our good saint.
We see him protecting the deer, with the arrow in his hand and presumably the chastened king kneeling at his feet.
Saint Giles was one of the Medieval Europe’s most popular saints. As far as I can make out, this can be traced back to the fact that the monastery of Saint-Gilles was strategically placed at the crossroads of a number of pilgrim routes. One of the branches of the Camino de Santiago de Compostela, used by pilgrims from Provence and northern Italy, passed by the monastery. I throw in a map of the three main routes in France for the Camino de Santiago. The one which passed by Saint-Gilles is the bottom, maroon-coloured, one.
The same route could of course be used in the opposite direction, and indeed was so used by Spanish pilgrims going to Rome. At Saint-Gilles they could either go overland through northern Italy or they could sail to central Italy, embarking at a port located close the monastery. French pilgrims, and Northern European pilgrims more generally, on their way to Rome also often used this marine route. The same with pilgrims on their way to the Holy Land, who would frequently pass through Rome first. I mention all of this because I want to use this occasion to see if I can’t persuade my wife to do some hiking in this part of the world. To whet her appetite, I insert a photo here of a pensive hiker near the Col du Mont Genèvre, which pilgrims from northern Italy would have crossed. I’m sure we could find a hiking trail which would take us down the French side maybe as far as Sisteron.
But back to Saint Giles. I don’t think I’m being too cynical if I suspect that the good monks of Saint-Gilles, watching all this pilgrim traffic going by, felt the need to more effectively tap into the riches it represented. They therefore created the backstory of Giles the saintly hermit, with the requisite tomb and relics, et voila! Pilgrims began to stop at the monastery’s church to pray and leave a few pence in the offerings box. Of course, the pilgrims also needed places to stay and eat, so a small town sprang up around the monastery to service these (and no doubt other) needs, giving the monastery another source of income via tithes, taxes, and whatnot.
Over the next few centuries, the fame of the monastery of St-Gilles grew to such a degree that it became an important pilgrimage destination in its own right, up there with with Jerusalem, Rome, and Santiago de Compostela. It’s not surprising, then, that Giles was such a popular saint – and that so many boys came to be called after him.
Of course, with all this pilgrim traffic the monastery grew rich and powerful, and large building programmes were undertaken. But, as Giles the Hermit could have told them if he had ever really existed, all power, all riches are transitory. The fashion of pilgrimages passed and the port silted up, so the monastery’s main source of income dried up. The number of monks dropped off, so those large monastic buildings were half empty. And then vicious religious wars were fought, with Huguenot forces burning the monastery buildings to the ground. Whatever was left of them were razed during the French Revolution. Only a few mouldering remains are left.
Maybe I could persuade my wife to make a quick visit to the church after we’ve hiked down from the Col du Mont Genèvre …
And the name of the goodly hermit, once so popular? Well, I’m afraid it has dropped way down in the rankings. In the UK, only 8 baby boys were given the name Giles in 2023. In France, it was slightly better, with 50 little Gilles being registered. As for the German-speaking lands, Ilgen seems to be only a surname these days. Like the hermit, the name seems to have retreated far, far away from human societies.
I guess that means my wife and I will have to leave future sightings of the name to our wanderings across the face of Europe.
I mentioned briefly in my last post that our grandson had spent some time with us. Wonderful! But tiring. After we had waved him and his parents goodbye, my wife and I headed into the Austrian Alps for a few days of well-deserved R&R. Specifically, we went to a place called Schruns, which – for those readers who are interested – lies in the Austrian province of Vorarlberg. But provincial boundaries – or any boundaries, really – are just lines in our heads, abstractions we impose on the landscape which surrounds us. It would be better to say that Schruns sits in the lower part of the valley of the river Ill, a river that starts its course at the head of the high Alpine valley of Ochsental, up on the slopes of the Piz Buin (Ox Peak in the local Rhaeto-Romance language), the highest peak in Voralberg, and then runs through the 40-km long Montafon valley.
