Bangkok – the heart thrills

THUNDER

Bangkok, 4 July 2016

It’s the rainy season in Bangkok. The normal schedule sees the day start dry with perhaps some cloud cover, which then builds up into impressively nasty-looking, black, whorly cloud piles by late afternoon.

At that point, lightning rips the sky from cloud to ground

followed moments later by thunder. And what thunder it is! The air itself seems to crack and splinter, the clouds angrily boom and hammer, over and over again as lightning keeps bursting out of the clouds. Instinctively, my wife and I step back, retreating into the safety of the apartment, and murmur comments to each other about the elemental son et lumière playing outside our windows. And then the rain starts, so dense that the other side of Chaophraya River, normally perfectly visible from our terrace, is blotted out.

At moments like these, I feel pity for our early ancestors cowering in their rock caves or flimsy huts watching the same grand spectacle. With the benefit of science, I can rationalize what I am seeing: why, thunder is just the noise of the sonic shock wave created by the very sudden expansion of air caused by the almost instant increase in pressure and temperature brought about by the passage of a lightning bolt! That’s all … But they did not have this intellectual crutch to lean on. They must have found such dramatic displays by nature very frightening. So I suppose it’s not very surprising that all the early religions had a god of thunder, who no doubt had to be ritually appeased.

What I do find surprising, though, after a quick zip around the Internet, is how decorously many of these gods of thunder have been portrayed in art. If I were cowering in my cave 50,000 years ago, or even in my flimsy hut 5,000 years ago, listening to all that tearing, splintering, and booming mayhem going on outside, I think it would come naturally to me to depict the god of thunder as a mean, nasty, angry son of a bitch. Some portrayals do seem to go in this direction. For instance, those of Tawhirimatea, the Maori’s god of thunder

make him look satisfyingly nasty. So do portrayals of Raijin, Japan’s god of thunder

who to my eyes looks apoplectic. Chaac, the Mayan god of thunder also looks suitably nasty

although as in so much Mesoamerican art he looks gruesomely nasty – they really seemed to have a need for downright disgusting-looking gods, the Mesoamericans did. I think Thailand’s own god of thunder, Ramasura, could perhaps be added to the list. I suspect he has a nasty monster’s face, but the nastiness of it is offset by the graceful balletic poses he is depicted in, a pose common to any flying spirit in Thai art.

After that, it gets difficult to find angry-looking gods of thunder. Take Zeus, for instance, the Greek god of thunder and lightning. The angriest depiction I could find was this one, on a vase, where frankly he just looks a little snippy rather than rip-roaring mad.

His usual mode of representation seems to be that typically Greek one of Olympian calm and good muscle tone, like this magnificent statue of him in the National Archaeological Museum in Athens (the lightning bolt which he is, calmly, throwing has gone missing).

A rapid whizz through the pantheon of thunder gods in the Middle East gave me nothing better than this representation of Teshub, the Assyrian and Babylonian god of thunder

who, let’s face it, is looking petulant rather than angry as he wields his axe and lightning bolt.

I was hoping that the Norsemen, who after all seemed to spend most of their time stoving in their enemies’ skulls and drinking mead from those they hadn’t stoved in, would come up with a suitably horrible portrayal of Thor, their god of thunder. Not a bit of it! The best I could find was this

which, let’s face it, is a really pathetic representation of this god, who, if I’m to believe the Icelandic sagas, was testosterone-fueled and badly in need of anger management classes. Marvel Comics have done a much better job at depicting him

(and, by the way, have done a much better job of depicting Zeus too)

What to make of all this? Perhaps that the trick of our ancestors was to personalize these frightening phenomena. By personalizing them, they could clothe them with known and understandable personality traits, thus rendering the unfamiliar familiar. And/or maybe the ruling classes who arose out of the early agrarian societies and needed the acquiescence of the masses to their rule, if necessary through force, rather liked the idea of the masses equating their power to that of natural forces like thunder and lightning – but also wanted that power to look regal rather than just plain nasty; the fist of iron in the velvet glove, as it were.

Well, that’s my two-cent’s worth of pop-anthropological musings. My wife and I can now go back to watching the spectacle through our apartment windows – but from two steps back; you never know.

