INDONESIA – CHICKEN

Beijing, 25 February 2014

Within five minutes of moving into our hotel cabin, we had our first visitor: a chicken.
chicken becassine 003
Naively, I thought the chicken was a friendly thing and wanted company. I decided to call her Bécassine. For those readers who may not know her, Bécassine is the heroine of an old French comic strip. She is what Parisians of the early 1900s would have considered the typically foolish girl from the remote French provinces.
Becassine-2
The name fits my chicken well; it’s gross racial typing, of course, but I’ve always thought that chickens are rather foolish birds.

In any event, I was soon disabused of the comforting thought that Bécassine was searching out my company. The way she set her beady eye on anything I was putting in my mouth made me realize that she was just there for the food scraps. I suspect that previous guests staying at the cabin had spoiled Bécassine by feeding her yummy things like bread crumbs. She rushed at the mandarin pips I threw to her but spat them out immediately, fixing me reprovingly with that beady eye of hers.

Apart from these character issues, Bécassine was really a very handsome chicken. One thing I particularly admired about her were her long, graceful legs. Really quite model-like, I felt. And her plumage, though modest compared to some other chickens we saw in the surrounding villages:

kampong chicken 001

chickens on walk 003
(this one reminds me of Audrey Hepburn in My Fair Lady)
audrey hepburn
her plumage, as I say, was sleek and smooth. A very far cry indeed from the battery chickens which we have been reduced to breeding in the richer countries
battery chicken
so that we can have dirt-cheap eggs and dirt-cheap chicken meat and eventually all look like this.
obese couple
In fact, Bécassine is a free-range chicken, what they call here a kampong, or village, chicken. And indeed every village we walked through had dozens of kampong chickens, many of the hens with a brood of chicks in tow, ranging through the village and into the fields beyond. With their long legs and rich plumage, they really were very handsome. I do believe that they are not very distant genetically from their wild progenitor, the Red Junglefowl, whose range extends from northern India through South-East Asia and into southern China.
red junglefowl-1
Indeed, the domestication of the chicken took place somewhere around here about 5,000 years ago.

Being free range, Bécassine will no doubt be very good to eat. We didn’t eat her, but in Yogyakarta we had lunch at a restaurant which served typical Indonesian food. One of these was Ayam Goreng Kremes, a fried kampong chicken with fried, flaked salam leaves.

ayam goreng kremes

Fingurr-lickin’ good, as the Colonel would say!

Sorry, Bécassine, it’s been good to know you, but you have to follow your destiny. Someone, some day, will have the great pleasure of eating you.

________________________

Becassine hen: our picture
Becassine: http://madameshackelford.wikispaces.com/file/view/blppxije.jpg/35302825/blppxije.jpg [in http://madameshackelford.wikispaces.com/Bécassine%5D
kampong chickens: our pictures
Audrey Hepburn: http://i.dailymail.co.uk/i/pix/2011/12/05/article-0-0F1123D000000578-117_634x792.jpg [in http://www.dailymail.co.uk/femail/article-2070449/Marilyn-Monroe-Kate-Middleton-The-unforgettable-dresses-time.html%5D
Battery chicken: http://lifewiththeexbatts.files.wordpress.com/2011/08/audrey-1.jpg [in http://lifewiththeexbatts.wordpress.com/2011/08/23/hello-world/%5D
Obese people: http://www.themobilityresource.com/wp-content/uploads/2014/01/morbidly_obese_091026_main.jpg [in http://www.themobilityresource.com/disabesity-should-morbidly-obese-people-be-considered-disabled/%5D
Red junglefowl: http://www.discoverlife.org/IM/I_TS/0006/320/Gallus_gallus,_red_jungle_fowl,I_TS604.jpg [in http://www.discoverlife.org/mp/20q?search=Gallus+gallus%5D
Ayam Goreng Kremes: http://1.bp.blogspot.com/-76_gBdFsH_8/UCS8hAh77bI/AAAAAAAAAHA/eZYM1EQnGh0/s1600/resep-ayam-kremes.jpg [in http://foodiefod.blogspot.com/2012/08/tips-membuat-ayam-goreng-kremes.html%5D

INDONESIA – CALLS TO PRAYER

Beijing, 24 February 2014

I left us in the last post sitting on the hotel terrace sipping our welcoming drink. We were sitting there again as night drew in. And as night drew in, we began to hear a strange medley of sounds rising from the surrounding villages. It was the calls to evening prayer. The loudspeakers of every village mosque blared out the call – and there seemed to be a lot of mosques in the area …
local mosques 002

local mosques 001

I said it was a strange medley; actually, it was a disagreeable cacophony. Each muezzin started at a slightly different moment, and each chanted a different tune. The result grated on the ears. It was rather like the noise coming from an orchestra when the players are warming up and tuning their instruments before they start. A million miles from a magical moment which my wife and I once shared in Istanbul, in Sultan Ahmet square in front of the Blue Mosque. We were sitting down having a rest when the mosque’s muezzin suddenly started up. He chanted a line or two and paused. And behind us, faintly, we heard the muezzin of Süleymaniye Mosque respond with his couple of lines. To which the muezzin of the Blue Mosque in turn responded. And so they duetted back and forth for fully five minutes while we sat there holding our breath.

Back on the hotel terrace, my wife and I listened until the chanting died away, and then we turned in. After our adventures in getting here, we were glad to go to bed early. We slept like logs – until dawn, when we were awakened by the dawn call to prayer. As I have done so many times in darkened hotel rooms, from Morocco in the far west of the Muslim lands, to Java now in the far east, and at many points in between, I lay there letting the song flow over me:

God is great, God is great.
I bear witness that there is no god but God.
I bear witness that Muhammad is the Messenger of God.
Hasten to prayer.
Hasten to success.
Prayer is better than sleep.
God is great, God is great.
There is no god but God.

And as I always do before drifting back to sleep, I thought to myself what a pity it was that there is no God out there to receive their, or anyone else’s, prayers.