Sorry, let me immediately be clear that this post is not going to be a rant about the foolishness of borders. I just got carried away a bit as I wrote that last paragraph. No, it is actually the result of a hike that my wife and I did high up above Schruns, at 2300 m, on a beautiful, sunny day. Here we are at the top, looking down at Schruns in the Montafon valley below.
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In case any readers are wondering, we did not hike up the 1600 metres up to the top of the mountain from Schruns. Dedicated hikers we may be, but not fanatics. We took a gondola lift up 1200 metres and then hiked up the rest of the way. In that climb, we passed through a huge field of dwarf rhododendron.
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I have to say that, although the sight was very pretty, my heart sank when I saw those rhododendrons. You see, I was under the impression that all rhododendrons originally came from the Himalayas, that I was in front of an introduced species, and – based on something I had read somewhere – that rhododendrons in Europe were now an invasive species, a topic I have written about in several posts. I was biased towards this thinking by my sighting, the previous day, on a hike along the river Ill of thick stands of Himalayan Balsam, which as I’ve reported in an earlier post is indeed an invasive species here in Europe. So it was with a certain grimness that I photographed another patch of rhododendrons on a hillside in front of where we had lunch on the edges of a small Alpine pond.
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Well, I’m glad to report that I was completely wrong. Yes, the Himalayas do host a large number of rhododendron species, as – surprisingly to my mind – do Papua New Guinea and Borneo. But there are a number of rhododendron species native to North America, and – key to this post – a few rhododendron species native to Europe. I am extremely glad to tell readers that two of these, closely related to each other, are native to the Alps, so no invasive species on our hike! They are the alpenrose, Rhododendron ferrugineum
I think readers will agree that there doesn’t seem to be much difference between the two. The biggest difference seems to be in the leaves. The undersides of the alpenrose’s leaves are covered in rust-brown spots, while the hairy alpenrose’s leaves have hairy edges. The pH of the soil is a prime decider of what Alp they will grow on, with the alpenrose favouring acidic soils and the hairy alpenrose alkaline soils. I suspect that once upon a time the two were one and the same species, and then they began to diverge as they adapted to different soils. They are still close enough so that they will hybridise where their ranges overlap. Since I have absolutely no idea what the pH of the soil is in the mountains above Schruns, I have correspondingly no idea which of the two alpenroses my wife and I were looking at on our hike. And I certainly didn’t get down on my knees to have a closer look at their leaves.
But where did I get this idea that rhododendrons are an invasive species? I can’t have dreamed it. Well, it turns out that there is another European species, the common or pontic rhododendron, R. ponticum, which is indeed invasive. Actually, as in the case of the alpenroses, there are two closely related species. One, the subspecies ponticum, is found around the southern Black Sea basin (hence its name) and all the way to Georgia and the northern Caucasus, with a presence also in Lebanon.
It is this latter subspecies that has become an invasive species in the UK and more generally in Western Europe. Its story is typical of the period when Europeans went around the world hunting for “pretty plants”, plants which simply gave pleasure because of their flowers, foliage, shape, or other characteristics. This started in the early 18th century; of course, the global trade in plants had started several centuries earlier, immediately after Europe’s discovery of the Americas, but in those earlier centuries people were interested only in plants that were commercially interesting. The common rhododendron ssp. baeticum was an early example of this massive movement of pretty plants around the world. It seems that it was brought to England in 1763 through that British foothold on the Iberian peninsula, Gibraltar, which is located quite close to its natural range. A new plant nursery in Hackney, run by a German émigré by the name of Joachim Conrad Loddiges, was the first to make the common rhododendron’s seeds available. One of the early buyers from Loddiges was the 2nd Marquess of Rockingham, who had the distinction of being British Prime Minister twice.