____________________
Thunder clouds over Bangkok: https://paulandsarahinthailand.wordpress.com/author/artyfooty/page/5/
Thunder clouds over Bangkok-2: http://2bangkok.com/2bangkok-weather-index.html
Lightning over Bangkok: http://www.digitalphotographytipsonline.com/my-image-gallery.html
Tawhirimatea, NZ: http://auckland-west.co.nz/2011/08/09/twhirimatea/
Raijin, Japan: http://www.esamskriti.com/print.aspx?topicid=969&chapter=1
Chaac, Mayan God of rain: http://archaeology.about.com/od/mayaarchaeology/a/Mayan-Rain-God-Chaac.htm
Ramasura: http://www.thaifolk.com/doc/mekkala_e.htm
Zeus on pottery: http://www.theoi.com/Gallery/K1.1.html
Artemisium Zeus statue: http://www.crystalinks.com/zeus.html
Teshub, Assyrian-Babylonian: https://www.pinterest.com/pin/12525705192076524/
Thor: https://en.m.wikipedia.org/wiki/Eyrarland_Statue
Thor comic book: https://en.m.wikipedia.org/wiki/Thor_(Marvel_Comics)
Thor and Zeus comic book: https://en.m.wikipedia.org/wiki/Zeus_(Marvel_Comics)

FADO

Bangkok, 11 June 2015

I get many invitations to diplomatic dos. I almost always bin them, but when I received one from the Embassy of Portugal to celebrate the country’s National Day, I hesitated. They do have the most wonderful Embassy here, right on the Chaophraya River.

My wife and I pass it very time we take the water bus down to Sathorn, and as we pass I always feel a twinge of nostalgia, to see this lovely villa from the 1870s, with its lawn sweeping down to the river, squeezed now between modern buildings of concrete, glass and steel. Ah, the Bangkok that once was …

It was decided. I would accept the Ambassador’s invitation, to give us a chance to see this wonderful property up close.

So it was that last night, as dusk was falling, we joined a line of guests to shake the Ambassador warmly by the hand, and then were left free to wander around the lawn, with a white wine in hand. We walked over to the river, turned around, and admired the scene.

As we stood there, sipping our wine, from under the flame tree came the unmistakable lilting lament of fado. Song after song floated across the lawn

É meu e vosso este fado
destino que nos amarra
por mais que seja negado
às cordas de uma guitarra

Sempre que se ouve um gemido
duma guitarra a cantar
fica-se logo perdido
com vontade de chorar

Ó gente da minha terra
agora é que eu percebi
esta tristeza que trago
foi de vós que a recebi

E pareceria ternura
se eu me deixasse embalar
era maior a amargura
menos triste o meu cantar

Ó gente da minha terra

This fado is mine and yours,
A destiny that binds us,
No matter how much denied,
To the strings of a guitar

When we hear the lament
Of a guitar in song
We are instantly lost
In a desire to weep

Oh people of my land,
Now is it that I understand
This sadness which I carry.
I received it from you

And it would seem a tenderness
To allow myself to be soothed.
The bitterness would be greater
My singing less sad.

Oh people of my land

And so filled with saudade, that indefinable existential melancholy which we are told pervades the Portuguese soul, as well as with several glasses of excellent Portuguese wine, we slowly made our way inside the villa, to eat bacalhau à Gomes de Sá.

___________

Embassy from River: http://upload.wikimedia.org/wikipedia/commons/2/2a/Embassy_of_Portugal_Bangkok.JPG (in http://commons.wikimedia.org/wiki/File:Embassy_of_Portugal_Bangkok.JPG)

The other picture: mine

SONGKRAN

Bangkok, 15 April 2015

Call me a sourpuss, a killjoy, a party-pooper, even an old fart, but I really cannot find anything positive to say about the Songkran festival which is in full swing at the moment here in Thailand. For those of my readers who may not be familiar with Songkran, it is Thailand’s festival of the new year. Actually, Myanmar, Laos, and Cambodia all celebrate the same festival, even if it has a different name in Myanmar and Cambodia (Thingyan and Chaul Chnam Thmey) – not surprising really, since all these countries follow more or less the same traditional Buddhist calendar.

Thais celebrate Songkran by squirting, spraying, and generally throwing water on everyone and everything, in one vast water party.

To cap it all, people slather themselves – and others – with a white paste (shades of Myanmar).

Those who are young, or who have an infantile sense of humour (aïe, my sourpussedness is coming to the surface), find all this hugely entertaining. Shrieks and laughter echo up and down the streets. Clothes are soaked, but no matter, it’s the hottest time of the year, they will dry out in a flash. And off goes another bucket of water!

Of course, for sourpusses like me, who have to get to meetings with officials in nice clothes or have to go to the office to work and who would prefer not to sit in a puddle at their desk, it is a trial to navigate the streets and dodge the pails of water, the hoses, the water guns. And anyway, it’s just so … damned childish to enjoy throwing water at people! (aïe, my party-poopery is coming to the fore: “I grow old, I grow old, I shall wear the bottoms of my trousers rolled”)

What I find really irritating is that all this water throwing is a stupid, facile, totally post-modern corruption of the original festival. Water has a very important role in Thai society, as it does in many cultures. Clean water is the symbol of purity and peace. At the new year, it is used to wash away the dirt of the old year and allow one to start the new year clean and fresh. During the three days of the festival, clean water is poured over statues of the Buddha to clean them. That same water, in some way sanctified by its contact with the Buddha, is sprinkled over family and friends, again as a symbol of cleansing oneself for the year to come. Part of the tradition has younger people sprinkling water on their elders.