________________

Pics: mine

INDONESIA – VOLCANIC ERUPTIONS

Beijing, 23 February 2014

Our trip to Indonesia to celebrate my wife’s birthday started with a bang – literally. Two days before we were leaving, Mt. Kelud erupted

Mount Kelud eruption-1

Mount Kelud eruption-2

covering a good portion of Central Java with a fine layer of ash.

ash covering village

My wife and I were stunned. This was where we were meant to be going! Our plan was to visit the Buddhist temple Borobudur, a UNESCO World Heritage site
borobudur temple
and other old temples dotting the landscape north of Yogyakarta. From the moment we heard about the eruption to the minute our flight took off from Beijing for Jakarta, we anxiously scanned the net for the latest news. Our immediate concern was the onward flight to Yogyakarta. We read that the airport there, along with two other airports in the region, had been closed because of the ash-fall.
yogyakarta airport-1
But surely, we said to each other, the airport will be open by the time we arrive in Jakarta. Surely it will.

It was not. In fact, ground staff at Jakarta told us that it would be a couple of days before they could clear the ash enough for it to reopen. The only way to get to Yogyakarta was by rail (7 hours) or by road (15 hours). We were marooned …

Luckily, though, one of the ground staff mentioned that Semarang’s airport had been re-opened. It had also suffered from ash-fall, but they had managed to clean it up quite quickly. We had only the haziest notion of where Semarang was but if the ground staff thought it was a good alternative that was good enough for us. We got the ticket changed to a flight to Semarang which left very early the next morning. Since the thought of spending the night at Jakarta airport didn’t appeal, we also put ourselves down on the waiting list for a flight leaving that evening for Semarang. We were warned that there was very, very little chance, but in the end we got on the flight and there were still free seats behind us. The local guide who was meant to pick us up at Yogyakarta recommended a hotel in Semarang, and we agreed with him that he would come to get us there the next day.

So, by the afternoon, but 24 hours late, we were sitting on the terrace of our hotel, on chairs and at a table which had been vigorously scrubbed to get rid of the insidious volcanic ash, sipping a ginger-lemon grass welcoming drink, and looking over at Borobodur temple faintly picked out on the horizon, framed by trees whose leaves were all still thickly covered in ash.
Borobodur from hotel terrace-1
The hazards of travel … although this is the first time for us that a volcano has got in the way.

Surely Yogyakarta airport will be open again by the time we leave. Surely it will.

-oOo-

PS: It was. I am posting this from the comfort of my dining room table in Beijing, where we got in this morning.

___________________

Mount Kelud eruption-1: http://en.es-static.us/upl/2014/02/volcano-Kelud-Indonesia-2-13-2014-Asthadi-Setyawan-1.jpg [in http://earthsky.org/earth/kelud-volcano-in-indonesia-is-erupting-thousands-evacuating%5D
Mount Kelud eruption-2: http://www.independent.co.uk/incoming/article9128319.ece/ALTERNATES/w620/MountKelud.jpg [in http://www.independent.co.uk/news/world/asia/mount-kelud-eruption-why-is-indonesia-the-hottest-spot-on-the-ring-of-fire-9128148.html%5D
Ash covering village: http://cdn.rt.com/files/news/22/6a/20/00/vulkano.si.jpg [in http://rt.com/news/kelud-volcano-erupts-indonesia-962/%5D
Yogyakarta airport: http://media.npr.org/assets/img/2014/02/14/20185022_h27297760-d0ed011f5a27f5721c964017a41959be91678c94-s6-c30.jpg [in http://www.npr.org/blogs/thetwo-way/2014/02/14/276836240/massive-volcanic-eruption-in-indonesia-blankets-region-in-ash%5D
Borobudur temple: http://townsofusa.com/travels/wp-content/uploads/2013/07/borobudur-0222.jpg [in http://townsofusa.com/travels/2013/07/borobudur-temple-in-indonesia/%5D
Borobudur temple from the hotel terrace: our picture

BACK OF BEYOND

Beijing, 15 October 2013

I’m just back from a business trip to Haixi prefecture, which is the remotest prefecture of that remote Chinese province, Qinghai. Squeezed between its better-known neighbours Xinjian, Gansu, Sichuan, and Tibet, Qinghai doesn’t get much press, which is a pity. To my mind, it’s one of China’s most beautiful provinces. Here’s a picture we took out on the grasslands when my wife and I, together with our son, went there a couple of years ago.

IMG00095-20110712-1113

As for Haixi prefecture, it hardly gets a mention at all in the world’s press. This is a great pity, because it’s a seriously beautiful part of the world; on the desertic side, but I like that kind of landscape.

landscapes 002

landscapes 007

My colleague and I were there to study what we could do to help the prefectural authorities build up a local brand in the organic production of wolfberries (we seem to be getting a reputation for agro-processing). I can perfectly understand it if my readers have never heard of wolfberries. Neither had I until I came to China and found them floating in various soups during banquets. But our ignorance is our loss. Wolfberries have had an honourable place in Chinese cuisine – and traditional medicine – for the last 2,000 years.

If one has seen them at all, it’s probably as dry berries

wolfberry-dry

although this is how we saw them during our trip, fresh

Wolfberry-fresh

on bushes in plantations

wolfberry-bush and fresh berry

OK, I probably shouldn’t say this, since one of the things the Haixi authorities would like us to help them with is to get fresh wolfberries into supermarkets, but I can’t say that I’m particularly impressed by the wolfberry. If I were standing in the fruit aisle of my local supermarket and had to choose between wolfberries and, say, blueberries, I would choose the latter every time. But hey, I’m not Chinese; they would probably make the opposite decision.