As readers can imagine, in those days, when Respect for one’s Betters was much more engrained, where such a Distinguished Personage went others were sure to follow. The result was that the planting of common rhododendrons in posh and then not so posh gardens quickly spread. Of course, it helped that it had a really pretty flower. But then most rhododendrons do. The craze for rhododendrons expanded as new species of rhododendrons, from North America and then from Asia, poured into the UK and Europe more generally. Rhododendrons hybridise quite easily, which added to the excitement as gardeners hybridised rhododendrons with abandon to create plants with ever more glamorous flowers. Often, to speed things up, new species were grafted onto the rootstock of common rhododendrons; the latter were tough and often there already, so it made for a quick way to turn your garden into a splendid glade of multi-hued rhododendrons. I throw in here photos of some modern examples of such dazzling displays of rhododendrons. The first, fittingly, is from Wentworth House in Yorkshire, one of two country houses that our friend the 2nd Marquess of Rockingham once owned.
Just to remind ourselves that it’s not just grand gardens that have rhododendrons, here’s one – maybe a common rhododendron, but you can’t tell, what with all the hybrids around – in someone’s back garden.
Alas! As far as the common rhododendron was concerned, it all turned out to be too good to be true. By the 1970s if not before, people had realised that it was a horribly invasive species. Primarily because of its huge production of seeds, it quite easily “hops over” garden fences and – if the soil and climate on the other side is welcoming – it goes feral. Then, once the plant has rooted, the roots send up suckers, which in no time at all grow into new bushes. The branches of all these bushes layer tightly together, blocking out sunlight and stopping anything else from growing. And to cap it all, many of the rhododendrons which were grafted onto the rootstock of common rhododendrons reverted to common rhododendrons if they weren’t looked after, creating yet more common rhododendron plants ready to hop over garden fences. The net result was thick stands of common rhododendrons taking over large swathes of land.
Well, who cares about a bus stop? But the common rhododendrons are choking stream beds and the understory of woods. They also carry a family of pathogens that can kill certain species of trees. This map shows the distribution of the common rhododendron, both inside gardens and out, throughout the UK and Ireland in the early 1970s.
Readers will notice dense patches of dots in many places in the UK, as well as in Ireland. Western Scotland and Snowdonia in Wales have been especially badly affected. Eradication programmes are underway. But it’s hard (and therefore expensive) work.
And you have to come back for at least five years after you’ve cleared a patch, to ensure that no roots were left which have thrown up suckers and no seeds were left which have sprouted. And now scientists have discovered that after you’ve cleared a patch it’s not a given that the cleared land will revert back to its original composition of plants; the balance has been disturbed and some plants may move back in faster than others and stop the slower movers from recolonising the land. So more work will be required to ensure that the original plant composition returns.
There is something really quite ironic about the common rhododendron letting rip and taking over large swathes of British, and other European, countryside. Back in the Iberian peninsula, where the plant came from originally, it is hanging on by its fingernails. It is a relict population from the the original laurissilva forests which covered the Iberian peninsula 66 million years ago, It is no longer suited to the dry climate in Iberia and has retreated into a few damp valleys. Reproduction is largely confined to the roots sending out suckers as the climate is now too dry for seedlings to survive. With climate change turning the southern part of the Iberian peninsula into a semi-desert, I suspect it will expire there. But, luckily for it, and unluckily for other plants, a bunch of ignorant plant traders brought it into an ecological niche where it just thrives, thank you very much! Of course, we can’t really blame the people who back in 1763 carried the plant to the UK, no-one then had the knowledge of what impacts there can be from moving plants around the planet. But now we do know, and yet we still do it. Are we stupid or what?!
Sorry, I can sense another rant coming on, time to stop. But if any of my readers have common rhododendrons in their gardens I beg them to rip them out without delay. If they really want rhododendrons, there are many, many equally pretty rhododendrons which do not “go forth and multiply”, as the Bible has it.
My wife and I recently completed our annual hike in the Dolomites. We returned to old stamping grounds this year, to the Val di Fassa, in the autonomous province of Trento. This was where we started our annual pilgrimages to the Dolomites five years ago. That year, however, our carefully constructed six-day hike was thrown into chaos and confusion by two mega-meteorological events. The first was a hugely powerful windstorm, Vaia, which swept through the Italian Alps in late October of 2018 and brought millions of trees crashing to the ground – the official tally talks of 8 million cubic metres of trees being downed.