In a variation on this last tradition, yesterday in the office my secretary shyly asked me if I would be willing to take part in a ceremony where my colleagues would sprinkle water on my hands, in my role as the head or “elder” of the office. I was glad to, I announced, feeling that this at least gave some meaning to the silly goings-on outside my window. So at the appointed time, my colleagues solemnly – if somewhat self-consciously – processed into my office. A silver bowl filled with clean water strewn with petals was placed on the table, and one by one – eldest first – they came up, knelt in the Thai fashion, and poured a small cup of water over my hands, while wishing me a happy new year. I wished them and their families a happy and prosperous new year in return.

When I came home for lunch, I noticed that a statue of the Buddha had been set up in the lobby, with a bowl of water nearby. Why not? I thought. I might as well go the whole hog. So I offered the statue a traditional if rather awkward namaste and poured a cupful of water over him.

___________________

Water festival-1: http://cdn.c.photoshelter.com/img-get/I0000SR1YiamyV8Y/s/750/750/Water-Festival-in-Bangkok-Thailand-29.jpg (in http://aaronjoelsantos.photoshelter.com/image/I0000SR1YiamyV8Y)
Water festival-2: http://www.chiangmai-alacarte.com/sites/default/files/styles/main_col/public/images/songkran_festival_and_tour_in_chiang_mai_thailand2.jpg?itok=KUnw68jO (in http://detaykibris.com/taylandda-su-bayrami-coskuyla-kutlaniyor-191-olu.html)
Water festival-3: http://www.journeymart.com/gifs/holidays-ideas/festivals/songkran-thailand-water-festival.jpg (in http://www.journeymart.com/holidays-ideas/festivals/songkran-thailands-water-festival.aspx)
Water festival-4: http://cdn.lightgalleries.net/4bd5ec1013294/images/Songkran_Water_Festival_Bangkok-2-1.jpg (in http://www.aaronjoelsantos.com/contents/Stories/Waterworld/image-Songkran_Water_Festival_Bangkok-2/)
White paste on face-1: http://i.telegraph.co.uk/multimedia/archive/01615/red-shirts-white-p_1615328i.jpg (in http://www.telegraph.co.uk/travel/picturegalleries/7586439/Songkran-tourists-and-Thais-splash-each-other-with-water-to-celebrate-new-year-in-Thailand.html)
White paste on face-2: http://www.dailytravelphotos.com/images/2011/110425_songkran_white_powder_paste_faces_thai_festival_day_applied_IMG_9676.jpg (in http://www.dailytravelphotos.com/archive/2011/04/25/)

THICK EYEBROWS

Bangkok, 29 March 2015

In an earlier post, in which I wrote about a short trip my wife and I made to Dubai, I mentioned that we had visited the Sheikh Mohammed Centre for Cultural Understanding. What I didn’t mention – because not pertinent to the subject of that post – was that our guide had exceedingly strong, straight eyebrows. I tried not to stare at her too insistently because that is rude, and I would imagine that staring at women in Muslim countries can also be a dangerous habit. But I did find it quite striking. My surreptitious peeking allowed me to conclude that this was not a gift of nature but a gift of the cosmetics industry. Something like mascara had been applied to our guide’s eyebrows. They looked something like this, although our guide wasn’t quite as glamorous as this lady.

In any event, as our guide talked about this, that, and the other, I wondered to myself if this was some sort of new fashion statement in the Middle East. After the tour was over, I was pleased to hear that my wife had also noticed it; I wasn’t imagining things, then.

Our trip completed, we went back to Beijing and I forgot about the eyebrows thing. But I was suddenly confronted again with this fashion statement the moment we arrived in Bangkok. It seemed that every young woman in the city had these exaggeratedly strong eyebrows. I’ve not found a photo on the internet and I haven’t dared to openly take a photo myself of one of these young women, but I guess that advertising on the street is a good indicator of trends. Here’s a photo that I took of billboards in one of the smarter shopping areas of a Bangkok.

What my internet searches did show up is that the Thai consider such eyebrows to be Korean eyebrows, and this photo of a Korean lady actually nicely captures what I am confronted with every day on the streets of Bangkok.

Whose eyebrows the Koreans believe these are is unknown to me – certainly not Japanese; the web-site from which I borrowed the photo above makes a distinction between Korean and Japanese eyebrows, the latter being more arched if I understood correctly. My daughter, who knows more about these things than I do, puts a famous model as the ultimate source.That sounds reasonable. In the old days, Queens and their aristocratic hangers-on were arbiters of fashion; in this more democratic age of ours, models are.