In any case, I will not dwell on the wolfberry, because my attention was captured by something else altogether. Haixi has a lot of sun – 300 days of sun a year, we were told. So quite sensibly, the government has bet on a solar power future for Qinghai. As we drove from wolfberry plantation to wolfberry plantation, and after passing several large photovoltaic arrays, we drew up here:

CSP 006

This, my friends, is a concentrated solar power plant (or at least one version of such). The hundreds of mirrors on the ground focus the sun’s rays on the luminous white spot at the top of the column. That spot is a boiler where the heat of the sun turns water into steam, which is then used to generate electricity. I tried to capture the beauty of that ethereally, whitely glowing spot of concentrated solar rays, but my iPhone camera simply wasn’t up to it. So I’ve added the  only other photo I’ve found on the web of this plant.

CHINA-QINGHAI-SOLAR THERMAL POWER PLANT (CN)

And I add photos of similar plants in other parts of the world. This one is near Seville in Spain

CSP spain

While this is one was in California’s Mojave desert (it was demolished a few years ago).

CSP US

Not clear if this approach will ever generate electricity cheaply enough. But who cares, like Concord, another technological has-been

concorde

it’s beautiful.

Soon after this brush with the ultra-modern, we came across a picture as ancient as China itself, a line of camels padding slowly into the setting sun. I didn’t get a photo, not with my iPhone, but I show a picture of camels taken elsewhere in Qinghai.

camels

I could have been in Tang China. I am moved to throw in a photo I took back in May in the Museum of the University of Philadelphia of Tang era sculptures of camels.

philly museum 004

Minutes after this close encounter with the age-old, we drew up at a freshwater lake for a dinner of locally caught crabs. To whet our appetite, we were taken on a short cruise across a magically still mirror of water

lake-fresh 002

as the sun dipped below the hills behind us.

lake-fresh 010

___________________________

Qinghai grasslands: my son’s picture
Wolfberry-dry: http://soni.monovee.com/wp-content/uploads/2012/05/wolfberry.jpg
Wolfberry-fresh: http://mingmingtea.com/wp-content/uploads/2012/01/Wolfberry_extract.jpg
Wolfberry-bush and fresh berry: http://images04.olx.com/ui/2/98/54/13309454_2.jpg
CSP-1: my photo
CSP-2 : http://res.heraldm.com/content/image/2013/08/01/20130801000653_0.jpg
CSP Spain: http://www.finetubes.co.uk/uploads/images/gemasolar-2011-2_low_res.jpg
CSP California: http://www.trec-uk.org.uk/images/solar_two_barstow.jpg
Concord: http://s1.cdn.autoevolution.com/images/news/concorde-will-take-to-the-skies-again-21839_1.jpg
Camels: http://m1.i.pbase.com/g1/62/942562/2/146679881.nWrkycH7.jpg
Tang camels: my photo
Lake views: my photo

NOTES ON AUSTRALIA – UPPER MURRAY RIVER

Beijing, 8 October 2013

After a quick visit to Canberra and its museums, which I covered in my last post, we were on our way to the Snowy Mountains and beyond. Since I want to focus on the beyond, I’ll quickly slip through the mountains part. It wasn’t quite that easy in practice. Our plan was to drive along the Alpine Way, but when we got to Jindabyne, we discovered that the Way was closed after Thredbo because of a massive landslide.  What to do? After poring over the map, we decided to loop through the mountains to the north and rejoin the Alpine Way just before Corryong.

And so we found ourselves, without really planning it, in the upper reaches of the Murray River. I have to tell you, it was absolutely, absolutely lovely.  Maybe we were lucky with the season, with spring being in full swing. It certainly helped that we had clear, sunny days. Here’s a series of photos I took with my iPhone. Hopefully, they can give readers a sense of the sheer beauty of the landscape that we had wandered into.

upper murray river valley-corryong 020

upper murray river valley-corryong 019

upper murray river valley-corryong 017

upper murray river valley-corryong 016

upper murray river valley-corryong 015

You can see the Snowy Mountains in the distance, while the river in the foreground is the Murray River and the ponds are the famous billabongs which I mentioned in my first Australian post.

When I saw this landscape after our drive through the relatively dry eastern side of the Snowy Mountains and the forests of Kosciuszko National Park, I could not stop myself from thinking biblically. Up popped the Old Testament story of the Israelites who come back to Moses after exploring Canaan and exclaim, “We went into the land to which you sent us, and it does flow with milk and honey!” Milk and honey … that certainly describes the land we saw before us. William Blake’s Jerusalem also came to mind:
And did those feet in ancient time,
Walk upon England’s mountains green:
And was the holy Lamb of God,
On England’s pleasant pastures seen!

My wife’s first thought had instead a whiff of the pagan. It reminded her, she said, of Lord of the Rings or the Hobbit.

the-hobbit-movie

Whatever the reference, it was certainly very beautiful.

After spending a night in Corryong, and getting some good advice on which road to take from a very nice lady at the local information centre (I have to say, these information centres gave us excellent service everywhere we went), we set off along a small road which hugged the Murray River. It was all very peaceful.

upper murray river valley-corryong 050

We watched a local farmer and his family herd in cows and their calves for marking, as they bellowed mightily against this corralling, and had a long chat with them about the future of farming. We watched Australian white ibises, which we had last seen in Sydney as scavengers, fly regally over our heads, while sulphur-crested cockatoos crossed our path with a slow and sensuous flap of their wings.

sulphur-crest-cockatoo

We finally reached Lake Hume. At first, it was the drowned trees which struck us

upper murray river valley-corryong 021

then it was the pelicans, which were swimming among the trees

upper murray river valley-corryong 024

The last time I had seen pelicans was as a child in St. James’s park

Then the lake broadened out.

upper murray river valley-corryong 036

We followed the lakeshore until Albury. Thereafter, the landscape got drier, flatter and less interesting so I’ll skip the final day.

Finally, it was time to drive back to Sydney. We decided to pass through Corryong again; we had liked it so much. We had one last vision of wondrous drifts of wildflowers in the fields

upper murray river valley-corryong 038

upper murray river valley-corryong 051

before we headed up through Tumbarumba and Tumut to the Hume Highway. Next stop, Sydney Airport and then Beijing. Sigh!