The second was a monster snowfall in May of 2019, a mere month before we were meant to start our hike.
As we saw over and over again during our severely modified hike, the Val di Fassa was badly hit by Vaia.
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A good number of the trails we were meant to take were blocked off over long sections by downed trees. The local tourism authorities had planned to use the month of May to clear the trails, but the monster snowfall of that month put paid to their plan. On top of it, that unexpectedly heavy snowfall meant that a good number of the huts we were meant to spend nights at, and the trails leading into them and out from them, were still blocked with snow when we arrived in the Val di Fassa.
Five years on, the weather behaved better in the preceding months, and we were able to do a good number of the trails blocked to us back in 2019. We got off to an iffy start, hiking in fog so thick that we could have been in a park in Milan during the month of November.
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But after that, the weather cleared and glorious sights awaited us!
It wasn’t just towering mountains and emerald valleys far below us that left us breathless (although some of the breathlessness was also due to our climbing hundreds of metres of steep slopes). It was also the streams and small lakes we passed by.
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Or the wild flowers that greeted us along the paths we passed along.
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Even the smallest beings we came across had the power to enchant us.
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There were shadows among all this wonderfulnness, though, notably the clusters of dead European spruce trees we saw dotting the woods that clothed the steep flanks of the valleys.
All was not right. There hadn’t been so many standing dead trees in 2019. What was going on? A massive infestation by another beetle was what was going on. A beetle not nearly as cute-looking as the other beetles we had seen and photographed.
A beetle which goes by the name of European spruce bark beetle in English and bostrico tipografo in Italian. The English name is rather prosaic, merely confirming the beetle’s preferred victim to be the European spruce. The Italian name is much more interesting. The second part of the name rather colourfully indicates the type of intriguing “calligraphy” which the beetle and its offspring create in the tree as they burrow into it – and kill it.
The first part of the Italian name also harks back to the elegant whorl-shaped channels which other members of this family of wood-burrowing beetle creates. It is an italianization of the name that Aristotle gave to the family, βόστρυχος, which is the Greek word for “curl”.
I hope my readers will excuse this little riff on the etymology of the beetle’s name, but I feel that often the origin of words tells us a lot about how our ancestors perceived the world around them. In any event, for all its intriguingly shaped burrows, this beetle kills the European spruces (and other trees) which it infects, and it kills them quite quickly, within a few months. The trees first look peeky, their crown wilting and turning rust-coloured, then they start massively losing their needles, then they dry out, at which point, to borrow – with the necessary adaptations – John Cleese’s speech about the dead Norwegian parrot, the trees are no more, they have ceased to be, they’re expired and gone to meet their maker, they are late trees, bereft of life they rest in peace, they’ve rung down the curtain and joined the choir invisible: they are ex-trees.
Under normal circumstances, healthy European spruce can beat off the nefarious beetle’s attacks, which usually only burrows into dead trees or trees that are already dying. The infestations are endemic but under control. But after huge destructions of trees which massive storms like Vaia bring about, there is suddenly vast amounts of dead and dying trees available for the beetle to feast on. Worse, the trees which have remained standing are – unsurprisingly – stressed and unable to defend themselves effectively, so the beetle also merrily attacks apparently healthy standing trees. The result: an uncontrolled epidemic of the beetle, with huge increases in its population, and the large patches of dead trees we were seeing everywhere.
Locals grimly told us that it could be five years or more before the situation rights itself and beetle populations drop back down to endemic levels again. By then, perhaps as many trees will have been killed off as were brought down by Vaia. I fear that if we come back to Val di Fassa in the coming years, we’ll find valleys which look like they have a bad case of the mange, with big, bald patches speckling the hillsides.
I don’t want to sound smugly virtuous, but the people who manage these forests haven’t done a very good job. Anxious to maximise profits, they have planted monocultures of European spruce and trees all of the same age, to make it easy to clear cut any particular patch of forest. If instead they had planted a mix of different species and ensured a mix of trees with different ages, they might have made less profits short-term but they would have been better able to weather big disruptions like those caused by Vaia. This is especially urgent since with climate change massive, intense storms like Vaia (wind velocities of over 200 km/hr were recorded) are going to happen more frequently.