(the comment below suggests that the model Cara Delevingne is the Ultimate Source – no doubt those below the age of 30 know who this Ms. Delevingne is, and no doubt she is as rich as Queens once used to be)

Talking of Queens, my trawls through the internet also snagged a couple of sites which discussed the history of female eyebrow fashion, one starting from as far back as Nefertiti, who was Queen of Egypt three thousand years ago, and who – if this bust of her in a Berlin museum is to be believed – seems to have favoured more pronounced eyebrows.

My own recollection of female eyebrow fashion starts with a time when quite a number of women favoured instead pencil-thin eyebrows, the time in question being, I suppose, the fifties and sixties (although as this photo shows, these eyebrows were already popular several decades earlier).

My wife, I have to say, was among this group when I first met her. Luckily, I managed to dissuade her from continuing the habit, and she has spent the rest of our marriage sporting a fine set of no-nonsense eyebrows.

My wife’s abandonment of pencil-thinness coincided with a general return to thicker eyebrows, but sculpting of the eyebrow was still common. I still remember how much chatter was generated in the late seventies-early eighties by the young Brooke Shields’s thick, apparently unsculpted, eyebrows.

They caused quite some emulation for a while (any reader who is younger than 30 and therefore who probably has never heard of Brooke Shields can go the Wikipedia site on her to read more). I feel that what I am seeing now on the streets of Bangkok is really that style, helped along with a pencil or, if I am to believe the internet, some sort of felt pen. Well, styles go in and out of fashion like Swiss trains go in and out of Alpine tunnels. But I hope never to live to see pencil-thinness again.

_________________

Middle-eastern lady with drawn in eyebrows: http://machicon-akihabara.info/2017mimage-middle-eastern-eye-makeup.awp
Billboards in Bangkok: my photos
Korean eyebrows: http://www.tunwalai.com/story/19251/got7-%E2%84%ACad-mafia-%E0%B9%81%E0%B8%AB%E0%B8%81%E0%B8%81%E0%B8%8E%E0%B8%A3%E0%B8%B1%E0%B8%81-%E0%B8%97%E0%B8%94%E0%B8%AA%E0%B8%AD%E0%B8%9A%E0%B9%83%E0%B8%88%E0%B8%A5%E0%B8%B9%E0%B8%81%E0%B8%8A%E0%B8%B2%E0%B8%A2%E0%B8%A1%E0%B8%B2%E0%B9%80%E0%B8%9F%E0%B8%B5%E0%B8%A2-mb
Queen Nefertiti: http://keywordsuggest.org/gallery/18971.html
Pencil thin eyebrows: http://anastil.blogspot.it/
Brooke Shields: https://fashionista.com/2010/10/the-power-brow-is-here-to-stay-we-round-up-the-best-and-boldest

RUBBING ALONG TOGETHER

Bangkok, 1 November 2014

I think it must be a scientific law that the closer you get to the equator, the more species you will find per square metre (or foot, if you wish) looking for their space in the sun. All that steamy heat seems to lead to a sustained biological ebullience. Certainly, in a totally unscientific survey, my wife and I have agreed that the number of species wishing to share with us our hot and steamy Bangkok apartment is considerably higher than it was in Beijing. There, over a period of five years, we catalogued a few, relatively small, cockroaches making a frantic getaway over the floor and that was it (although the rare cockroach sighting led to apoplectic calls to the front desk and demands for a thorough chemical spraying). Here, in just one month and a bit, we have seen:

– A little lizard, very pale, almost albino, which we first sighted peeping out from under the dining table, then from behind a column that we have in the living room, then in the cupboard under the kitchen sink. He looked very similar to this little fellow.

I have had a soft spot for lizards ever since I used to chase them as a boy across the walls of my grandmother’s garden in France, so I was pleased to see it. But my wife is not a lizardophile and demanded that I get rid of it. I rather reluctantly chased it around a bit and was secretly pleased when it disappeared of its own accord.
– A horribly large cockroach, which luckily was flat on its scaly back, dead, in the shower. But I have seen them horribly alive, skittering ahead of me across the pavements, always in the darker corners of the neighborhood. Disgusting creatures, I refuse to grace them with a picture ….
– A number of wonderfully large moths, which flutter in at night from out over the river and settle down for a rest. They are really beautiful, nothing like the dreary little things we have in Europe, so I’d be pleased to share my living space with them.

But my wife is having none of it, so with a sigh I shoo them out, using the pasta drainer to catch them and carry them out.
– Several species of bird which use the balcony railing as a favorite stopping place. There are those pesky pigeons which crowd our squares in Europe. But there has also been a beautiful bird, which I think is also a type of pigeon although my wife disagrees.