_____________________________

Hobbit: http://www.digitaltrends.com/wp-content/uploads/2013/02/the-hobbit-movie-48-fps.jpg
Sulphur-crested cockatoo: http://www.zoo.org.au/sites/default/files/styles/zv_carousel_large/public/sulphur-crest-cockatoo-animal-profile-web620.jpg?itok=dXPfOmk5
all other photos: mine

NOTES ON AUSTRALIA – ABORIGINAL ART

Beiing, 6 October 2013

My last post ended with us driving up King’s Highway towards Canberra. The only reason we were going there was to visit a couple of museums to look at their collections of indigenous art. There’s been a lot of brouhaha over the last thirty years about the new indigenous, aboriginal art coming out of Australia and I was curious to see what I would find in situ. I’ll say straight out that on the basis of what I’d seen before coming to Australia I was not a huge fan of indigenous Australian art. But I was willing to be persuaded.

Our first port of call on this voyage of discovery was the New South Wales Gallery of Art in Sydney, one of those Worthy Civic Buildings which I referred to in my first Australian post. We started by visiting the exhibition Sydney Moderns, whose poster picture was this painting of the Sydney Harbour Bridge (which I had a few things to say about in that same post).

gallery of nsw-harbour bridge

Nice, but really this was just an outpost of European art. So then, after a quick salad on the terrace of the Gallery’s cafeteria, we headed for the Aboriginal and Torres Strait Art collection.

And I found myself having the same problem I’ve always had with aboriginal art.

It’s the dot thing. The dense array of dots and lines which make up the paintings leave me cold. It’s just … too much. My eyes wander over all those dots, and wavy lines, and circles, and what-have-you, and … that’s it, they just wander, and eventually slide off the painting. My appreciation is not helped by the often dull pigments which are used. Here’s a number of this type of painting, from the 1970s onwards (when it seems that this style burst onto the art scene) in the National Gallery’s collection in Canberra.

Woman’s fire Dreaming, by David Corby Tjapaltjarri (1971):

national gallery-painting-2a

Untitled, by Timmy Payungka Tjapangarti (1989):

national gallery-painting-9

Wirrpi (Near Lake Macdonald), by Yala Yala Gibbs Tjungarrayi (1997):

national gallery-painting-8

Tupun Nguranguru, by Harry Brown and others (2012):

national gallery-painting-10

I can’t even get comfort out of the paintings’ spiritual content. There is a lot of talk of these paintings representing the spiritual dreamings of the artist, and we are invited to see in all those dots, wavy lines, and geometrical figures, dreams of rivers, hills, rocks, pools, and other elements of the landscape, or to see real or imagined animals, spirits, or ancestors, the whole sometimes representing tribal myths. But this is not my spiritual language. Give me a Virgin Mary and some saints and I can “read” the spiritual message. Aboriginal spirituality, alas, is a closed book for me, and will always be.

But all is not lost for me. There is Rover Thomas.

The first time I came across Thomas was a few years ago in Paris. My wife and I were there on our way to somewhere else, but we took a few days off to visit some new things which had been sprung up in the city since our last visit. One of these was the new Musée du Quai Branly, a museum which focuses on indigenous art, cultures and civilizations from all over the world (as one might guess, the core of the collection is a couple of colonial-era collections, but we’ll skip over that). Great museum, by the way, well worth a visit.

Musee du quai branly

The museum has a section on aboriginal art from Australia. To be honest, it is not the most interesting part of the collection. But it did have a painting by Rover Thomas, River Ord, River Bow, River Denham.

Now that is a style which I can relate to! Clean, simple lines, on which my eyes can fasten and linger.

This is another Rover Thomas in the National Gallery in Canberra, Ruby Plains killing 1 (1990)

artist-rover-thomas-4

One of the things I learned in Australia is that Thomas is part of a group of like-minded painters from the Kimberley region. Here are a couple of paintings by Paddy Jampin Jaminji.

artist-paddy-jampin-jaminji-1

artist-paddy-jampin-jaminji-2

In passing, I should say that the first of Thomas’s painting, a bird’s-eye view of rivers in a landscape, brought a memory back to the surface, of a visit which my wife and I made a few years ago (maybe the same summer we visited the Musée du Quai Branly) to the Tate Modern in London. They were showing a painting from their collection by the Australian painter Fred Williams. I show it here.

Dry Creek Bed, Werribee Gorge I 1977 by Fred Williams 1927-1982

Same idea, different approach.

Anyway, coming back to aboriginal art, in Sydney my wife and I came across another style of aboriginal art which we found quite congenial. These are paintings on bark. Here are a couple of examples from another museum we visited in Sydney, the Museum of Contemporary Art, from the period 1960-80.

aboriginal art-sydney 023

aboriginal art-sydney 025

So like I say, there is hope for me. I just have to ignore the dot paintings, even though they seem to dominate the market.

By the way, in Sydney’s Museum of Contemporary Art, we stumbled across these wonderful objects:

aboriginal art-sydney 002

These are made by an aboriginal group called the Tjanpi Desert Weavers. Here’s a couple of photos of the artists making these objects.

aboriginal art-sydney 010

aboriginal art-sydney 013

aboriginal art-sydney 016

aboriginal art-sydney 019

Those last pictures of the desert part of Australia move me to finish with this coda. During my web surfing for this post, I discovered another school of aboriginal painting, from the 1950s, the so-called Hermannsburg School. The primary artist from this school was Albert Namatjira. Here is what seems to be a typical example of his style:

artist-albert-namatjira

When I looked at this and other of Namatjira paintings – watercolours, actually, for the most part – I had a shock of recognition. My parents had a small painting in exactly this style! I have already mentioned that my father was really into genealogy. As part of his work, he discovered that a long-distant cousin had emigrated to Australia during the Gold Rush. Not from my father’s English side of the family, by the way, but from the French side! He then tracked down some of the man’s descendants, got into correspondence with them, and finally, when he had retired, visited Australia with my mother to meet them. One of them gave him the painting, which she had painted (she said; who knows, though, maybe it was an Albert Namatjira!)