But who is listening to old farts like me? I fear that on our future hikes, my wife and I will be mournful witnesses to ever more examples of short-term thinking: downed trees, dead trees, bad erosion, flooding, desertification, and on and on. I despair sometimes at the world we are leaving our little grandson and any other grandchildren who may soon come along.
No-one under the age of 40 will remember a world where most of the shoes we wore were made of leather. As I look around the subway carriage where I’m writing this, I can only see one pair of leather shoes among perhaps 70 pairs of feet. I, on the other hand, being well over the age of 40, still remember a time when we mostly wore leather shoes – and remember the concomitant joys and anguish of shoe polishing. At my boarding primary school (prep school in British parlance), a specific period of every week was set aside for shoe polishing. We all had to go to a room dedicated to this task, where we picked up a cloth – to spread the polish – and a brush – to put a high gloss on our shoes – before getting to work. As I picked up the tin, there was that ineffable smell of the polish. That was the joy – or at least the pleasant sensation. No doubt it was caused by the solvent which the manufacturers used to keep their polish pasty. After the spreading of the polish on my shoes came the vigorous polishing. That was the agony, as my arm very soon began to ache. But I couldn’t slow down, there was always a master on hand to bark at me to put my back into it. And then came again the joy, as I admired my well-polished shoes glowing on my feet. Of course, I have no photo of this weekly exercise. I did find this photo, though, which will give readers a sense of what it was like – although the boy in question looks to be enjoying it far too much.
After the passage of so many decades, I can’t remember the brand of polish we used. I’m guessing it was Kiwi; that was certainly the brand that my English grandmother used, and it seems to have been the most popular brand in the UK.
In passing, I should say that I learned to my surprise that Kiwi was originally an Australian brand (and was given its name by the owner to honour his wife who hailed from New Zealand). Merely another example of my unconscious Euro-centric biases …
Old brands of consumer products always have me searching for the posters they used in their advertising campaigns. I find these old posters a fascinating sub-genre of popular art. In another life I would have been an avid collector of old posters. In this case, though, I didn’t find any really scintillating Kiwi posters online. The best I found was this one.
Not so in the case of a now extinct brand of Italian shoe polish called Taos, manufactured by the now also extinct company Edoardo Pessi. Look at this lovely poster! It’s a riff on the fact that the biggest purchaser of Pessi’s shoe polish was the Italian army.
At this point, I have to admit to having played a very small part in Edoardo Pessi’s demise. It was early on in my career as an environmental consultant. My company was hired by the multinational corporation Sara Lee (now also extinct) to carry out an environmental assessment of the Pessi factory. Sara Lee was in negotiations to purchase Edoardo Pessi, and the idea was to figure out what environmental liabilities Sara Lee might also be buying and bring down the purchase price by a corresponding amount. This is the factory where I carried out my assessment.
I don’t think I’m giving away any trade secrets when I say that there were some problems with underground tanks leaking solvents (out in the back yard there, next to that sliver of lawn; I remember it well). I guess a couple of 100,000 dollars were knocked off the purchase price because of that.
In any event, the purchase by Sara Lee went through. But it was really just an exercise in asset stripping. Quite quickly after the purchase, Sara Lee concluded that this factory had no future – which made a lot of sense; I mean, look at it, hemmed in as it is on all sides by houses. So they closed the factory down. But they didn’t shift operations to an industrial site on the outskirts of town as they could have done. Instead, the packed all the equipment off to their other factories, they laid off the workers, and sold the land to a developer, who proceeded to raze the factory to the ground and put up some swanky apartment buildings in its place. Sara Lee even stopped making the Taos shoe polish – who polishes their shoes anymore? (and they already owned Kiwi; one shoe polish brand was more than enough).
Well, all of this, although an enjoyable little trip down Memory Lane, still doesn’t explain why, when I breathe in the scent of lime tree flowers, I think shoe polish. The mysteries of olfactory chemistry …
the heart thrills 