Cheeky little sparrows also hop on and off the railings, beadily eyeing any crumbs which might have fallen off the table that we carry out onto the balcony for breakfast, lunch and dinner.
– swallows, which my wife says she found early one morning twittering around on the living room parquet (we had left the windows open). Imagine that! I see them dive and swoop over the river

as I have seen them dive and swoop over summer fields in Europe. But I have never seen them stand still.

All this in the few square meters (or feet, if you wish) of our apartment. Expanding out a little, we’ve seen beautiful little birds, black with white tufts on their wings, fluttering silently on and off the clumps of water hyacinth which drift past us on the river. They have recently been joined by a lovely white egret.

And then there’s the Asian koel bird which I’ve mentioned before. I keep on hearing it, but I’ve never managed to see it. In the dirty, oh so very dirty, canal which runs behind the office, I’ve seen what I think is a monitor lizard swimming lazily (or sickly?) in the watery gook: the water is greyer than in this photo.

The same canal teams with fish, which some enterprising (or mad?) people fish from time to time. And we have a couple of next-door fishermen who put out their nets in the river while we are having breakfast, well out of the way of the busy river traffic. I’ve sometimes caught a gleam of silvery scales in the bottom of their shallow little boats.

But I presume that the number of species we can stumble across in the concrete jungle of Bangkok would be nothing compared to what is present in the real jungle – or what is left of it in Thailand. That pleasure awaits us still.

_______________
Lizard: http://naturestudent.files.wordpress.com/2013/01/20130121-162953.jpg (in http://naturestudent.wordpress.com/2013/01/21/lovely-lizards/)
Moth: http://1.bp.blogspot.com/-R3HpNI3L0lM/TzdPTJ13xQI/AAAAAAAAAD8/TiXKoEuS1go/s1600/Samia+canningii.JPG (in http://norfolkbirderinthailand.blogspot.com/2012/02/thailand-moths-part-two.html)
Bird on the balcony railing: my wife’s picture
Flying swallow: https://c1.staticflickr.com/9/8164/7244597922_bd666a00e8_z.jpg (in https://www.flickr.com/photos/clicks_1000/7244597922/)
Egret: http://upload.wikimedia.org/wikipedia/commons/f/f1/Little_Egret_flying_-_Thailand.jpg (in http://c
ommons.m.wikimedia.org/wiki/File:Little_Egret_flying_-_Thailand.jpg)
Monitor lizard: http://cdn2.vtourist.com/4/6079856-Monitor_lizard_swims_khlong_Bangkok.jpg?version=2 (in http://www.virtualtourist.com/travel/Asia/Thailand/Central_Eastern_Thailand/Bangkok-1445238/Off_the_Beaten_Path-Bangkok-Khlongs_Canals-BR-1.html)

PERAMBULATING PARQUETS

Bangkok, 26 October 2014

My wife has been busy getting to know Bangkok in her usual favorite way, taking the bus (with me joining her on the weekends). When she told the very nice Thai couple whom we have befriended in the building that she takes the bus to get around, they stared at her and finally managed to ask, “the aircon buses?” When she said no, no, the normal buses, they tittered nervously. When pressed, they confessed to have not taken a bus in twenty years. (This reminds me of a scene early in our marriage. It was downtown Baltimore, 1978 or 9. We wanted to get somewhere, I forget where, so we approached a nice young man sitting on a bench eating his lunch and asked him what bus we might take. He confessed that he had no idea, that he had never taken a city bus in his life. We stared at him: how could it be that someone had NEVER taken a bus? The difference between a European and an American, I suppose. But I digress.)

It is true to say that the (non-aircon) buses of Bangkok are not the most handsome of buses. In fact, they obviously have had a hard-scrabble life.

And their technology looks – and sounds – very old-fashioned. For instance, whenever the drivers change gears (using a huge gear shift as big as the seated drivers themselves), it sounds distinctly like they are double-declutching (a term which I would imagine is meaningless to anyone below the age of 60). The drivers are always in a tearing hurry, no doubt due to being perennially bottled up in Bangkok’s terrible traffic, so getting on and off buses is an athletic accomplishment. To get on, wave down the bus, rush for the door, swing in as the bus already starts to move off. To get off, ring for the stop, balance yourself on the balls of your feet, hustle down the steps the moment the doors start clattering noisily open, and drop down into the street as the bus already moves off. And while inside, hang on for dear life as the bus barrels its way down the city’s streets, riding roughshod over every pothole and other imperfection in the road’s mantle.

But as I grimly hang on in the bus, bouncing up and down on the (really quite comfortable) seats, I cannot help but wonder at the beautiful parquet floor which the buses have. Look at that! Who has ever seen parquet floors in buses?