____________

painting Sydney Harbour Bridge: http://media2.artgallery.nsw.gov.au/thumbnails/uploads/rotator_images/SYDMOD_980x400_SID50819.jpg.770x314_q85_crop.jpg
“Woman’s fire Dreaming”: http://artsearch.nga.gov.au/IMAGES/LRG/167747.jpg
“Untitled”: http://artsearch.nga.gov.au/IMAGES/LRG/181491.jpg
“Wirrpi (Near Lake Macdonald)”: http://artsearch.nga.gov.au/IMAGES/LRG/227909.jpg
“Tupun Nguranguru” : http://artsearch.nga.gov.au/IMAGES/LRG/223919.jpg
Musee du quai Branly: http://upload.wikimedia.org/wikipedia/en/archive/f/f2/20100310000626!Musee_du_quai_Branly_exterieur.jpg
“River Ord, River Bow, River Denham”: http://richardtulloch.files.wordpress.com/2012/06/rover-thomas.jpg
“Ruby Plains killing 1”: http://artsearch.nga.gov.au/IMAGES/LRG/147688.jpg
Paddy Jampin Jaminji-1: http://img.aasd.com.au/30313805.jpg
Paddy Jampin Jaminji-2: http://img.aasd.com.au/05502896.jpg
Fred Williams: http://www.tate.org.uk/art/images/work/T/T12/T12271_9.jpg
Bark paintings: my pictures
Tjanpi Desert Weavers: my pictures
Albert Namatjira: http://upload.wikimedia.org/wikipedia/en/1/16/Namatjira_Landscape.jpg

NOTES ON AUSTRALIA – KANGAROOS

Beijing, 3 October 2013

If there is one thing which is as Australian as the eucalyptus (see my previous post), it has to be the kangaroo. In fact, it’s even more Australian! As I pointed out in the last post, a few eucalyptus species exist which are not native to Australia. On the other hand, no kangaroo species exist outside of Australia.

Not only are kangaroos very Australian, they are also pretty weird. The first Europeans to reach Australia immediately noticed them. How could they not? There was nothing like them anywhere else in the world. Here is the first entry that Joseph Banks, the botanist aboard James Cook’s HMS Enterprise, made in his diary about kangaroos:

“Quadrupeds we saw but few and were able to catch few of them that we did see. The largest was calld by the natives Kangooroo. It is different from any European and indeed any animal I have heard or read of except the Gerbua of Egypt, which is not larger than a rat when this is as large as a midling Lamb; the largest we shot weighd 84 lb. It may however be easily known from all other animals by the singular property of running or rather hopping upon only its hinder legs carrying its fore bent close to its breast; in this manner however it hops so fast that in the rocky bad ground where it is commonly found it easily beat my grey hound, who tho he was fairly started at several killd only one and that quite a young one.”

In his diary, James Cook was somewhat more prosaic:

“Saturday, 23rd June … One of the Men saw an Animal something less than a greyhound; it was of a Mouse Colour, very slender made, and swift of Foot. … Sunday, 24th June … I saw myself this morning, a little way from the Ship, one of the Animals before spoke off; it was of a light mouse Colour and the full size of a Grey Hound, and shaped in every respect like one, with a long tail, which it carried like a Grey hound; in short, I should have taken it for a wild dog but for its walking or running, in which it jumpd like a Hare or Deer. Another of them was seen to-day by some of our people, who saw the first; they described them as having very small Legs, and the print of the Feet like that of a Goat; but this I could not see myself because the ground the one I saw was upon was too hard, and the length of the Grass hindered my seeing its legs.”

Folk back home in Europe had only the vaguest of ideas of what this strange animal looked like. A few years after Cook’s visit to Australia, Joseph Banks requested George Stubbs, better known as the painter of rich men’s horses, to paint a kangaroo. This is what Stubbs came up with, on the basis of various skeletons, some rough sketches, some verbal descriptions, and a kangaroo skin which Banks had brought back to the UK:

The Kongouro from New Holland by George Stubbs

And this, through prints and other disseminations, was the only picture the Brits had for many years of the kangaroo.

Europeans found this animal weirdly fascinating. It didn’t walk or run, for Lord’s sake, but bounded along!  Like a hare. Or maybe a deer. Or actually more like a frog. And what was this story about some of them having two heads? Whoever was making these claims had either imbibed too much rum or was spinning tall tales (well, they were either convicts, or sailors, or soldiers: all dodgy types, right?). And then it became clear that the tale of two heads was actually true, but only because mothers carried their young in a pouch.  In a pouch, for Lord’s sake!

Kangaroo_and_joey

And they boxed!

kangaroos boxing

All this made the kangaroo even more fascinatingly weird.

Of course, we have the advantage of having grown up with the weirdness, which makes the strange familiar. Yeah, sure, the kangaroo bounds, so what’s the big deal? It boxes? Ho-hum. And its mothers have a pouch in which to put their kids? Sensible design idea, don’t we do that now? (I did)

snuggly pouch

But we definitely weren’t blasé about the idea of coming nose to nose with a kangaroo. Our interest was already heightened at the airport in Beijing when we were waiting to board our flight to Sydney. We started chatting to a couple of Australians who had just finished touring China, and when we told them we would be hiring a car they warned us to be careful about running into kangaroos, especially at dusk. Were they that common, we asked? Oh yes, they replied, and hitting them made a mess of your car. Ah.