Well, “parquet” may be pushing it a little, but this is really nice wood they’ve used. No trash soft wood here, being rubbed to pieces by passenger’s dirty shoes. This is close-grained hardwood. I would be proud to have a floor of that in our living room, sanded down and waxed into a rich red-brown color, instead of the fake plasticized “parquet” which our miserly landlord has laid down and which rings hollow every time we walk across it. I wince when I see how this beautiful wood has been mercilessly screwed down onto to the bus chassis, with big, gleaming, screws. Aie-aie-aie!

The only thing that worries me here is the wood’s provenance. This is not plantation wood, nor I’m sure is it certified wood from responsibly managed forests. I fear that this is just brutally logged wood from Myanmar or Laos or perhaps Indonesia (Thailand has already cut down much of its forests).

Perhaps it would be better for Bangkok to shift to modern, gleaming, air-conditioned, buses with plasticized floors
and leave this beautiful wood standing in its wilderness, soaring up towards the sky.

_______________
Bangkok bus: http://www.langeasy.com/images2/bkk/bus2.jpg (in http://www.langeasy.com/cities/bangkok/bangkokpage1.html)
Bangkok bus floor: my photo
Illegal logging: http://www.globalpost.com/sites/default/files/imagecache/gp3_slideshow_large/illegal_logging_in_anlong_veng_ii.jpg ( in http://pixgood.com/illegal-loggers.html)
Modern city bus: http://i01.i.aliimg.com/photo/v2/280618923_1/SLK6111_Aluminum_Body_City_Bus.jpg (in http://www.skyscrapercity.com/showthread.php?t=1468014)
Mahogany tree soaring: http://treepicturesonline.com/tree-mahogany.jpg (in http://treepicturesonline.com/mahogany_tree_pictures.html)

TUGGING AT MY HEARTSTRINGS

Bangkok, 9 October 2014

Our living room is small, but it has a magic view on the Chao Phraya River. Two of the living room’s walls are all glass and allow us a wonderful view up and down the river.

My wife and I maximize this view every morning by dragging our table out onto the narrow balcony which wraps around our living room and taking our breakfast – tea, cereal, and tropical fruit – all the while watching the parade of boats moving up and down the river.

Let’s be clear, the boats we see are not as handsome as these 1920s yachts.

I suppose the most striking boat we see are the long-tailed boats which skim across the river’s surface, their huge roaring motors in the stern peremptorily signaling their presence to one and all.

The water buses that ply the river aren’t so showy, but their raked bow gives them a certain allure.

My heart, though, goes out to the lowly ugly tugs which rumble slowly up and down the river dragging trains of barges behind them – slowly, so very slowly when the barges are full, slightly more jauntily when they are empty.

I sit there, watching them tug and strain, and will them on: “Go, little tug, go! You can do it! Attaboy!”

They may work hard, but these tugs are no shrinking violets. No drab work clothes for them. No siree, their owners paint them strong, happy colors, to signal how proud they are of their work partners. I mean, look at them!

As these tugboats pass, flaunting their color schemes, I can’t help but think dreamily of the tugboats of my youth, like Theodore the Tugboat

or Little Toot the Tugboat

or even Scuffy the Tugboat

Toot, toot!! Tug away, fellas! Job well done! I hope you get a rest and a good lube job in the evening. Toot, toot!!

__________________

Views of Chao Phraya river: my photos
1920s yachts: http://abrushwithsail.blogspot.com/2012/06/grand-yachts-of-1920s.html
long-tailed boat: http://swissnomads.com/wordpress/wp-content/uploads/2013/09/long-tail-boat.jpg
water bus: my wife’s photo
tub boat and barges: my photo and http://www.panoramio.com/m/photo/47654772
colourful tugboats: my wife’s photos
Theodore the Tugboat: http://www.mtcw.ca/theodoretugboat/Tours.php
Little Toot the Tugboat: http://blog.keloland.com/lund/blog/2010/12/20/aunt-leilas-records/
Scuffy the Tugboat: http://www.betterworldbooks.com/scuffy-the-tugboat-sail-away-id-0375826963.aspx

SOUNDS OF BANGKOK

Bangkok, 19 September 2014

Well, we’ve finally moved to Bangkok. We’ve found ourselves a place on the Chao Phraya river, literally overlooking it. The open water gives rise to constant breeze which we can channel through the apartment by a judicious opening of various windows, obviating the need for air-conditioning – a minor miracle in this heavily air-conditioned city. When, as now, the evening’s storm clouds come rolling in, that breeze will rise to a stiff sou’-wester’ threatening to blow every light object into the river below and sends us scurrying around the apartment closing windows and doors. At these moments, I find myself back on my grandmother’s sailing boat, with her at the tiller imperiously ordering me and any other grandchild around to lash down everything movable as the summer storm rips over us and the boat starts to lean over at a precipitous angle.

During the day, that same breeze wafts into our living room all the noises of the river and its banks: the deep grumble of the tug boats slowly pulling the heavily laden barges upriver, the growl of the water-buses as they tack back and forth across the river from stop to stop, the creaking and groaning from the landing piers lining the bank as the wash of passing ships sends their platforms oscillating, the slightly atonal call to prayer from a mosque somewhere on the far bank, the more profane call to evening aerobics in a small park just downriver, the occasional siren from a police car racing over one of the nearby bridges, and just the ordinary household noises rising out of the houses below our balcony.

But for me, two sounds stand out from this medley. One is the piercing whistling used by the water bus conductors to guide the drivers when they berth at stops. I haven’t yet understood the signaling, but somehow the conductor makes the driver understand when to reverse the engine to slow down, then idle it, then start it again to move off from the stop. As I listen and watch, fascinated, I am suddenly back in Hyde Park looking on at a competition of Welsh shepherds using whistling to guide their sheep dogs into driving a flock of sheep from one place to another (I’m not sure the drivers of the water buses would appreciate being compared to sheep dogs).

The other sound is the cry of a bird. It is very distinctive. It starts with a low cry, which is followed in rapid succession by a series of ever higher and more piercing cries, finally reaching a crescendo and dying out. I have asked my Thai staff what the bird is called. They are still wrestling with the Thai name, let alone the English name. In the meantime, I am calling it the Fake Orgasm Bird. It reminds me every time of a night I spent in a cheap hotel in Geneva (cheap for Geneva, expensive for anywhere else), where I was woken up in the early hours by a Lady of the Night who was pleasing her customer by oohing and aahing at the top of her lungs. She sounded exactly like my Bangkok bird.

Postscript 22 November 2014:

I have finally identified my mystery bird! It is the Asian koel. For those who might be interested in its call, go to http://www.youtube.com/watch?v=TU3T6jikQqg.

PEOPLE ON THE MOVE

Bangkok, 27 July 2014

Well, I’ve received my transfer orders. I’m moving to Bangkok to take over our office there. So my wife and I have been down in Bangkok for the last week, looking for a place to stay. For the moment, we’re renting an apartment which we got through AirBnB. It gives right onto the Chao Phraya River, which runs through the middle of the city and around which the city grew. So as we have breakfast in the morning before we go out apartment-hunting we can watch the traffic on the river: the empty barges, riding high

the full barges, with water to their gunwales

the express boats crowded with commuters darting in between as they weave their way from bank to bank.

But what also catches my eye is this temple on the other side of the river

and it always reminds me of … China. Or rather, a certain corner of China, the Xishuangbanna Dai Autonomous Prefecture. This is way down in the south of Yunnan province, squeezed between Laos to the East and Myanmar to the West. A few years back, we spent a Dragon Boat Festival holiday in the prefecture’s main town, Jinghong, in a beautiful house which was built from elements scavenged from traditional houses that were being torn down in China’s rush to modernity.

It too gave on a river, the Mekong in this case (although the Chinese don’t call it that; it’s the Lancang River to them), and there too we could gaze down on the river while having our breakfast.

The temples in Jinghong are built in the same style as the one I see across my breakfast table, or at least the newer establishments are.

The older temples in the area are somewhat more sobre.

This very obvious echoing of the Thai style has a simple reason. The Thai people (Dai people in this part of the world, hence the name of the prefecture) originally came from southern China. Then, for reasons which may have to do with the southwards migration of the Han Chinese, a portion of them upped sticks in the first millennium AD and started wandering south through Laos and Myanmar until they settled in what is now Thailand. But they left echoes of their culture behind, reflected in the designs of the temples but also in the language – many of the signs in Jinghong are in Thai as well as in Chinese.

The local culture (Thai and non-Thai; the ethnic mix in this part of the world is quite bewildering) is threatened with submersion in the Han culture – recall that this is why the Thais probably originally started migrating southwards. Until the 1950s there were few Han Chinese in this part of Yunnan – they were afraid of the malaria, which was then endemic. But the Chinese communists vigorously promoted programmes which eradicated the malaria. They then brought in poverty-stricken migrants from other parts of China and put them to work cutting down the jungle and planting rubber trees in its place, so now the hills around Jinghong are monotonously covered with acre after acre of rubber trees. These are all clones from the same genetic line. Those who know about these things predict that sooner or later (probably sooner rather than later) a rubber tree virus from Brazil will arrive here and wipe out every single rubber tree: an environmental disaster of epic proportions.

In the meantime, the descendants of the miserably poor Chinese who were sent to Xishuangbanna to plant and tap all those rubber trees still live in miserably poor Chinese villages, scorned and resented by the local populations.