So of course the first time we saw this sign on the side of the road as we drove out of Sydney

kangaroo sign

we began to scan the sides of the road with growing excitement. But it was only when we had crossed our fords and were wending our way to the King’s Highway to be on our way to Canberra that we saw our first kangaroos!

kangaroos 002

They saw us too and kept a wary eye on us. At some point, they started bounding off across the grass into the trees. Now, I’ve known all my life that kangaroos bound but let me tell you, nothing prepares you for the actual experience. You see this really quite big animal hunch over and start bouncing along just like a rubber ball, and with a very smooth motion. It’s lovely.

We saw kangaroos a number of other times over the rest of our trip, and always this wonderful sight of them bounding along.

bounding-kangaroos

But all too soon as we drove up King’s Highway, we saw another, and grimmer, reality – dead kangaroos, killed by vehicles

dead kangaroos

My wife reckons that we saw more dead kangaroos along the side of the road than live ones. I think she’s right.

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George Stubbs’s kangaroo: http://cdn.50up.com.au/wp-content/uploads/2013/04/The-Kongouro-from-New-Hol-010.jpg
Kangaroo and joey: http://upload.wikimedia.org/wikipedia/commons/0/0d/Kangaroo_and_joey03.jpg
Snuggly pouch: http://img.diytrade.com/cdimg/863429/8193309/0/1236395200/snugli_baby_carriers_nojo_baby_carrier_baby_carrier_reviews.jpg
Kangaroos boxing: http://farm8.staticflickr.com/7050/6843889051_d1e4ea5e91_z.jpg
Kangaroo sign: http://aphs.worldnomads.com/kiwiaoraki/6858/Australia_Pictures_2_993.jpg
Bounding kangaroos: http://createwolstonpark.files.wordpress.com/2010/08/bounding-kangaroos.jpg?w=847
Dead kangaroos: http://yaldapashai.files.wordpress.com/2010/09/dsc0191.jpg
remaining picture: mine

NOTES ON AUSTRALIA – THE EUCALYPTUS

Beijing, 2 October 2013

In my previous post my wife and I were driving down the coast just south of Sydney. I should point out that during the drive, while we were keeping one eye on the sea to our left we had the other eye fixed on the forests of eucalyptus on our right. They clothe the upper reaches of the Great Dividing Range which runs parallel to the coast. Both of us found these forests of eucalyptus fascinating.

What is more Australian than the eucalyptus? My favourite source of information, Wikipedia, informs me that of the 700-plus species of eucalyptus, only 15 occur outside of Australia and only 9 of these do not also occur in Australia. So Australia is Eucalyptus-land. But we humans have carried it out of Australia.  The tree which destroyed my bed of nasturtiums when I was a child was a eucalyptus. This was in Eritrea, and the eucalyptus was brought there by the Italians when it was an Italian colony. One of my memories of that period was taking a walk with my English grandmother through a plantation of eucalyptuses. The crackling of the dry leaves on the ground as we walked over them, that typical scent of eucalyptus, my pulling off the bark hanging from the trees – all this I still, more than 50 years later, remember vividly. Since then, I’ve always had a fondness for the eucalyptus, even though its being taken out of its natural Australian ecosystems has been criticized: an “invasive water-sucker”, it’s been rudely called. All my life, I have seen it dotted around parks and along streets, the last time in Sausalito when we went to visit our son in San Francisco.

SF 097

So it was with pleasurable interest that I was finally meeting the eucalyptus on its home turf.

I mentioned in my last post our drive through Heathcote National Park. That was our first taste of a forest of eucalyptuses. But we wanted more. So when we decided to leave the coast for Canberra, I thought we could first swing through Brooman State Forest down to the Clyde River and then follow the river until we got to the King’s Highway, which would take us up to Canberra. Based on the maps I had, I thought we would be taking small but asphalted roads the whole way. Wrong! Almost immediately we found ourselves on a dirt road which given our little Micra made me somewhat nervous. My levels of nervousness increased geometrically as the road got progressively rougher. And then we arrived at an intersection not marked on my map. Which way to go? After a moment of hesitation, I indicated a direction to my wife. As we drove deeper into the forest, and as signs of human presence quickly disappeared, my wife became more cheerful while my forebodings grew. While she exclaimed at the beautiful things we were passing I began to mentally review various nightmare scenarios we could be facing: we would run out of petrol, we would run off the road, something under the car would break, a tree would fall on us … Then the road started running downwards and suddenly we found ourselves at a ford. We had to drive through the Clyde River! The ford was 50 metres long, at least!! I stared aghast; this was not among the nightmare scenarios I had envisioned. Could we get across? My wife got out, took off her shoes, and waded in. Yes, yes, she said, you can make it. I looked at the height of the water on her calves and hoped that she was right. After a short prayer I started driving across, leaving my wife to wade over behind me.

fording the river and creeks 006

fording the river and creeks 009

We made it, for me a huge relief, for my wife a huge enjoyment, with her merrily taking photos left and right as she waded across the river.

fording the river and creeks 010

fording the river and creeks 011

I thought that was it. But we had to ford three more streams feeding into the river! At the last, I really thought we had had it, the water was considerably deeper than even at the river.  But an angel was with us and we made it across. Thereafter, the road got better and I could relax and get into the mood of things. The road was a delight

fording the river and creeks 018

the river was lovely

fording the river and creeks 030

Gazing down on it I could almost imagine what this country must have looked like to the first European immigrants who arrived here, before they started changing the landscape to make it look more like what they knew back home.

We came across more eucalyptus forests as we crossed the Snowy Mountains after Canberra, and slowly a thought formed in both our minds. My wife put it very well when she said one day that eucalyptus trees look dusty. So true! The green of eucalyptuses is indeed a very dull green, the sort of green you see on trees lining a dirt road where passing cars throw up clouds of dust. I was pleased to see a comment in the museum we visited in Canberra, to the effect that the first European painters had been perplexed by the green of the local trees, which to their eyes was dull and quite unlike the bright greens of the trees they were used to in the UK (They were also perplexed by trees that didn’t shed their leaves but shed their bark. That doesn’t bother me so much; effects of globalization, I suppose).