As I look at the temple across the river and reflect on all these historic movements of people, I am reminded of the current tensions in Thailand caused by more recent movements, tensions between migrants from Cambodia, Laos and Myanmar, who do the dirty, poorly paying jobs which the locals no longer want to do, and the Thais, who have conveniently forgotten (if they were ever taught) that they too were once migrants.

“Plus ça change et plus c’est la même chose”, as Jean-Baptiste Karr, a French journalist and novelist, said back in 1849, and as my French grandmother was fond of quoting: the more things change, the more they stay the same. So true.

___________________

Chao Phraya river pics: mine
Yourantai-interior: http://media-cdn.tripadvisor.com/media/photo-s/01/b9/8b/a5/les-repas-dans-un-cadre.jpg [in http://www.tripadvisor.co.uk/LocationPhotoDirectLink-g528741-d1749170-i28937125-Yourantai_B_B-Jinghong_Yunnan.html%5D
Yourantai-river view: http://www.cielyunnan.com/wp-content/uploads/2012/04/Yourantai-24.jpg [in http://www.cielyunnan.com/hotels/hotels-xishuangbanna/xishuangbanna-yourantai-resort/%5D
Buddhist temple Jinghong: http://www.yunnanadventure.com/UploadFiles/Yunnan-Attractions/Xishuangbanna-Attractions/Mange-Buddhist-Temple-Jinghong-XishuangBanna.jpg [in http://www.yunnanadventure.com/attraction-p156-mange-buddhist-temple-jinghong-city
Temple Xishuangbanna: http://www.wildchina.com/blog/wp-content/uploads/2008/08/img_8570.jpg [in http://www.wildchina.com/es/multimedia/wildchina-blog-details/yunnan-hiking-in-xishuangbanna%5D

TEMPLES IN LAOS

Luang Prabang, 20 February 2013

I must confess to a certain weakness for the Buddhist temples in this part of the world. I first came across them nearly thirty years ago (Good Lord, is it really that long ago?) when my wife and I visited Japan. My photos of that trip are packed away with all the rest of our stuff in Vienna, so I’ve borrowed a few pictures from the web to refresh my memory, all from Kyoto, a wonderful place. This is Kiyomizu-ji.

But probably the most iconic temple of them all in Kyoto is Kinkaku-ji, the Temple of the Golden Pavilion.

Look at that delicate architectural tracery embedded so naturally, so lightly, in the surrounding greenery.

Many years later, my wife and I saw another style of Buddhist temple in Bangkok during a brief stay there on our way to Angkor Wat. This is Wat Benchamabophit:

And this Wat Ratchanatdaram:

And then, once here in China, we saw yet another style, a heavier, more “imperial” style. The Temple of Heaven in Beijing is one of the nicer examples.

All quite different. But I think you will agree that there is a common thread: the raking of the roofs. I don’t know what it is, but this lift of a roof at its tip really gives a wonderful grace to a building, even a rather heavy, stodgy building like the Temple of Heaven.

So it was with pleasure that we saw this again in Laos, first in Vientiane:

Then in Luang Prabang:

I saw other things that warmed the cockles of my heart, like this for instance:

This is where I can refer the reader back to my previous post. What we’re seeing is the similar use of paintings to educate the faithful in two places that are nearly 9,000 kilometres apart. The Italians have an expression for this, tutto il mondo è paese, the whole world is but a village; in the end, we’re all the same wherever we live. In the previous post, it was my young daughter who was illiterate. In this case, it was me – and alas, I had no-one who could explain the story which the paintings were telling.

We also liked the way that the temples had different roofs piled one on the other.

It quite reminded us of the stave churches in Norway, several of which we had visited some five years ago:

Tutto il mondo è paese.

We also liked a certain set of Buddha statues that we came across. These are in the “praying for rain” position:

And these are in the “no war” position:

Well, I suppose that’s what we all want, isn’t it? We want to eat our fill and live in peace.

Tutto il mondo è paese.

_______________________________

Kyoto-temple-1: http://anime.aplus.by/uploads/posts/2011-01/1293979203_xigasiyama.jpg
Kyoto-temple-2: http://www.gadventures.com/blog/wp-content/uploads/2012/07/Kyoto_GoldenTemple.jpg
Bangkok-temple-1: http://misto-market.com.ua/turizm/images/interestplace/98/1.jpg
Bangkok-temple-2: http://travel-tips.s3-website-eu-west-1.amazonaws.com/holidays-Bangkok-Thailand-hotel-package-deal-travel-tips-guide-Wat-Ratchanatdaram-Temple.jpg
Temple of heaven: http://templeofheavenbeijing.com/wp-content/uploads/2011/11/Temple-of-Heaven.jpg
Norwegian stave church: http://25.media.tumblr.com/tumblr_llqkm5GrsA1qzxqgco1_1280.jpg

the other pictures: mine