Early painting

It’s nice to know that we had the same reaction in 2013 as a bunch of Brits 200 years ago did when also on their first visit to Australia.

Next post I’ll deal with another very Australian thing, the kangaroo.

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Early Australian art: http://www.myplace.edu.au/verve/_resources/Early_Colonial_Art_1830_page.jpg

Other pictures: mine and my wife’s

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NOTES ON AUSTRALIA – GRAND PACIFIC DRIVE

Beijing, 2 October 2013

Welcome back to these notes on the trip my wife and I made to Australia. Our stay in Sydney is covered in the previous post.

After Sydney we moved south. This meant hiring a car, and we got ourselves a bright red Micra

micraIt’s a snug little car which was just the right size for me, my wife, and three pieces of luggage (which ended up being five after we had bought things in the local supermarkets which we can’t get in Beijing). Initially, we faced the challenge of driving on the left-hand side of the road. This is one of the less useful things which Australia has inherited from the UK. I passed my driving test in Scotland and so started my driving life driving on the left, but the vast majority of my driving since then has been on the right. As for my wife, she’s never really driven on the left. So there was a bit of tension at the beginning, especially as we had to drive out of Sydney during a busy period. But we quickly got the hang of it and thereafter we had no problems – except for two things: we systematically put the windscreen wipers on when we wanted to signal a right or left turn (because the positions of the two levers were the reverse of their positions in “normal” cars); and when we turned right at an intersection we had a tendency of ending up on the right hand side of the road. But no worries! As you can see, we have survived to tell the tale.

Our initial plan was to drive down the coast towards Melbourne, along the Prince’s Highway, and then turn inland whenever it was time to start heading back to Sydney and its airport. I should explain why we chose to do this. Some five years ago, in a lodge located on a tributary to the Amazon River not too far from Manaus

juma lodge

we met an Australian and had one of those conversations you always have when meeting fellow-travellers: swapping notes on places travelled and things to see. The conversation inevitably turned to Australia, and he told us to go to Sydney and then drive along the coast. He wrote it all down on a paper napkin, which we carefully kept – but alas, that paper napkin is in storage in Vienna! When we were planning this trip we were trying to remember if he had told us to drive south or north from Sydney. For reasons which I cannot now remember, we plumped for going south. But this turned out to be not such a good idea. Contrary to what we had expected, we found the coast ho-hum. It was terribly built up, the sea-shores offered the usual sea-related touristy stuff, and most of the towns we passed through were suffering from ugly strip development. There were three bright spots in the gloom. The first was a highly enjoyable drive through Heathcote National Park just south of Sydney, where we saw massed Eucalyptus trees close up for the first time in our lives

eucalyptus-forest

After which we landed up on the Grand Pacific Drive. This road hugs the coast for some 20 kilometers, so we got wonderful views of the coast in the dying hours of the day.

pacific coast 006

The second bright spot was the few hours we spent on Jervis Bay, which has the most amazingly white sand (and very clear water – but bloody cold, at least when we were there).

Jervis bay

The third bright spot was our dinner at Batehaven, next to Bateman’s Bay. We had an excellent fish and chips (at a place called Berny’s – pass the word). In contrast to driving on the left, fish-’n-chips is one of the more useful things which Australia has inherited from the UK.

bernys

We ate it sitting at a table in the city park with the sea in front of us, lingeringly licked our fingers when it was all wolfed down, and then walked along the beach under a waning moon. Wonderful.

But all this was not enough to keep us from abandoning the coast. We decided on a rapid change of plan: make a brief trip to Canberra to visit a museum and then head for the Snowy Mountains. But before we did that, we went for a little ride through the Benandarah State Forest. This ride, and what we found there, will be the subject of my next post.

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Red Micra: http://images.cardekho.com/images/car-images/large/Nissan/nissan-micra/05-nissan-micra-brick-red.jpg
Lodge in the Amazon: http://www.jumalodge.com/gallery/2012/2.jpg
Eucalyptus forest: http://www.elrst.com/wp-content/uploads/2009/09/eucalyptus-forest.jpeg
The coast along the Grand Pacific Drive: my picture
Jervis bay: http://media-cdn.tripadvisor.com/media/photo-s/01/70/a6/66/jervis-bay.jpg
Bernys: https://lh5.googleusercontent.com/-dRGLeO8Kuw8/UhBa4uMijTI/AAAAAAABGmQ/afHL9AEl4Qs/s0/DSC03108.JPG

NOTES ON AUSTRALIA – SYDNEY

Beijing, 1 October 2013

G’day cobbers!  My wife and I are just back from a short holiday in Australia – the first time either of us have visited the country.

OK, let me say right up front that I am indulging in some revolting ethnic typing here. No-one during our trip said either “g’day” or “cobber” to us. Maybe in the small part of Australia we visited – Sydney, the coast immediately to the south of it, Canberra, and the Snowy Mountains – people don’t use these expressions, but the fact is no-one said them. Sorry about that!

But they did use a number of expressions which sounded odd to my English ear. “No worries”, used the same way I would use “you’re welcome”, as in “thank you”, “no worries”. “See you later” at the end of a conversation, even if there was no chance in hell of ever seeing the other person again. “How’s it going today?” at the beginning of a conversation, where I would merely say “hello” – the Americans have the same habit; I’ve never known how to respond to this. They obviously don’t want to hear a catalogue of my ills, so should I just say “fine”, even if I’m feeling like death warmed up? And should I in turn ask them how it’s going for them? That seems the logical – and civil – thing to do, but the few times I’ve done it my American or Australian interlocutors have seemed rather startled.

Then there were words used in normal conversation which I’ve only heard as Australian exotica. Take “billabong”, for instance, which I’d only ever heard in the song “Waltzing Mathilda” (“Once a jolly swagman camped by a billabong, Under the shade of a coolibah tree” etc.). But after hearing several people talk about billabongs, I plucked up the courage to ask what they were exactly. (FYI, they are isolated ponds left behind after a river changes course; we saw many of them on the upper reaches of the Murray River – more on that later. Now I have to find out what a coolibah tree is ..)

And of course there was the accent. Though distinctive,  it wasn’t that hard for us to decipher. But for several nights in a row I did try to figure out, through endless repetition with my mouth in various shapes, how the Australians were forming their O’s, as in “no” or “go”. My wife eventually ordered me to halt my dreadful drones, or else.  The New Zealand accent is much harder to follow, as my wife and I discovered a few years ago when we visited that country. I quickly got into the habit of standing next to her whenever she asked a New Zealander a question, because there was a 99% chance she wouldn’t understand the answer whereas in my case it was only 60%, so I could step in to continue the conversation and not have us standing there smiling uncertainly at the responder.

If I start with these linguistic considerations, it’s because the language we heard during our trip typifies my feelings about Australia: so much was deeply familiar, yet so much was quite strange. This continuing counterpoint between the familiar and the strange accompanied us throughout our trip.

We started our trip in Sydney, emerging bleary-eyed from our overnight flight to a sunny, beautifully clear, fresh day, conditions which we had pretty much for the whole trip. Ah, those clear, intensely blue skies! After all the misty, foggy, smoggy days we had endured in Beijing, we couldn’t stop remarking with wonder on the blueness of the sky, and on the clarity, the sharpness of the air.

Our first port of call was – had to be – the Sydney Opera House down at the harbour. The path we chose to get there took us through the city’s botanic gardens: shades of Kew Gardens in London, so familiar to me after multiple visits there as a child with my grandmother. A familiarity made that much stronger by the Worthy Civic Buildings like Government House and the Art Gallery of New South Wales which lie along the gardens’ edges and which obviously belong to that class of British official buildings which clutter up Imperial London and dot the cities of the ex-British colonies. But the gardens also had a more exotic flavour, planted as they are with Australian species I had never seen before; look at this tree, for instance, with its shaggy bark. My wife and I gawked at it, never having seen anything quite like it. It’s a Prickly Leaved Tea Tree, by the way.
sydney general 007
And look at these really odd birds, with their curiously curved long thin beaks, which populated the gardens.
sydney general 015
They played the familiar role of pigeons in a park, padding cautiously around people sitting or lying on the grass and looking out for any crumbs or left-overs to pick up, as this photo by someone else amply demonstrates.

ibis eating food

They went about their business in a much more dignified manner than pigeons, though; aristocrats fallen on hard times compared to pigeons’ scabby lumpen-proletarianism. I later learned that this is the Austalian white ibis.

To enter the gardens we first had to walk down Victoria Street, which was lined with magnificent plane trees – the familiar – but also rows of two-floor houses with verandahs running the length of the second floor – very foreign to our eyes.

sydney general 002

My wife saw a resemblance to houses we had seen ages ago in Savannah, Georgia. To me, they had something of the Caribbean or the Latin American, or maybe the South-East Asian. Certainly not English.  We saw similar houses in other parts of old Sydney. I wonder where their design came from?

This road threw up another delight, this flowering plant which we later saw in a number of other places.

sydney general 001

My wife and I had never seen this plant before, but it reminded us powerfully of the flowering agave plant which we often see when we go down to the sea in Italy.

flowering agave plant

And so eventually, after these various detours, we came to the Sydney Opera House.

sydney opera house 001

What a magnificent, magnificent building! All the more stunning because of its position in the harbour, its white sails, or wings, or shells, picked out against blue: blue skies above, blue waters below.

sydney opera house 014

We came back to it again and again, with a ride on one of the harbour’s many ferries …

sydney opera house 025

… with a concert one evening (where we were served up a strange medley of Wagnerian themes), which allowed us to see the building at night …

sydney opera house 019

… and finally with a tour of the whole complex, where I discovered to my surprise that the shells are not plain whitened concrete as I had imagined but are covered with ceramic tiles of different shades of white, and with different degrees of shine, very beautiful to look at close up.

sydney opera house 023

sydney opera house 006

The Opera House is undoubtedly a marvel, alone worth the trip. It is truly unique, I cannot think of any building anywhere quite like it (incidentally, the story of its construction is also dramatic, full of clashes between huge egoes, of back-stabbings, of bad-mouthings, and of a final dramatic denouement; worthy of an opera). I cannot say the same of that other architectural icon in Sydney, the Harbour Bridge. Perhaps its construction was an engineering feat in its time (the 1930s), but I find all that criss-cross of thick, black iron bars horribly clunky.

sydney harbour bridge

It reminds me of Scotland’s Firth of Forth railway bridge

firth of forth railway bridge

the ugly duckling to the later Firth of Forth road bridge, with its beautiful soaring lines of a classical suspension bridge.

firth of forth road bridge

Perhaps Sydney’s city fathers could consider a rebuild along the latter lines, or at least a make-over. I’m sure that with modern computing to help them refine the load calculations, engineers could get rid of half of that ironware and still have the bridge stay up. Just a suggestion.

I will pass over the rest of our time in Sydney, pleasant as it was. In a later post or two, I’ll come back to our visits to two of its museums when I mention our lightning visit to the Federal capital city, Canberra, and I’ll cover the rest of our trip.

See ya later!

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Ibis eating food: http://www.rudyrucker.com/blog/images2/au_ibistable.jpg
flowering agave plant: http://upload.wikimedia.org/wikipedia/en/7/75/Agave_at_Cape_Sounion.jpg
harbour bridge: http://www.ausmotive.com/images/MB-Sydney-Harbour-Bridge-crossing.jpg
firth of forth railway bridge: http://infohost.nmt.edu/~armiller/jpeg/firth3w.jpg
firth of forth road bridge: http://imgc.allpostersimages.com/images/P-473-488-90/38/3839/K3YYF00Z/posters/forth-road-bridge-built-in-1964-firth-of-forth-scotland-united-kingdom-europe.jpg
all other pictures are mine